Irina Kondriko
Drawing in the preparatory group "For a cup of tea"
Subject: "Per with a cup of tea»
Goal:
Learning to use different visual means to obtain an expressive image; harmoniously placing pattern elements on a sheet of paper;
Develop a sense of composition;
Educate love and respect for the family, its traditions.
Integration of educational regions: Cognition, Communication, Hood. Creativity, f. k., Socialization, reading x / l.
Planned results: Use different visual means to obtain an expressive image; Harmoniously placed pattern elements on a sheet of paper.
Equipment: White sheets of paper A4, paints, simple pencils, napkins, brush on each, sets of tea pairs, paintings.
During the classes:
1. Organizational moment
The educator reads a poem: If the birth with whom it happens - tea can be coated. Tea of \u200b\u200ball drugs are useful, helps from diseases. Tea in the heat is refreshing us, and in the frost heats, and drowsiness will turn around and will argue with fatigue. Crushes any ailment, tea health - best friend!
Long has always been honored in Russia, and a cup He was a decoration of any conversation, meetings. The petition tea was with a lush samovar, gingerbread, fragrant jams. Tea drank in the morning, in the evening, drank, when waving, drank and from nothing to do, and just like that. They drank with milk, with lemon, with jam, and most importantly - with pleasure.
2. Conversation on the topic:
Guys, what needs to be done before meals? (To wash hands.) - Why do you need to wash your hands before eating? (Microbes live on dirty hands.) - What are the behaviors at the table you know? (At the table can not be accepted, pushed, etc.)
Today we will be at our lesson draw a cup of tea.
- Guys, look at the tea sets that I brought you to the lesson. What do they differ from each other? (Shape, ornament, handle.) Consider illustrations with ornament. For drawing cask You can use any ornament, you can come up with your ornament.
To start drawing our cup of tea, Note the location cups on a sheetto a cup It was located in the center.
3. Fingering gymnastics
Gun gnomes to invite. (An index finger of the right hand pressure in turns on the pillow of the left hand) began to treat the gnomes. (The same, but on the contrary) Every guest got jam. (Each finger of the right hand is alternately torn by a pad about the thumb of the same hand. At the same time, the fingers of the left hand at the same time) fingers glued down then treat. (Consistently starting with the big one "Bear" The appropriate fingers on both hands) the palm snapped tightly to the palm. (Press your palms one to another) Guests can not even take spoons! (Shoulders raise, elbows slightly diluted to the sides - "Surprise")
3. Practical work
And now, try to show in your drawings, cup of tea. The educator clarifies the ideas of children that in the plot everything should be connected with each other.
4. Outcome
Who wishes to tell that drawn? Who, whose work did you like the most? Find the most neat tea pair, with a beautiful ornament.
Thank you for work!
This selection is created for anyone who helps children absorb the beauty of fine art from the small years. It is not easy to find outstanding canvases that can be shown to the kids. Often such works contain content that we consider unacceptable for children.
We saved your time and made a selection of 11 paintings in the household genre. They can and need to be considered with children. So we instill love for art and creativity, develop artistic taste.
Household genre (in painting) - genre of fine art, which involves drawing scenes from the daily life of people, such as labor and recreation, holidays and significant events. As a separate genre appeared in the XVI century.
It is noteworthy that in Russian painting, the household genre was formed in the second half of the XIX century. Then the St. Petersburg Academy of Arts officially recognized domestic painting, and the French word "genre" (Genre) was adopted for her designation. Creating canvas on household plots artists began to call genre.
In the distant times in Russia, images with events of everyday life were called "bye wateque letters."
11 paintings in the household genre for children
1. "Ball in Moulin de la Gaette", Pierre Auguste Renoir, 1876, Museum Orsay, Paris.
2. "Memom of Garden in Etten", Vincent Van Gogh, 1888
3. "Butterist", Michelangelo Merisi Ya Karavajo, 1595, Hermitage, St. Petersburg
4. "On the harvest. Summer ", 1820s, A. G. Venetsian
5. "Senokos", A. A. Plastov, 1945, Tretyakovsky Gallery
6. "Taking the Snow Town", V. I. Surikov, 1891
7. "Young painter", I. I. Firsov, 1760s.
8. "Swing", Pierre Auguste Renoir, 1876
9. "Prival Hunters", V. G. Perov, 1871, canvas, oil. 119 × 183 cm, Tretyakov Gallery, Moscow
10. "Breakfast of Aristocrat", P. A. Fedotov, 1849, State Tretyakov Gallery, Moscow
11. "Morning", Yablonskaya Tatyana Nilovna, 1954
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Expand the horizons, learn to see beautiful in ordinary people and events of everyday life.
- Expand the horizons, learn to see beautiful in ordinary people and events of everyday life.
- Give the concept of "household genre."
- Introduce the works of Russian painters Fedotov P.A. and Perova V.G., Reshestnikova P. and Plastov A.
- Move moral education through the perception of paintings by the household genre.
- Intensify mental processes and ability to talk.
- In the visual arts based on the image of the image allocate -
- portrait, still life, landscape.
- The household genre of fine art dedicated to everyday (usually modern) private and public life. The tasks of the household genre include not only a reliable image of the relationship seen in the life and behavior of people, but also the disclosure of the inner meaning and social content of everyday household phenomena.
- What artistic image I wanted to transferring perov in my paintings?
- What is the main idea of \u200b\u200bthese 2 paintings?
- It is through composite riz The artist builds the right one plotsince the composite center is located in the plot (which directs the viewer's view to the main event, and later expressing the idea of \u200b\u200bthe composition) and complementary part of the contributing to the composition of the composition center.
- The law of submission to the secondary main requires the artist of this location of items in the picture so that one subject attracted attention to oneself through others so that all items are facing the main.
- Before us is a typical post-warning apartment. This can occur in Moscow, and in Vladivostok. The situation is not hub, probably before us all family members - the war left them without a father, the main breadwinner, and the whole concern for the content of three children lay on his mother's shoulders - a young woman, fairly exhausted life.
- The point of attention is the boy himself, and it is how three "rays" are directed to him, three different relationships. Of course, the biggest "aggressor", if you can say, is a sister-excellent. She is a diligent student, she is a pioneer, she is very responsible about learning and everything is connected with it. We can see how neatly dressed, how carefully she puts tutorials, all in their places. In her glance, Ukore, discontent, is clearly visible. The sister belongs to the boy, rather, not as a brother, but as a student who does not fulfill his duties.
- Near mom, as it were, the youngest son is depicted on the contrast. Cheerful, full strength, he with a grin, looking at his brother with dish. Dog. She came running to the boy and jumped him friendly, she was glad of his parish, she loves him, and she didn't receive him that he got there. You can still fix, the main thing is to be desire. If we look at the boy's face, we will see that it expresses sadness, bitterness, shame, he stands, lowering his shoulders, and he is even ashamed to look into the family's eyes.
- Plastov canvas full of life-affirming power. Through the color and thanks to the color, he fills his paintings by a lively, trembling feeling. The artist says: "I love this life. And when you see it from year to year ... You think that you have to tell people about it ... Our life is full and rich, there is so much amazingly interesting that even the ordinary everyday affairs of our people attract attention, shock the soul. It is necessary to be able to see, notice. "
- What genre of fine art did we speak?
- Explain the concept of "household genre".
- What are the artists who worked in this genre?
- Name the picture that made a greater impression and explain why.
Perely household paintings appeared on the walls of the caves of a prehistoric man. Since then, artists have brought home painting to cosmic heights, in the literal sense of these words. The life of astronauts in orbit is also immortalized on the canvases of masters of brush and paint.
Knowledge of the invaluable baggage of the past in this genre will enrich your creative piggy bank with new ideas and impressions. Let's get closer with the work of the chronicles of the history of mankind.
History of the development of a household genre
Sketches and paintings on household topics are peculiar to any era. However, the recognized birth and development of this genre refers to the XVII century. In those years, a bourgeois society was born in Holland, a number of artists appeared, who boldly began to portray the life of a simple people without any embellishment.
Household scenes from rural huts, castors, urban taverns, markets have become increasingly popular in those years. The absence of photographs encouraged painters to capture as many modern history pages. Thanks to their pictures, people could find out how others live.
The wind changes of that time touched on an increasing number of countries in Europe. As a result, the household genre was distributed in all its corners. Many famous painters began to refer to the life of their inconspicuous compatriots.
Revolutionary trends encouraged the caring artists to contribute to the struggle for human rights. With their works, they denied the existing inequality and paid attention to the wretched life of the poor layers of the population.
At the same time, many such paintings were the songs of gratitude to the labor people. They chased the significance of a craft, individual representatives or entire segments of the population, without which the normal life of the rest would be simply not thought.
As a result, there are several directions in this genre of fine arts. Here are the main of them:
- Life and life of a rural resident.
- Life and life of the city average.
- Professional household portrait.
- Household scenes with the detection of contrast in the life of different layers of the population.
In Russia, household painting received recognition thanks to the mobile phone. Their paintings have become a bright proof of the insolvency of the existing serf system and urged society to change. So far, we admire the work of these masters. In Soviet times, the dominant ideology has greatly influenced the work of all art representatives. Socialistic realism, in fact, was very embellished with the desired, which was issued for the real one. Nevertheless, many painters of that time managed to avoid a detrimental effect. Pictures of such authors are still pleased with their sincerity and impeccability.
Famous artists of the household genre
Unfortunately, not all household painting masters are so popular as artists depicting mythical and biblical plots. Even many landscape players of that time are more famous than representatives of the household genre. Nevertheless, the great painters also contributed to the photo album of the history of that time.
P. P. Rubens - One of these masters. He did not hurt to write paintings on household topics. Bright colors of rustic landscapes inspired him no less than biblical plots of rich customers.
The founder of this genre in Russian art is rightfully considered A. G. Venicianova. He felt the anthem to the peasants with his works. Many progressive painters of that time picked up a gust of the Great Masters and contributed to this business. Among the recognized masters of the household genre P. A. Fedotov, V. G. Perov. Their paintings not only talked about the life of that time, but also give the vices of the rotting society. Their desire for justice was picked up by mobile phone.
This twread is highlighted creativity. I. E. Repin. Who does not know him "Burlakov on the Volga" or "Did not wait"? But there are many less well-known paintings of the Great Artist, who show how hard it lived in ordinary people at the time. Listed all worthy simply impossible. The life of people is part of our life, so there will always be a popular topic of creative work. Try and you yourself in this genre. Take a pencil and paint and draw a scene from the usual life of those who live near you.
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Presentation on the topic "Household genre in painting" (Grade 5) can be downloaded absolutely free on our website. Project subject: MHC. Colorful slides and illustrations will help you interest your classmates or audience. Use the player to view the contents, or if you want to download the report - click on the appropriate text below the player. Presentation contains 15 slide (s).
Slides presentation
Slide 1.
Household genre
Performed: Afanasyev Victor
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Household genre in Russia.
In the seventies of the XIX century, a new, independent of the Academy of Arts, creative association appeared - a partnership of mobile art exhibitions. The organization of the mobileians has become very soon to the largest center of the artistic life of Russia, in the stronghold of a new realistic direction in painting, and the Imperial Academy of Arts, although remained the official governing body in the field of art, has ever more over the authority and this role of the main center.
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In his work, mobile, on the basis of the realistic method, deeply and comprehensively reflected the modern life of the life people of Russia. The household genre was leading in their work. The art of the portrait, a wonderful meaning of socio-psychological characteristics also occupied an important place. Many works of the heads are devoted to Russian history, in which their attention especially attracted full drama people movements. These works were marked by the depth of the historical knowledge of the past. In the landscape work, the mobile works turned to simple, the usual reasons for their native nature, creating paintings imbued with a patriotic sense, a large social content. A significant number of works of mobile people reproduced images of folk creativity and literature. Truthfully depict the events and scenes from life, they endowed the sentence of the surrounding reality in their works, they denounce the cruel oppression of the people. At the same time, the reservations showed the heroic struggle of the people for social and national liberation, wisdom, beauty, human labor, manifold, and poetic charm of their native nature.
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His creativity, the Movie actively participated in the broad socio-democratic movement of the Epoch, in the struggle of progressive public forces against autocracy and remnants of serfdom in Tsarist Russia. That is why the Movie supported the foremost part of society. Throughout the 70s and 1980s of the 19th century, the work of the mother-in-law was deepened and improved. Their organization was fixed, gained increasing authority and popularity among the general public.
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From the very beginning of the independent creative activity of Perov began on the path of social satire, which received widespread development in his art. In painting of Perov enters as a genrist. He used in his early works to achieve his predecessor, the founder of critical realism in painting - P. A. Fedotov, whose works for the first time explain the social meaning of the phenomena depicted, Fedotov was the predecessor of Perov and in his views on the tasks of art. Perov put in his work a new one, the most important problem of his time associated with the position of the peasants. This problem is neither Fedotov, nor another predecessor of Perova - Venetsianov failed.
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Historical themes were interested in Perov long. It is known that even in the school of painting and sculpture, he made sketches to "Stepan Razin." Now, many years later, approaching the creation of a historical picture with a mature master, Perov put a very difficult task - to write Triptych, in which the history of Pugachevsky uprising was supposed to expand. In the first picture of Triptych, he wanted to open the reasons for the uprising, in the second - to portray the most uprising and in the third - to transfer to the races with the landowners. But from the whole triptych he managed to write only the third picture - "Pugacheva Court".
Historical themes in Perov's paintings.
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A large multifigure picture "Nikita Eat" (1881) testifies to the huge work of the artist in the field of historical painting. But, holding the plot of the Raskolnikov movements at the turn of the XVII-XVIII centuries, which united various opposition groups, Perov was also unable to give a satisfactory solution to the task supplied by them, although, maybe approached and somewhat closer to the incarnation of his plan. And yet, despite the failures, Perov, the only of the entire Pleiads of the modern paintings, correctly understood the problem of historical painting. He sought to show the people as a driving force of history. Perov did not succeed, but he outlined the way to solve this task - and this is his great merit.
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The value of Perov in the history of Russian painting is huge. He one of the first among artists opposed the blatant of the cure and oppression, in which there was a Russian peasantry in the Boreframe Russia. Revealing the ulcers of the social structure of Tsarist Russia, Perov mercilessly migrated everything that the people oppressed and humiliated his human dignity. Having enriching almost all genres of painting, he outlined the paths of their further development. For its deep ideological purposefulness of Perov, an example of the patriotic ministry of his homeland, to his people. His art concerns the modern Soviet viewer of the depth of thought and high skill.
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Creative work was completely combined with a painter with active public activities. It is his initiative to create an organization of the artists of a new type - a partnership of mobile art exhibitions. The idea of \u200b\u200bsuch an organization originated at Myasoedov back in 1867, when he was abroad and had the opportunity to observe the activities of European artists on organizing mobile exhibitions held mainly with a commercial purpose.
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On November 29, 1871, I opened an I mobile art exhibition in St. Petersburg, then shown in Moscow, Kiev and Kharkov. Myatseedov introduced the picture of the Russian Fleet's Grandpa at this exhibition. (Petra I) "(1871), in which the decision of the historical theme is given in the domestic plan.
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Creativity Myasoedov.
The study of the life of the Russian peasantry leads meatseed to the plots telling about the ancient believers and customs, their role in the life of the people. So, in the picture "Footing" (1876) shows an old ritual action: the peasants fear the village from evil spirits, hiking in a plow of naked girls.
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1878-80 Myasoedov is working on two drought options, where prayers are represented in the field. In parallel, searching in the field of historical themes: the artist writes the painting "self-injections" (1882-84), the plot of which is in a very close connection with previous genre paintings.
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By the beginning of the 1880s. In the work of Myasoedov, a new stage is scheduled. In the scenery "Road to rye" (1881) is striking simplicity and expressiveness of the motive: the figure of a lonely wanderer who removes to the horizon among the endless rye field. The artist, as it were, the possibility of a more generalized, monumental solution of the genre painting, which was fully manifested in the "Kossy" (1887). The author commemorates here the joyful side of being, transfers the beauty of peasant labor, his dimensional, coordinated, almost musical rhythm. The size of the canvas themselves (159x275 cm) indicate significance for the artist theme of the picture. At the same time, it is not devoid of certain contradictions. Fully abandoning the critical start, the artist refused to the basic principle of the artistic system of the 1870s.
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Without having eating a new figurative language and not being prepared for the perception of the artistic ideas of the new generation of painters, Myassiedov was among those representatives of the partnership of mobile art exhibitions, which at the turn of the 1880s and 1890s. did not want to admit young artists in their ranks. The last years of the artist's life did not make anything significant in his work.
