February blue text. The plan of the composition based on the painting “February Blue” by Grabar Description of the sky in the picture of the grabar February blue

Painting title: february blue

Exhibit place: permanent exhibition of the Tretyakov Gallery in Lavrushinsky lane, 10, room 38

The artist created a picture under the direct impression of nature. Igor Grabar wrote his “February Blue” in the winter-spring of 1904, when he was visiting friends in the Moscow region. During one of his usual morning walks, he was struck by the holiday of awakening spring, and later, being already a venerable artist, he very vividly told the story of the creation of this canvas.

“I stood near a marvelous specimen of a birch, rare in the rhythmic structure of its branches. Glancing at her, I dropped my stick and bent down to pick it up. When I looked at the top of the birch from below, from the surface of the snow, I was stunned by the spectacle of fantastic beauty that opened before me: some kind of chimes and echoes of all the colors of the rainbow, united by the blue enamel of the sky. Nature seemed to be celebrating some unprecedented holiday of the azure sky, pearl birches, coral branches and sapphire shadows on lilac snow.“. It is not surprising that the artist passionately wanted to convey “ even a tenth of this beauty“.

I. Grabar admitted more than once that of all the trees in central Russia, he loves birch most of all, and among birches - its “weeping” variety. This time the artist quickly returned home for a canvas, and then in one session from nature sketched a sketch of the future painting. The next day, taking another canvas, he began to paint from the same place an etude, which was everyone's favorite "February Blue". Further on this picture I. Grabar he worked outdoors, in a deep trench, which he specially dug in the snow.

In the “February Blue” I. Grabar reached the limit of color saturation, he painted this landscape in pure color, applying strokes in a dense layer. It was precisely such tiny strokes that revealed the volumes of tree trunks, and patterns of branches, and snow bumps. The low point of view opened up the opportunity for the artist to convey all the gradations blue color- from light green below to ultramarine above.

Igor Grabar, having mastered the best achievements of impressionism, found his art style in art - unique and original. The nature of Russia acquired a completely new look in his landscapes, sparkled with iridescent colors, filled with a sense of spaciousness and light. In this regard, Grabar continued and developed the beginnings that appeared in the work of I. Levitan, V. Serov, K. Korovin and other outstanding Russian landscape painters.

Biography of Igor Grabar

Igor Emmanuilovich Grabar was born on March 13, 1871 in Budapest, in the family of a Russian public figure E. I. Grabar. In 1876, his parents, who were among the supporters of the Slavic liberation movement, moved to Russia.

Igor's childhood was not easy. The boy was often separated from his parents, remaining in the care of strangers. From childhood, he dreamed of painting, tried to be closer to artistic circles, visited all exhibitions, studied the collection of the Tretyakov Gallery.

From 1882 to 1989, Grabar studied at the Moscow Lyceum, and from 1889 to 1895 at St. Petersburg University at once at two faculties - legal and historical-philological. After graduating from university, he entered the St. Petersburg Academy of Arts.

In 1895, he studied at the workshop of Ilya Repin, where Malyavin, Bilibin and Somov studied at the same time.

Summer 1895 during the holidays, Grabar travels around Europe, visits Berlin, Paris, Venice, Florence, Rome, Naples.

Returning to Russia in 1901, the artist was again shocked by the beauty of Russian nature. He is fascinated by the beauty of the Russian winter, admired by the "grace" and "magnetism" of the magical birch tree. His admiration for Russia after long separation expressed in the paintings: "White Winter", "February Blue", "March Snow" and many others.

In 1910-1923, he moved away from painting and became interested in architecture, art history, museum activities, and the protection of monuments.

He conceives and implements the publication of the first "History of Russian Art" in six volumes, writes the most important sections for it, publishes monographs about Isaac Levitan and Valentin Serov. Igor Grabar also published other art publications.

In the period from 1913 to 1925, the artist headed the Tretyakov Gallery. Here Grabar made a re-exposition, placing and systematizing all works of art in historical sequence. In 1917 he published a catalog of the gallery, which is of considerable scholarly value.

Igor Emmanuilovich is one of the founders of museology, restoration and protection of art and antiquity monuments. In 1918 the artist created the Central Restoration Workshop. He helped to save many works of ancient Russian art and the result of the work carried out by the workshops was the discovery of numerous outstanding monuments ancient Russian art - icons and frescoes in Novgorod, Pskov, Vladimir and other cities.

From 1924 until the end of the 1940s, Grabar returned to painting again, paying special attention to the portrait, depicting his relatives, scientists and musicians. Among his famous portraits are "Portrait of a Mother", "Svetlana", "Portrait of a Daughter in a Winter Landscape", "Portrait of a Son", "Portrait of Academician S. A. Chaplygin". Two self-portraits of the artist "Self-portrait with a palette", "Self-portrait in a fur coat" are also widely known.

In Soviet times, Grabar became interested in the work of Andrei Rublev and I. E. Repin. In 1937 he created a two-volume monograph "Repin". This work brought Grabar the Stalin Prize. Since 1944, Grabar was director of the Institute of Art History of the USSR Academy of Sciences.

The ability of the brilliant Russian painter Igor Grabar to convey the moment when winter is about to give way to spring has never been disputed by either critics or ordinary viewers. So the picture "February Blue" miraculously moves us into the winter forest, which is already preparing to throw off the shackles of winter. She is saturated with the mood of this coming change to the last stroke.

“I was standing near a marvelous specimen of a birch, rare in the rhythmic structure of the branches. Glancing at her, I dropped my stick and bent down to pick it up. When I looked at the top of the birch from below, from the surface of the snow, I was stunned by the spectacle of fantastic beauty that opened before me: some kind of chimes and echoes of all the colors of the rainbow, united by the blue enamel of the sky. It should be noted that Grabar possessed the most important quality of a true painter - he was able to truly see, that is, to perceive in the world around him much more than what is revealed to the ordinary eye.

The work on this painting, which he later considered the most important in his work, proceeded in a very peculiar way: the sketch was painted from a trench that Grabar had dug in deep snow. In this trench, the artist placed himself with an easel and a large canvas in search of a stronger impression of a low horizon and a high sky (subsequently, such a “trench” method was used by him in other natural landscapes).
works). From this point, the artist was able to reveal the whole variety of blue tones in gradation from light green to ultramarine - what Ilya Ostroukhov would later call "Indian sky". The vertical format of the picture, as in the White Winter, accentuates the plasticity of the birch, spreading its fan branches like wings, and emphasizes the infinity of the azure space.

The angle chosen by the artist is interesting: the viewer looks at the image from below, this expands the space of the picture. A lot of light colors were used in the work - white birches, snow, sky. But, despite this, the bright light color of the work does not interfere with its comfortable perception. In addition to a large number of whitish shades, the artist also uses the colors traditionally associated with the arrival of spring: blue and ultramarine. The combination of colors helps the viewer to understand that the days of winter are numbered and very soon spring will come into its own.

The main character of Grabar's painting "February Blue" is, of course, a birch in the foreground. Its branches stand out clearly against the spring blue sky. Frost sparkles on them, framing the Russian beauty with a beautiful necklace. Behind her, the artist depicted several more birch trees, the beauty and grace of which echo the main character.

The mood of the picture is joyful, spring, despite the fact that winter has bound nature with its cold. It is clear that spring with its cheerful streams and the singing of birds is just around the corner, the cold will end soon and the birches will be covered with catkins and young fresh leaves.

Year of painting: 1904.

Painting dimensions: 141 x 83 cm.

Material: canvas.

Painting technique: oil.

Genre: landscape.

Style: impressionism.

Gallery: State Tretyakov Gallery, Moscow, Russia.

The first composition for the painting by I.E. Grabar "February Blue" - 4th grade.

February days are famous for severe snowstorms and strong winds. But there are also wonderful sunny days. One of these days the artist Grabar captured in his painting "February Blue".

In the foreground is a slightly curved birch. It is covered with a thin layer of frost. Frost shimmers from the bright sun. It seems that pearl beads hang on the widely spread branches of the birch. A little behind there are many thin young birch trees, as if leading a round dance around the old birch. They are wearing the same luxurious clothes. All birch trees stand on a snow-white, sparkling from the sun, bedspread, slightly dropping bluish shadows on it. The old foliage on the tops of the birches seems to be fiery gold. Birch Grove shrouded in the warmth of sunlight, the approach of spring is felt.

From above, over a birch grove, a cloudless azure-blue sky stretched out. Closer to the horizon, it brightens.

On the horizon you can see a solid wall of dark forest. There, in the thicket of the forest, is still the realm of winter.

The picture is wonderful, made in bright colors, evokes joyful feelings. It is filled with the freshness of a sunny frosty day and the quick awakening of nature.

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The second composition for the painting by I.E. Grabar "February Blue" - 5th grade.

Azure- azure, azure, pale blue.
Pearl- mother-of-pearl.
Coral- bright red.
sapphire- blue-green.
Lilac- gentle, light purple.

Plan.

1. Introduction.
2. The main part.
a. sky
b. sun
in. snow
g. shadows
birch: trunk, branches
e. other birches
and. horizon
3. Conclusion. Impression.

The painting by I.E. Grabar “February Blue” depicts a frosty February morning. Everything around is filled with blue light. Sparkling snow shimmers under the sun. The birch trees are pierced by sunlight. This is a holiday of the azure sky and pearl birches, a holiday of nature itself.

A cloudless blue-azure sky, brightens towards the horizon and becomes sapphire. Despite the fact that it is still winter, the sun is already warming well. But there is a lot of snow. In the sun, pure snow casts a white-blue color. From the birch trees fall blue with a purple tint. In the foreground is a tall birch. The trunk is not straight, but as if curved in a magical dance. It's dark underneath. The higher the trunk, the whiter it is. The branches are snow-white, covered with hoarfrost, which shines in the sun. At the very top of the birch, last year's foliage has been preserved. Covered with hoarfrost, in the sun it burns with a coral color. The artist looks at the birch from the bottom up, so its top and side branches are not fully depicted. Behind the old birch stands many young birches. They kind of dance around her. The pearl branches of the birches intertwined and a fancy lace turned out against the background of the azure sky. A narrow strip of forest darkens in the distance. If not for her, heaven and earth merged into one inseparable space.

Igor Emmanuilovich Grabar "February Blue" 1904 Tretyakov Gallery.

In the foreground of the picture is a birch tree, covered with a thin layer of lacy hoarfrost, iridescent and sparkling even under the dim rays of the sun. A little further away you can see younger birches and still very “teenagers” with thin trunks. It seems that, spreading their branches, they slowly spin in a smooth round dance, like young girls, celebrating Maslenitsa and meeting the arrival of spring.
Only the forest in the background separates heaven and earth. If you stand near this picture for a while, it will suddenly seem that you clearly hear Russian folk song about birch. After all, the birch is a symbol of Russia, its beauty, so the people composed many songs about it, both funny and sad.

White-barreled beauties are depicted against the background of an azure snow cover and almost the same color of the winter sky. These tones, which the painter so generously uses, bring coolness and purity, like a breath of breeze and the smells of spring approaching with an inaudible light tread.

Igor Emmanuilovich also liked the painting February azure. He often talked about how suddenly amazing inspiration came to create it. Grabar saw such a landscape in the Moscow region on a frosty sunny morning, going for a walk. He was struck by the color of the azure, which seemed to envelop everything around, and only the birch trees, stretching out their branches, as if in a dance, diluted these incredible colors of pearls, coral, sapphire and turquoise. All together it was like a fabulous island in the glow of precious stones.

The artist was amazed at the fantastic beauty of the birch branches in this chime of all shades of the rainbow against the blue sky. Against the background of the turquoise sky, last year's foliage, which survived at the very top of the birch, seems golden. As if fulfilling the wish of the painter, sunny days lasted for almost two weeks, allowing Grabar to capture this miracle. It seemed that nature posed for a talented artist.

I. Grabar worked on this picture in the open air, in a deep trench, which he specially dug in the snow. The artist painted "February Blue" "with an umbrella painted in blue, and the canvas was placed not only without the usual tilt forward, facing the ground, but turned it with its face to the blue of the sky, which is why reflections from the hot snow under the sun did not fall on it, and he remained in the cold shadow, forcing ... to triple the power of color to convey the fullness of the impression"

I. Grabar admitted more than once that of all the trees in central Russia, he loves birch most of all, and among birches - its "weeping" variety. And indeed, in the "February Blue" birch is the only basis of the artistic image. In the very appearance of this tree, in the ability to see its charm in the general structure of the Russian landscape, the joyful perception of the nature of the Russian region by the artist, which distinguished I. Grabar the landscape painter in all periods of his work, was affected

Artistic style is the handwriting of the master. The modulations of the shades of I. Grabar's painting captivate the viewer. The turquoise of the sky, the ringing silence of the frosty air and the white-trunked birches create a fabulous mood. The snow cover shimmers under the sun with multi-colored sparks. The winter landscape seems to be strewn precious stones- this effect was created on the canvas by Igor Grabar. "February Blue" - the description of the picture must necessarily note the artist's skill in applying a wide range of shades, the master's admiration for the power of Russian nature.

Artist I. Grabar

Igor Grabar miraculously knew how to convey color scheme. His landscapes are known throughout the world for their unsurpassed style, fantastic shades of snow. The artist knew how to find the right angle to convey the sparkling hoarfrost or the deep shadows of an overcast day.

An experienced restorer, critic, art historian, museum worker - his tireless energy penetrated into many spheres of life.

The main genres for this artist are portrait and landscape. The theme of Russian winter so captivated Igor Emmanuilovich that he devoted many paintings to it. Grabar sought to convey nature in such a way that it was impossible to distinguish - where is the picture, and where is the nature.

"March snow", "Roof with snow", " Winter evening"- the shades of his paintings are so natural, realistic that the viewer is immersed in the magical world of the artist's paintings.

In 1904, Grabar created an amazing masterpiece at a dacha near Moscow. “February Blue” - the description of the picture must necessarily tell that the canvas depicts This variety was most loved by Igor Emmanuilovich. During the walk, he was struck by the incredible beauty of the sky, the harmonious lines of the branches and the whole composition of the birch grove.

Work on the painting

Above the painting "February Blue" Grabar worked in the fresh air. He explained this by the fact that the colors look different from the window. Only in the open air is it possible to catch the whole palette of natural shades.

The artist dug a trench in the snow. He placed an umbrella, repainted blue, beside him. Such tricks created a variety of shades that the artist transferred to the canvas. The master turned the very same picture with its face to the sky.

Color saturation, a dense layer of strokes, voluminous tree trunks, patterns of branches, clear enamel of the sky - this is the description of the picture that Grabar created. "February Blue" conveys the entire range of shades of blue. Sapphire shadows, ultramarine sky, iridescence lilac color on the snow. Reproduction is not always able to convey the unimaginable beauty of the picture. The original can be seen in the State Tretyakov

Grabar, "February Blue": description of the painting

The winter landscape froze in anticipation of the coming spring. Glimpses of thawed patches, blue-lilac shadows of birches - the viewer is created in this birch grove. The azure, spring-like bright sky seems to blind the eyes. The sun is clearly not present in the picture, but its light envelops the tops of the birches. Their patterned branches circle in a bizarre dance, waiting for the first warmth.

As if enchanted, birch trees lined up. Lacy hoarfrost fantastically sets off the branches and azure of the sky. The frosty transparency of the air creates a joyful feeling. All charm, elegance reflected Igor Grabar. "February Blue" - the description of the picture tells about the amazing palette of colors, their consonance.

Composition for grade 5

The artist's style is so unusual that his paintings are filled with a vibration of freshness and transparency. Sparkling snow, the endless blue of the skies encourage you to write your own feeling, vision of the picture.

An essay is best written with a small plan. Then the structure of the text and the description of the painting will be subordinated to the general scheme (Grabar, "February Blue"). Class 5 for writing an essay can adhere to such an approximate plan:

• brief information about the author of the picture;
• genre affiliation of the picture, season;
• the objects depicted in the picture (paint what is in the foreground and what is in the background);
• image methods and color palette used by the artist;
• What is the name of the picture related to?
• the general mood of the landscape.