The end of winter is the time when nature comes to life on the eve of the coming spring. The time when you want to breathe deeply, reveling in the fresh air. The sun is already warming up and the snow is melting from its rays. In the painting by K.F. Yuon is depicted exactly this time when winter recedes, and the long-awaited spring comes to replace it. The snow is no longer fluffy like in winter, but loose and wet. It is already beginning to melt, and very soon mischievous babbling streams will run. On this snow on the path hens and a rooster are trampling, they are pecking something from the ground. They are like bright spots against the background of the already dirty snow.
Everything is still in the snow, even the roofs of houses, but one can feel that spring is coming soon. The sky became somehow translucent and weightless. The air is humid and clean, it is intoxicating and impossible to breathe. As if there is not enough lung capacity to breathe in and get enough of it. Just warm rays of the sun and heady air can breathe joy and desire to live into a person. One feels how nature wakes up and a new life begins. The forest on the mountain is shrouded in a light haze, it seems that something new is being born behind the mountain and it is because of it that spring will come with all its charms.
There are several people standing near the fence, who decided to take advantage of what may be their last opportunity to ski. Two are leaning on sticks, and the third has already taken off their skis. The three of them are waiting for a friend who crosses the bridge. Apparently, they had already finished their walk on a warm day at the end of winter. Now they are waiting for each other to go home together and drink hot aromatic tea. It's warm outside in spring, which means that the snow will melt very soon and other chores will begin. K.F. Yuon knows how to convey the mood of a sunny day. His landscapes are inspiring and inspiring. They give the person looking at them a feeling of lightness, freedom and weightlessness. The warmth of the sun's rays and the freshness of the almost spring air are felt.
Description of the painting by Yuon “The End of Winter. Noon"
The end of winter is the time when nature comes to life on the eve of the coming spring.
The time when you want to breathe deeply, reveling in the fresh air.
The sun is already warming up and the snow is melting from its rays.
Yuon's painting depicts this very time when winter recedes, and the long-awaited spring comes to replace it.
The snow is no longer fluffy like in winter, but loose and wet.
It is already beginning to melt, and very soon mischievous babbling streams will run.
On this snow on the path hens and a rooster are trampling, they are pecking something from the ground.
They are like bright spots against the background of the already dirty snow.
Everything is still in the snow, even the roofs of houses, but one can feel that spring is coming soon.
The sky became somehow translucent and weightless.
The air is humid and clean, it is intoxicating and impossible to breathe.
As if there is not enough lung capacity to breathe in and get enough of it.
Just warm rays of the sun and heady air can breathe joy and desire to live into a person.
One feels how nature wakes up and a new life begins.
The forest on the mountain is shrouded in a light haze, it seems that something new is being born behind the mountain and it is because of it that spring will come with all its charms.
Several people are standing near the fence, who have decided to take advantage of what may be their last opportunity to ski.
Two are leaning on sticks, and the third has already taken off their skis.
The three of them are waiting for a friend who crosses the bridge.
Apparently, they had already finished their walk on a warm day at the end of winter.
Now they are waiting for each other to go home together and drink hot aromatic tea.
It's warm outside in spring, which means that the snow will melt very soon and other chores will begin.
Yuon knows how to convey the mood of a sunny day.
His landscapes are inspiring and inspiring.
They give the person looking at them a feeling of lightness, freedom and weightlessness.
The warmth of the sun's rays and the freshness of the almost spring air are felt.
Composition based on the painting End of Winter. Noon K. Yuon for students in grades 3 and 7.
Composition based on the painting End of Winter. Noon Grade 3
The picture The end of winter. Noon was painted by the famous artist K. Yuon. On it, he depicted the countryside at the end of winter. An old log house is visible on the left side of the painting. Thin logs lie next to him. Tall birches also grow here. From them gray shadows fall on the snow.
A long wooden fence extends from the house. The fence continues on the right side of the painting. Children are behind him. They are going on a ski trip. A little further green spruce trees and another house are visible. There is still a lot of snow everywhere. It lies on the ground, on rooftops and on logs. The snow can be seen well in the distance on the forest hills.
The drifts have already noticeably settled and become very dense. Three hens and a bright red rooster are quietly walking along them. The artist depicted just wonderful weather! It is quiet, sunny and slightly frosty here. All nature seemed to have calmed down in anticipation of a stormy spring.
painting by Yuon End of winter. Noon photo
Composition based on the painting End of Winter. Noon K. Yuon Grade 7
K. Yuon is a famous Russian artist who has created many works in various directions. He was engaged in the design of theatrical performances, art graphics and painting. However, it was painting that became his true vocation. His portraits and landscapes are bright, beautiful and realistic. Painting End of Winter. Noon is no exception.
In this picture, the painter captured the outskirts of the village at the end of winter. Shown here are two old log houses. They are located at a fairly large distance from each other. Near one of the houses, piles of logs powdered with snow and a long fence are visible, and around the other there are several low buildings. The roofs of the buildings are almost completely covered with a layer of dense snow. There is a lot of it on earth.
The snow is no longer as fresh and fluffy as it used to be. Its grayish color is immediately evident. Such snow, of course, cannot attract anyone with its beauty. This can only be done by a mixed forest located on the hills. However, these trees cannot be seen well. They are very far away. But you can admire enough slender birches and fluffy firs growing in the foreground of the picture. It also depicts a red-breasted rooster with its chicken family. A little further, several people are going to ski.
The presence of people and pets emphasizes not only the habitability of this area, but also a beautiful fine day. Yes! The day turned out to be really excellent! Light frost, no wind. And in the clear blue sky, not a single cloud. The sun is not visible as it is not as low as at the beginning of winter. But its bright and warm light penetrates everywhere. He makes the trees cast long gray shadows on the old melted snow. It often happens at noon on the threshold of spring, which is what the author of the painting wanted to show.
It should be noted that the artist not only managed to masterfully portray a winter landscape. It makes the curious viewer look for confirmation of the name of this picture in its content.
Yuona “The End of Winter. Noon ”can be started by comparing it with Boris Pasternak's poems about February. They simply echo with aching joy when, from the premonition of the appearance of beautiful poems, one wants to write about the end of winter and cry bitterly.
The first rays of the sun
The approaching spring is always unusually good - both in a slushy, sunless thaw, when the air is filled with the smell of melting snow, and in windy weather, when the clouds are running fast and low, and through them a blue-blue sky peeps through. But the feeling of jubilation is associated precisely with the first quiet sunny days, one of which keeps Yuon's painting “The End of Winter. Noon".
The description of this wonderful landscape is delightful, because there is not a single disturbing note in it. Peace and goodness, poured in nature, seem to be eternal.
Permeating joy
Amazing artist Yuon Konstantin Fyodorovich (1875-1958) is a recognized master of landscape. He infinitely loved the nature of the environs of Moscow, and of the whole of central Russia. A good man who lived with dignity, he was happy in his family life and was not offended by his advancement in the career ladder. His paintings were successful and were always in demand. Maybe that's why they are so bright?
A fan of the winter landscape, Yuon loved to paint these particular months of the year - February and March. He was captivated by the blue-glowing snow under the shining first sun, the golden domes of Russian churches, animals delighted with the approach of warmth, the feeling of approaching spring floating in the air. All this is transferred to his canvases, which are full of joy and cause a kind smile. In 1929, Yuon's painting “The End of Winter. Noon". The description of this organically continues the theme of canvases with views of the winter Trinity-Sergius Lavra or a snow-covered street bathed in the March sun - the same space, permeated with fresh air, and the goodness poured in it.
Abundance of light and air
The canvas depicts the Moscow region, the artist's favorite plein air. Plein air is a French word, it is a true display of nature, in which light and air play a special active role. Therefore, air and light permeate Yuon's painting “The End of Winter. Noon". The description of air in this work can be continued using only enthusiastic epithets and exclamation marks. When you are next to the painting, you can smell the snow that has just begun to melt. It is the snow that indicates that February is displayed on the canvas. The white cover is no longer elastic, does not creak underfoot - it is loose, slightly sagging. There is still a lot of snow, as evidenced by a high hat lying on the roof of a well-knit house in the left corner of the picture. But skiers are in no hurry to catch the passing moment, they know that this is not the last walk into the forest - a blue haze is so clearly visible in the background. It says that the creaky frosts are behind, but the snow will not melt tomorrow either.
Snow as the main character
A talented painter who loves the urban and rural Russian landscape with all his heart, K.F. Yuon wrote subjects equally well for all seasons. However, its snow is so good and tells the viewer so much about the chosen plot that it becomes the main character of the work. And on the described canvas, the snow also talks to the viewer. There is a lot of it, it is different - in the distance it is still winter, cold. Winter is on the horizon. And looking there, you understand that February is insidious - it can still whirl with a blizzard and cover everything with snow. This makes the first warmth seem even more captivating, the joy of schoolchildren who have gathered for a ski trip is even more understandable.
Primordially Russian landscape
KF Yuon's snow is eloquent, because the artist never painted it only with white colors - on this canvas, shadows of all shades of blue and even yellow lie on the snow, in which paths are trampled. The kids ran through the snowdrifts - in the deep tracks, one can assume the presence of melted snow. Next is a description of Yuon's painting “The End of Winter. Noon ”can be continued with a story about trees, of which there are quite a few on the canvas. Slender tall birches, casting long shadows, indicate that the picture depicts precisely noon - the sun is setting, and not standing at its zenith. The white-trunked beauties are a little closer than several slender fir trees that have not yet lightened, but the snow has already been dropped, and the sun is drying up their wet needles.
Health in everything
There is nothing wretched or dirty on the canvas that melted snow could reveal - everything is strong, slender, clean and fresh, even the shed behind the fir trees. A little further, a river is guessed, which, obviously, disappeared. Description of the artwork “The End of Winter. Noon "KF Yuon smoothly approaches the sparse mixed forest, covering the hills located on the other side. The sun is not depicted on the canvas, but the whole picture is full of it - the trunks of tall trees and the transparent crown of a small birch tree are filled with sunlight. High school students, who decided to walk to the river after classes, had already put on their skis, waiting for two sluggish or just arrived comrades. They, too, admired the blue snow in the distance. There is still a cold, but everything is saturated with the expectation of the imminent arrival of spring.
Wonderful colors of the landscape
Yuon's painting “The End of Winter. Noon". The description (no matter how hard the author tries) is not able to convey all the charm of the landscape. Separate words are deserved by chickens and a rooster, who came running to bask in the sun. Perhaps one of the guys, before leaving the yard, threw food on the snow, which they peck at. Or maybe, warmed up by the first warmth, they jumped out of the chicken coop, which was boring over the winter, in the hope of getting something out of the snow.
The color scheme of poultry fits very organically into the overall picture - yellow chickens and a bright red rooster, like the ocher color of the logs stacked by the fence - everything is filled with sunlight, everything is screaming about the coming spring. The landscape is rustic, and the artist managed to convey the last winter calm before the spring suffering. Description of the painting by Konstantin Yuon “End of Winter. Noon ”can be ended with words of admiration about how amazingly accurately the artist managed to capture the moment of the meeting of two time periods of the year - the outgoing winter and the approaching, always beautiful spring.
Canvas, oil. 89x112 cm
State Tretyakov Gallery, Moscow
The great skill of Yuon as a landscape painter lies in the fact that he knows how to transform the most ordinary landscape motive into an artistic image that attracts with poetry and freshness of the perception of the world. A vivid example of this is one of the artist's best paintings "End of Winter. Noon".
The artist depicted a typical corner of the Moscow region. The country yard, the snow-covered distance - everything is flooded with the rays of the sun. Birch trunks and spring-like snow are dazzlingly white. A wooden house on a hillock, children skiing, chickens digging in the snow give the landscape “habitation” and special warmth. In a simple, familiar landscape motif, there is a lot of true poetry.
Painting “End of Winter. Midday ”is distinguished by naturalness, vital spontaneity. One gets the impression that the artist did not think about composition, but simply wrote what was before his eyes. But actually it is not. The composition of this canvas has its own logic, which is why the picture makes such an integral impression. Indeed, the fence divides it into almost equal parts horizontally; the house on the left is balanced by the dark masses of firs on the right. This brings the necessary balance to the composition, does not allow it to fall apart.
The thoughtfulness of the compositional solution made it possible for Yuon to focus the viewer's attention on the main thing that he wanted to express, namely on the feeling of vitality hidden in nature, on the feeling of joy, festivity that a person experiences in the face of nature triumphant in its eternal beauty. This sensation and this feeling are mainly due to the radiant color with which Yuon achieves the impression of a bright sunny day. Snow, transparent blue shadows from trees, haze enveloping forest distances are painted with great skill in the picture. This skill made it possible to convey with great persuasiveness the state of nature on the eve of spring, when the sun is already beginning to warm up, when the shadows become deeper, when nature wakes up after winter days.
It is important that Yuon connects the life of nature with a person, whose presence brings special warmth to the picture. At the same time, the feeling of festivity that the painting exudes seems to be natural, alive due to the presence of people in the painting. The artist seems to say that his experiences when looking at this view are akin to those of skiers returning from a walk. He immediately introduces the viewer into his world of feelings and thoughts, reveals to him the beauty in nature.
By means of composition and color, the artist affirms the eternally living life of nature and its impact on human feelings and thoughts. These means are very characteristic. Despite its structure, the picture gives the impression of freedom and naturalness. It seems to be a fragment of a large panorama: the edges of the frame are cut off by the tops of birches and blue shadows from the trees, the viewer mentally imagines the whole house and the fir trees behind the right edge of the picture.
The color of the picture is based on contrasting comparisons and combinations. Dark, brownish green spruces contrast with white snow with intense blue and blue shadows. The color composition of the canvas is enlivened by a bright spot of a woodpile of yellow firewood and a red rooster rummaging in the snow. Colorful combinations create that emotional tension that helps the artist to express the feeling of freshness, joy, festivity that arises when looking at this jubilant nature.
Yuon's painting testifies to the use of the great realistic traditions of Russian landscape painting. Here you can recall the colorful canvases of Kuindzhi or a contemporary of Yuon, the artist Rylov. These traditions consist primarily in a truthful depiction of nature, in the desire to find in it features that would allow the artist to express the feelings that excite him. These traditions also consist in the desire to create a landscape-painting that contains a large world, affirming a significant idea. But it is natural that Yuon, as an extremely original and peculiar master, reworked these traditions in his own way and expressed with his painting the thoughts that worried his contemporaries - the Soviet people of the late 1920s.
Yuon's painting “The End of Winter. Noon ”, characterized by a bright, decorative sound of colors, captivates with the spirit of life-affirmation and optimism. The art of this wonderful painter will always serve as an example of purposeful and thoughtful creative work aimed at deep comprehension of reality and the expression in artistic images of the great social ideas of his era.
