Impressionist painting. Presentation on the topic: Russian impressionism in art a certain period of his work to the followers

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IMPRESSIONISM

Impressionists E. Manet E. Degas C. Monet O. Renoir A. Sisley C. Pissarro G. Caibott B. Morisot

Beginning of Impressionism Beginning in 1874 - Paris. The first exhibition of the Impressionists The exhibition brought together artists not recognized by the general public and rejected by the jury of the salons - "Salon of Les Miserables" The term "impressionism" (from the French word "impression" - "impression") was pronounced by the critic Leroy regarding the painting by Claude Monet "Impression. Sunrise ”Exhibitions of the Impressionists from 1874 to 1886. Impressionism was a world trend in culture, permeating all types of fine arts, literature, music, theater, influencing the vision of the world and the philosophy of people. Impressionists in their works abandoned narration, plot, social criticism.

E. Monet “Impression. Sunrise"

French impressionism This is a stylistic trend, a special worldview, attitude, worldview. The Impressionists are the founders of modern art. They established a direct connection between the painter's eye and light. This is a special creative method, based on the transfer of impressions, fixation of the elusive moments of life. The influence of light and air on the shapes and tones of objects is one of the main requirements for a picture. Reproduce the impression of an instant look at a landscape, with a special play of light, at a moment when the forms are not yet understood and the process of assimilation by the brain of what the eye sees is just beginning. The impression is sometimes similar to what a person who has just woken up feels, who sees light and colors, but has not yet managed to figure out where he is and what is in front of him

French Impressionism Study as a finished work. A shift in emphasis: what used to seem like a sketch, a blank, became the goal of their painting. The convergence of the etude and the picture, and often the merging of several stages of work into one continuous process. Lighting is a key concept. Whenever possible, those transient shades are captured that are created by rapidly changing lighting. Work in the open air - in the open air, not in the studio. Very fast writing style. This method changed the pace of their work, they had to write quickly. The consequence of this was the mobile impulsive texture of their painting. Influence of photography. Taken from a photograph - elusive, previously unnoticed gestures, a new rhythm; new points of view, close-up Influence of Japanese art (engraving).

Technique and method of the Impressionists Light is the main character of their painting. The principle of "writing what you see among the light and air" is the basis of the impressionists' plein air painting. The light became equal to the plot. From a component of an image, it has become a subject of an image. An impressionist landscape always shows not only a given area, but also a given area in a given lighting. Asymmetry of composition. Unexpected points of view and difficult angles. Decentralization of the image, displacement of the compositional axes, "arbitrary" cuts of parts of the composition, objects and figures of the picture itself. The detail can obscure the main thing, the absence of the traditional separation into the background and the main subject of the image. The painting is like a fragment of nature, as if seen through a window or, by Degas's definition, "peeped through a keyhole."

Technique and method of the Impressionists No preliminary drawing. The contour drawing, like chiaroscuro, is absent; depth is not conveyed by perspective, Advantage of vivid colors of the solar spectrum. Blacks, browns and grays are generally ignored, not included in the palette. Decomposition of complex tones into pure colors. Pure colors are often placed on canvas without pre-mixing on a palette and perceived by the viewer according to an optical mixing system; Various shapes of strokes. Colored touches are crushed, scattered into numerous "commas" applied one next to another. Liquid, loose, pasty strokes give the relief of the paint layer.

Edouard Manet Disregards secular conventions, generally accepted ideals of beauty "Breakfast on the Grass" Discovers true beauty in everyday life. "Balcony" Gives poetry to the ordinary, real image of "Olympia"

E. Manet. Breakfast on the grass

E. Manet. Balcony

E. Manet. Olympia

Claude Monet was the first to formulate the principles of a new direction, develop an open-air program and a technique characteristic of this direction. The world, immersed in the air, loses its materiality, turns into a harmony of light spots. "Boulevard des Capucines" He wrote the same theme, investigating the effects of lighting at different times of the day and at different times of the year. "Rouen Cathedral" "Water Lilies" He believed that there is no black color in nature, he argued that even the shadows are colored.

K. Monet. Boulevard Capuchinok

K. Monet Water Lilies

K. Monet. Rouen Cathedral, West Portal and Saint-Roman Tower, noon. K. Monet. Rouen Cathedral Portal: Harmony in the Morning Light C. Monet. Rouen Cathedral, west portal, cloudy weather.

Camille Pissarro Seeked artistic charm in the everyday, and significance in everyday life. "Harvest" Paris and its surroundings appear in the lilac twilight, and in the fog of a gray morning, and in the blue of a winter day. Boulevard Montmartre

K. Pissarro. Harvest

K. Pissarro. Boulevard Montmartre. Afternoon. The sun

K. Pissarro. Boulevard Montmartre. Afternoon. Rain

K. Pissarro. Boulevard Montmartre. Morning. Mainly cloudy.

Auguste Renoir "Painter of Happiness" A true vocation - the image of a person Images are built on harmonious, pure, major colorful combinations "Portrait of Jeanne Somari" Man is an inseparable, most beautiful part of nature "Breakfast of Rowers"

O. Renoir. Portrait of Jeanne Somari

O. Renoir. Rowers breakfast

Edgar Degas Opponent of spontaneity in art, plein air, almost never painted pictures from nature. He depicted the everyday life of the theater, hippodrome, women at the toilet, labor scenes. "Blue Dancers" "Ironers" "Race Horses in Front of the Tribune" The pictures are covered with sadness, sometimes ironic, sometimes sarcastic "Absinthe"

E. Degas. Blue dancers

E. Degas. Ironers

IMPRESSIONISM (from the French impression impression), a trend in art in the last third of the 19th century. 20 centuries, whose representatives sought to most naturally and impartially capture the real world in its mobility and changeability, to convey their fleeting impressions. Impressionism originated in the 1860s, in French painting: E. Manet, O. Renoir, E. Degas brought freshness and immediacy of the perception of life into art, the image of instantaneous, as if random movements and situations, seeming imbalance, fragmented composition, unexpected points of view, foreshortenings, slices of figures. (from the French impression impression), the direction in art of the last third of the 19th early. 20 centuries, whose representatives sought to most naturally and impartially capture the real world in its mobility and variability, to convey their fleeting impressions. Impressionism originated in the 1860s, in French painting: E. Manet, O. Renoir, E. Degas brought freshness and immediacy of the perception of life into art, the image of instantaneous, as if random movements and situations, seeming imbalance, fragmented composition, unexpected points of view, foreshortenings, slices of figures.

Claude Monet Claude Monet is a French painter. Representative of Impressionism. Landscapes of subtle color, filled with light and air; in the 1890s, a French painter sought to capture the fleeting states of the light-air environment at different times of the day. Representative of Impressionism. Landscapes of subtle color, filled with light and air; in the 1890s sought to capture the fleeting states of the light-air environment at different times of the day

Color and Light Monet's obsession with light and color resulted in years of research and experimentation, the aim of which was to capture the fleeting, elusive shades of nature on canvas. Monet's obsession with light and color resulted in years of research and experimentation, the purpose of which was to capture the fleeting, elusive shades of nature on canvas. "Impressions. Sunrise." "Regatta at Argenteuil"

It is important for him not only to capture a landscape, an everyday scene, but to convey the freshness of a direct impression of contemplation of nature, where something happens every moment, where the color of objects continuously changes depending on the lighting, on the state of the atmosphere, weather, on the neighborhood with other objects that cast colored reflections It is important for him not only to capture a landscape, everyday scene, but to convey the freshness of a direct impression of contemplation of nature, where every moment something happens, where the color of objects constantly changes depending on the lighting, the state of the atmosphere, the weather, from the neighborhood with other objects casting color reflections

In the painting "Ladies in the Garden" (circa 1865, Hermitage, St. Petersburg), flooded with radiant light, the white color of the dress seems to absorb all the multicolor of nature here, both blue highlights and greenish, ocher, pinkish; the green color of foliage and grass is equally subtly developed. In the painting "Ladies in the Garden" (circa 1865, Hermitage, St. Petersburg), flooded with radiant light, the white color of the dress as if absorbs all the multicolored nature here and blue highlights, and greenish, ocher, pinkish; the green color of foliage and grass is just as subtly developed.

Renoir is a French painter, graphic artist and sculptor, a representative of impressionism. French painter, graphic artist and sculptor, representative of impressionism. Landscapes, light and transparent in painting, portraits, dynamic everyday scenes glorify sensual beauty and the joy of being Light and transparent landscapes, portraits, dynamic everyday scenes glorify sensual beauty and joy of being

"Ball at the Moulin de la Galette"

Unlike most Impressionists, whose main theme was the landscape, Renoir is attracted by the everyday life of a person, scenes seen in a park, cafe, on the street, on the banks of the river, in a bath.Unlike most Impressionists, whose main theme was landscape, Renoir is attracted by everyday life human scenes seen in the park, cafe, on the street, on the river bank, in the bath

Renoir loves soft, pastel colors, pink, blue, pale green, perhaps this was due to his work on porcelain painting. In Renoir's paintings there is a lot of sun, light, they are filled with the breath of life: the waters flow and sparkle, trees tremble in the wind, sunbeams glide over faces, clothes, grass; a free brushstroke enhances the impression of a special spirituality, the changeability of the world. Renoir loves soft, pastel colors, pink, blue, pale green, perhaps this was due to his work on porcelain painting. In Renoir's paintings there is a lot of sun, light, they are filled with the breath of life: the waters flow and sparkle, trees tremble in the wind, sunbeams glide over faces, clothes, grass; a free brushstroke enhances the impression of a special spirituality, the changeability of the world.

Edouard Manet Edouard Manet is a French painter. He rethought the images and plots of old masters in the spirit of modernity, created works on everyday, historical, revolutionary themes. Manet's works are characterized by freshness and sharpness of perception of the French painter. He rethought the images and plots of the old masters in the spirit of modernity, created works on everyday, historical, revolutionary themes. Manet's works are characterized by freshness and sharpness of perception

Manet was one of the first artists to notice the alienation of people from each other, the characters depicted by him are nearby, but seem to be oblivious to their surroundings. Manet was one of the first artists to notice the alienation of people from each other, the characters depicted by him are nearby, but seem to be oblivious to their surroundings.

"Old Musician" year.

A bored barmaid against the background of a huge mirror, which reflects the hall with visitors and the half-figure of a client trying to talk to her, seems lonely among the splendor of colorful bottles with bright stickers and colored foil on the necks, flowers in a glass and fruits in a crystal vase. The topic of "exclusion" of a person from the environment remains the main one here. A bored barmaid against the background of a huge mirror, which reflects the hall with visitors and the half-figure of a client trying to talk to her, seems lonely among the splendor of colorful bottles with bright stickers and colored foil on the necks, flowers in a glass and fruits in a crystal vase. The topic of "exclusion" of a person from the environment remains the main one here.

Degas is a French painter, graphic artist and sculptor. Representative of Impressionism. The paintings are distinguished by a sharp, dynamic perception of modern life, with a strictly verified asymmetric composition, flexible and precise patterns, and unexpected angles of figures. Pastel Master

Degas is more concerned with city life than landscape. He seeks to convey an instant, elusive movement from here his interest in the world of theater, wings, ballet, circus, horse racing: ballerinas, horses flying to the finish line, gambling, dexterous jockeys, excited crowds of spectators. Degas is more concerned with city life than landscape. He seeks to convey an instant, elusive movement from here his interest in the world of theater, wings, ballet, circus, horse racing: ballerinas, horses flying to the finish line, gambling, dexterous jockeys, excited crowds of spectators.

His paintings seem to be scenes accidentally snatched from the stream of life, but "accident" is the fruit of a thoughtful composition, where a cut-off fragment of a figure or a building emphasizes the immediacy of the impression. His paintings seem to be scenes accidentally snatched out of the stream of life, but "chance" is the fruit of a thoughtful composition, where a cut-off fragment of a figure or a building emphasizes the immediacy of the impression.

For years, his canvases have been attracting with the freshness of natural impressions and the charm of the color system, which consists of small strokes. Pissarro is more and more fascinated by urban motifs, and he brilliantly manages to reproduce the quivering pulse, the very spiritual atmosphere of urban life. His canvases for years have attracted the freshness of natural impressions and the charm of the color system, which consists of small strokes. Pissarro is increasingly fascinated by urban motives, and he brilliantly manages to reproduce the quivering pulse, the very spiritual atmosphere of city life

Impressionism and post-impressionism in painting. Name the author of the painting "Olympia". A) Claude Monet B) Edouard Manet C) Edgar Degas What picture are we talking about: “Numerous guards are powerless before the onslaught of an angry crowd. The next day, the painting is placed so high that the outraged audience could not pierce it with a sharp umbrella in a rage. A) "Breakfast on the grass" B) "Absinthe" C) "Olympia" What does the concept of "impressionism" mean in translation from the French impression? A) delight B) impression C) admiration One of the features of the pictorial language of the Impressionists: A) the depiction of historical events; B) frontal composition; C) pastel technique. Name the painting by the artist Auguste Renoir: A) "Blue Dancers" B) "Swing" C) "Absinthe" Correlate the name of the picture and their author: A) E. Manet 1) "Impression. Sunrise "B) C. Monet 2)" Blue dancers "C) E. Degas 3)" Olympia "" Free air "(from French pleiair) for impressionist artists is: A) plein air B) pastel C) transmission of light How was the painting exhibition opened on May 15, 1863 called? A) "Salon of the Impressionists" B) "Salon of the Outcast" C) "Post-Impressionism" Which of the artists belong to these paintings "Boulevard des Capucines in Paris", "Water Lilies", "Impression. Sunrise ”,“ Haystack at Giverny ”. A) E. Manet B) C. Monet C) E. Degas Which of the impressionist artists successfully used the techniques of the future cinema - division into frames, zooming in on the camera, showing fragments. A) C. Monet B) E. Degas C) O. Renoir Keys: 1 - B; 2 - B; 3 - B; 4 - B; 5 B; 6 - 1B, 2B, 3A; 7 - A; 8 - B; 9 - B; ten

Used literature: 1. N. M. Sokolnikov "Brief dictionary of artistic terms" 1. N. M. Sokolnikov "Brief dictionary of artistic terms" 2. Encyclopedia for children. Art. 2. Encyclopedia for children. Art. edited by M. Aksenova edited by M. Aksenova 3. Great Encyclopedia of Cyril and Methodius 3. Great Encyclopedia of Cyril and Methodius

MHK, grade 11

Lesson number 22

Impressionism

and post-impressionism

in painting

D.Z .: Chapter 20, ?? (p. 236-237), tv. assignments (pp. 237-241)

LESSON OBJECTIVES

Promote students' awareness of the role of impressionists and post-impressionists in the visual arts;
Develop skill independently study the material and prepare it for the presentation; continue to develop the ability to analyze a work of painting;
Educate culture of perception of masterpieces of the school of impressionists and post-impressionists.

CONCEPTS, IDEAS

impressionism (in painting);
post-impressionism (in painting);
(in painting) Salon of Les Miserables;
impressionists;
E. Degas, E. Manet, O. Renoir;
impressions landscapes;
C. Monet, A. Sisley, C. Pissarro, P. Cezanne, V. Van Gogh, P. Gauguin and A. Toulouse-Lautrec, K. A. Korovin, V.A. Serov, I. E. Grabar

Versatile learning activities

  trace the evolution   define value  identify ways and means  find associative links  define the role of art   
list essential features impressionism and relate it to a certain historical era;
 characterize the main features , images and themes of impressionist art;
 trace the evolution creative method in the works of famous representatives of the direction;
 investigate causation , patterns of changing artistic models of the world;
 define aesthetic, spiritual and artistic value the art of impressionist painters;
 identify ways and means expressing social ideas and aesthetic ideals of the era in the process of analyzing works of art;
 find associative links between the artistic images of impressionism presented in various types of art;
 define the role of art impressionism in resolving life contradictions and tragic conflicts of the era;
 develop an exhibition prospectus about the work of the Impressionists with the subsequent design of the exhibition;
 conduct self-analysis the lyric poem "Impressionism" by O. E. Mandelstam;
 get acquainted with the best foreign and domestic collections works of impressionist artists

STUDYING NEW MATERIAL

Impression landscapes.
Everyday life of a person.

Lesson assignment. What is the significance of the work of the Impressionists and Post-Impressionists for World Civilization and Culture?

sub-questions

The artistic quest of the impressionists. Salon of Les Miserables is a decisive challenge to officially recognized art. Searching for new ways in painting. The mobility and variability of the world as the main object of the image. Mastery in the transmission of light, color and shadow (on the example of famous paintings by impressionist artists). Creative searches in the field of composition (E. Degas, E. Manet, O. Renoir).
Impression landscapes. The desire of artists to capture the smallest changes in the state of nature (by the example of the famous works of C. Monet, A. Sisley, C. Pissarro).
Everyday life of a person. Attention of artists to the life and interests of the common man (on the example of the work of O. Renoir).
Followers of the Impressionists. The individual character of the work of P. Cezanne, V. Van Gogh, P. Gauguin and A. Toulouse-Lautrec. Search for a new artistic solution. Followers of impressionism in Russian painting (K. A. Korovin, V. A. Serov, I. E. Grabar)

Style directions of artistic culture in Western Europe XIX century

I third XIX century

I half XIX century

Middle XIX century

70-80 – e g XIX century

the end XIX century - the beginning XX century

Paris, 1863 year , Palace of Industry …

The jury of the famous Salon rejects about 70% of the submitted works.

Napoleon intervened in the scandal that broke out III , who graciously allowed the canvases to be presented in another part of the Palace of Industry.

So May 15 1863 year, an exhibition was opened, which received an expressive name Salon of Les Miserables.

Among them are Claude Oscar Monet (1840-1926), Camille Pissarro (1830-1903), Pierre Auguste Renoir (1841-1919), Alfred Sisley (1839-1899), Edgar Degas (1834-1917) and others. The Battle for the New art continued until 1886, when the last, eighth exhibition of these artists took place.

The audience accustomed to academic art at this exhibition is completely bewildered ...

A burst of laughter causes "Indecent"

painting by Edouard Manet

"Breakfast on the grass"

Edward Manet

(1832 - 1883)

E. Manet

Olympia

The writer defended the painting

« He introduced us to Olympia, a girl of our day whom he meets on the sidewalks, wrapping her thin shoulders in a cold faded shawl ... A place for Mr. Manet in the Louvre has already been secured. "

Many talented artists united around Manet, who, like him, did not recognize official art and decided to go their own way.

France

70-80s of the 19th century

Salon of Les Miserables

Edouard Manet

1832-1883

Camille Pissarro

1830-1903

Claude Oscar Monet

1840-1926

Pierre Auguste Renoir

1841-1919

Alfred Sisley

1839-1899

1834-1917

So at the end of the 19th century, a new appeared in French art direction-impressionism. From french impression- impression …

It owes its name to the painting Claude Monet , first presented at the exhibition of outcast artists in 1874 .

It was called "Impression. Sunrise".

"The origin of impressionism

it was as joyous as early spring.

The first impressionists came out

into the light from a dark room and

childishly rejoiced in the light,

paints ".

Maximilian Voloshin

Features of the pictorial language of the impressionists .

It doesn't matter WHAT is shown, it is important - HOW.

Work on

plein air

Technics

pastels

Depict

mobility

and variability

the world

Are common

principles

Perception

colors on

distance

Sensual

perception,

impression

Live

movable

composition

For the first time, impressionist artists emerged from the dark workshops

on plein air (fr. plein air – free air).

Alfred Sisley. The road at the edge of the forest .

Camille Pissarro. Spring in Eragny.

Poppies

Impressionist artists united

subjective experience of light, color, shadow, reflections on the surface of objects

Edouard Manet. Lilac.

Claude Monet. Blooming garden.

Claude Monet. Rouen Cathedral.

Camille Pissarro. Frost.

Camille Pissarro.

Boulevard Montmartre

in Paris.

1. Mobility and variability the world becomes the main target of the image.

With the help of light and color, the artists tried to capture "fleeting visions", so they applied paints to the canvas with quick strokes, caring only about the overall impression of what they saw.

Parliament building in London.

Mobility and variability

Claude Monet. Parliament.

Seagulls. Thames.

Claude Monet. Parliament. Sunset.

Claude Monet. Autumn .

2. Transmission of light and color .

With their help, you can convey the variability and transience of life. The artists took into account the laws of perception of color at a distance and never mixed colors on the palette. A combination of colors of the solar spectrum was used.

Alfred Sisley. The city of Villeneuve on the banks of the Seine.

Auguste Renoir. Swing.

3. Pastel technique (fr. pastel - painting with colored pencils or colorful powder) opened up tremendous possibilities in the use of color.

The texture of the pastel is velvety, it is able to convey the vibration of a color that seems to glow from the inside.

Blue dancers.

Dancers

in the hall

for classes.

Dancers

bowing.

4. Landscapes of impressions.

Impressionist painters preferred to realistic landscapes

impressions landscapes. With loving, interested eyes, they

observed the slightest changes in the state of nature,

trying to capture her "soul"

Train station Saint-Lazare.

Bank of the Seine at Bougival.

Bridge to the Marais in the early morning.

Alfred Sisley

Camille Pissarro.

Opera passage in Paris.

Malake embankment in sunny weather.

5. Everyday life of a person

Edouard Manet. Bar at the Folies Bergère.

Auguste Renoir. Dance at Bougival.

Edouard Manet. Music in the Tuileries Garden.

Auguste Renoir.

Renoir is superb

in portraits. He is not

only grasps

external features,

but also in detail

recreates them

character and inner

Theodore Dure.

stroll

Portrait of Jeanne Samary.

Lady with a fan.

Talking about creativity

impressionists,

can't

do not mark their searches

in the area of \u200b\u200bscenic

compositions.

These artists are in many ways

updated

principles of their construction,

abandoning academic

requirements

immobility,

symmetry,

order and clarity.

O. Renoir. Boats on the Seine.

K. Monet. Holland tulips

A. Sisley. Regatta.

K. Monet. Waterloo Bridge.

E. Manet. Spring. (Jeanne)

A. Sisley. Lawns in the spring.

K. Monet. Pond at Montgeron

K. Monet. Ertret. Sunset.

E. Manet. Horse racing in the Bois de Boulogne.

Post-impressionism

goal through the changing visibility of nature to convey the feeling of its constancy. The most vivid artistic images. Bright colors.

Van Gogh "Road to Provence"

Paul Gauguin "Tahitian pastorals"

Paul Cezanne "Still Life with Onions"

Paul Gauguin. Tahitian women.

France.

Holland.

Vincent Van Gogh. Sunflowers

Georges Seurat. The circus

View of Martinique.

Cafe terrace at night.

Paul Cezanne. The road to Chantilly.

Germany.

Anders Zorn.

Swimming near the rocks.

Waves of Lapland.

Russia.

Igor Grabar.

February azure.

Konstantin Korovin.

Boulevard of the Capuchins.

Valentin Serov.

Portrait of Zinaida Yusupova

Girl with peaches

Homework

Portrait of Jeanne Samary

Vincent

van Gogh

Self-portrait

Aral ladies

Paul Gauguin

Paul

Cezanne

Still life with drapery

Camille

Pissarro

Hay and Pont des Arts

Pierre Renoir

Girl with a fan

Edouard Manet

"In front of the mirror"

Control questions

1. What discoveries in the field of artistic creativity were

made by the impressionists? Illustrate them with an example

works known to you. Why realistic landscapes

did impressionist painters prefer landscape and impressions?

2. Why modern French critics saw in K.

Monet “Impression. Sunrise "" daring challenge to beauty ",

"An insult to public taste"? What kind of "impressions" and

why did the artist seek to express in it? How can you explain

k. Monet's commitment to the landscape genre? How picturesque

by means he managed to convey the variability of the world,

unique charm and magic of images?

3. What soil was prepared by impressionism for

emergence of post-impressionism? What brought together and distinguished the two

these artistic movements?

4. Tell us about the origins of Van Gogh's work. What made him different

artistic manner? What plots, themes and images he

applied? What is the peculiarity of the interpretation of the world of nature and man

in his works?

5 . What artistic discoveries in the genre of still life were

made by P. Cezanne?

6. Using the painting by K. A. Korovin “Paris. Boulevard of the Capuchins "

(see p. 238), explain why the artist was ranked in

a certain period of his creativity to the followers

impressionism.

Project research topics or presentations

Aesthetic program and painting system of impressionism.
The artistic quest of the impressionists.
Artistic organization of space in the works of C. Monet.
Features of the use of color, light and shadow in the works of C. Monet.
Color reform K. Monet.
The problem of tradition and innovation in the work of E. Manet.
Mastery in the creation of female portraits E. Manet.
Creative dialogue and artistic analogies by E. Manet and Van Gogh (F. Goya, P. Picasso, S. Dali - by choice).
Artists of Russian Impressionism - at the choice of K. A. Korovin, V. A. Serov, I. E. Grabar.

Today I found out ...
It was interesting…
It was difficult…
I learned…
I was able to ...
I was surprised ...
I wanted…

Literature:

Programs for educational institutions. Danilova G.I. World art culture. - M .: Bustard, 2011
Danilova, G.I. Art / MHC. 11 cl. Basic level: textbook / G.I. Danilov. M .: Bustard, 2014.
Kalinina E.M., teacher of Fine Arts and MHC, MOU "Ermishinskaya secondary school", r.p. Ermish, Ryazan region

The name "Impressionism" arose after the 1874 exhibition in Paris, at which Monet's painting "Impression. Rising Sun" (1872) was exhibited. In 1985 it was stolen from the Marmottan Museum in Paris and today is on the Interpol lists) Monet "Impression. Rising Sun"

When the Impressionists organized their first exhibition, they were no longer inexperienced, budding artists; they were people over thirty, with over fifteen years of hard work behind them. They studied at the School of Fine Arts, turned to older artists for advice, discussed and absorbed various artistic trends of their time - classicism, romanticism, realism. Paul Cezanne. Bridge over the Marne at Creteil Edgar Degas. Ironers Edouard Manet, Boat Trip

However, they refused to blindly follow the methods of the renowned masters. The Impressionists opposed the conventions of classicism, romanticism, asserted the beauty of everyday reality, simple, democratic motives, sought to lively reliability of the image, tried to capture the "impression" of what the eye sees at a particular moment. Claude Monet. "Magpie" Paul Cezanne. "Still life"

The most typical theme for the Impressionists is landscape, but they also touched on many other themes in their work. Degas, for example, portrayed horse racing, ballerinas and laundresses, and Renoir portrayed charming women and children. Camille Pissarro. Morning Sun in the Snow Claude Monet. "Artist's Garden"

Claude Monet "Landscape. Parc Monsyu. Paris". "White water lilies". "Breakfast".

MHC lesson in grade 11

The topic "Impressionism and Post-Impressionism

in painting "

Teacher Sidorenko L.S.

MBOU SOSH in Pionersky

Kaliningrad region

The purpose of the lesson:

acquaintance with impressionism and post-impressionism

Lesson Objectives:

- to form an idea of \u200b\u200bartistic trends in painting at the turn of the 19th and 20th centuries;

- develop skills in evaluating works of art, analysis and generalization, independent inference;

- to develop a moral and aesthetic attitude to the world and love for art:

- to intensify the creative and cognitive activity of students.

Impressionism - direction in the art of the last third

XIX - early XX century., Whose representatives sought to capture the real world in its mobility and changeability, truthfully convey the moments of life.

Impressionism originated in the 1860s. in France, when the painters E. Manet, O. Renoir and E. Degas introduced the diversity, dynamics and complexity of modern urban life, freshness and immediacy of perception of the world into art.

In post-impressionism that increased interest in the philosophical and symbolic principles of art, in the artistic form (construction of space, volume), in decorative stylization, reflected the atmosphere of contradictory searches for moral values \u200b\u200bduring the beginning of the crisis of European culture.

For the first time, Impressionist paintings were presented at the Salon of Les Miserables.

E. Zola, who called Manet "a classic of modern painting", predicted that the artist's creations would eventually enter the Louvre, the treasury of France.

The paintings are owned by the French state and are on display at the Orsay Museum in Paris.

E. Manet

(1832- 1883)

The painting “Impression. Sunrise ", painted in 1873 from life, gave the name to the artistic direction" impressionism ".

It was first exhibited in 1874. From the Paris Museum, Marmottan was stolen in 1985 with other paintings. Only in 1991 did it take its place in the exposition again.

K. Monet

(1840-1926)

Edgar Degas

"Blue dancers"

The painting "Blue Dancers" is kept in Moscow, in the State Museum of Fine Arts

named after A.S. Pushkin

since 1948

Self-portrait

E. Degas

(1834-1917)

"Flood in Port Marly" painting

written in 1872,

is in National Gallery of Art Washington

A. Sisley

(1839-1899)

The painting "Opera Passage in Paris" was written in 1899, is kept in Moscow, in the State Pushkin Museum of Fine Arts

K. Pissarro

(1830 – 1903)

Pierre Auguste Renoir

3 portraits

theater actresses

"Comedie Francaise" by Jeanne Samary

Self-portrait

P. Renoir

(1841-1919)

Picture

"Peaches and Pears"

written in 1895, stored in State museum of Fine Arts. Pushkin

P. Cezanne

(1839-1906)

Vincent Van Gogh "Starry Night"

“Looking at the stars, I always start to dream. I ask myself: why should the bright points in the sky be less accessible to us than the black points on the map of France? "