Osorgin Mikhail Andreevich, real name Ilyin (October 7 (19), 1878 - November 27, 1942) - Russian writer, journalist, essayist, one of the most active and active Freemasons of the Russian emigration, the founder of several Russian Masonic lodges in France.
Mikhail Andreevich Osorgin; present fam. Ilyin was born in Perm - in a family of hereditary columnar nobles. I took the surname "Osorgin" from my grandmother. Father A. F. Ilyin is a lawyer, a participant in the judicial reform of Alexander II, brother Sergei (died in 1912) was a local journalist and poet.
And philosophy is not even a science, although it is called the science of sciences. It is born of the luxury of life or the weariness of life. She's a cake. And she is also a mockery. And she's also care. Life is now such that if you leave it for a minute, it will leave you for days. Whoever wants to survive must cling to it, to life, climb, knock others off the bandwagon, like in a tram.
Osorgin Mikhail Andreevich
While studying at the gymnasium, he posted an obituary to his class warden in the Permskiye Provincial Gazette, and in the Journal for Everyone published the story Father under the pseudonym Permyak (1896). Since then, he considered himself a writer. After successfully graduating from the gymnasium, he entered the law faculty of Moscow University. In his student years he continued to publish in the Ural newspapers and served as a permanent employee of Permskiye Gubernskiye Vedomosti. He took part in student unrest and was exiled from Moscow to Perm for a year. After completing his education (1902), he became an assistant attorney at the Moscow Court of Justice and at the same time a jury solicitor at a commercial court, a guardian in an orphan's court, a legal adviser to the Society of Merchant Clerks and a member of the Society for the Trusteeship of the Poor. Then he wrote the book "Compensation of workers for accidents."
Critical of the autocracy, a high-profile nobleman by birth, an intellectual by occupation, a fronder and an anarchist by temperament, Osorgin joined the Socialist-Revolutionary Party in 1904. He was attracted by their interest in the peasantry and the land, the populist traditions - to respond to violence with violence, to the suppression of freedom - with terror, not excluding the individual. In addition, the socialist revolutionaries valued personal disinterestedness, high moral principles and condemned careerism. In his apartment, meetings of the Moscow Party Committee were held, terrorists were hiding. Osorgin did not take an active part in the revolution, but he was involved in its preparation. He himself later wrote that in the Socialist Revolutionary party he was "an insignificant pawn, an ordinary agitated intellectual, more a spectator than a participant." During the revolution of 1905-1907, attendances were organized in his Moscow apartment and at his dacha, meetings of the committee of the Socialist-Revolutionary Party were held, appeals were edited and published, and party documents were discussed. Participated in the Moscow armed uprising of 1905.
In December 1905, Osorgin, mistaken for a dangerous "barricadist", was arrested and spent six months in the Taganskaya prison, then released on bail. He immediately left for Finland, and from there - through Denmark, Germany, Switzerland - to Italy and settled near Genoa, at the Villa Maria, where an emigrant commune was formed. The first exile lasted 10 years. The literary result was the book "Essays on Modern Italy" (1913).
Futurism attracted special attention of the writer. He was sympathetic to the early, determined futurists. Osorgin's work in Italian futurism had a significant resonance in Russia. He was trusted as a brilliant connoisseur of Italy, his judgments were listened to.
In 1913, to marry seventeen-year-old Rachel (Rose) Ginsberg, daughter of Ahad-ha-Am, converted to Judaism (later the marriage broke up).
From Italy, he twice traveled to the Balkans and traveled to Bulgaria, Montenegro and Serbia. In 1911 Osorgin announced in print his departure from the Socialist-Revolutionary Party, and in 1914 became a Freemason. He asserted the supremacy of the highest ethical principles over party interests, recognizing only the blood ties of all living things, even exaggerating the importance of the biological factor in human life. In relations with people, he put above all not coincidence of ideological convictions, but human closeness based on nobility, independence and selflessness. Contemporaries who knew Osorgin well (for example, B. Zaitsev, M. Aldanov) emphasized these qualities of him, not forgetting to mention the soft, subtle soul, artistry and grace of appearance.
Osorgin (Ilyin) Mikhail Andreevich (07.10.1878, Perm - 27.11.1942, France)
Born in Perm in the family of a hereditary nobleman A.F. Ilyin. His father, an educated and liberal minded man, served in the district court. Mother was an intelligent woman, fluent in languages. She devoted herself to raising children.
In Perm, Mikhail Ilyin graduated from high school. Like his older brother Sergei, he began writing and publishing in his gymnasium years. Then he entered the Moscow University at the Faculty of Law. He came to Perm for holidays, vacations, lived here while the university was closed due to student unrest, and at that time he wrote for Perm. newspapers. After graduating from un-that he came to Perm twice more; for the second time, in 1916, already as a correspondent for Russkiye Vedomosti. He never visited his native land again, he only wrote about him with sincere love.
There was a lot on the writer's life: passion for revolutionary ideas, a short prison sentence, secret border crossing, the first emigration. The writer lives in Italy, travels to the Balkans. The First World War begins. He returns to Russia via Paris, London, Oslo, Stockholm.
February 1917 Osorgin accepted, the October coup - no. But he is still working, becoming one of the organizers of the All-Russian Union of Writers, chairman of the All-Russian Union of Journalists, establishes, together with other writers, a cooperative bookstore, where they themselves sell books. The famous production of director EB Vakhtangov - "Princess Turandot", which did not leave the theater stage for many years, did not go without the participation of the writer: he translated the fairy tale from Italian by Carlo Gozzi.
Then, in the fate of Osorgin, a heroic deed and a tragic outcome take place at once. During the famine of 1921, the Famine Relief Commission was established in the country. Osorgin was a member of this commission. Pomgol managed to do a lot, and for this almost all his members were arrested. The intercession of Fridtjof Nansen saved them from being shot. Osorgin was exiled ... And then, in 1922, on the famous "philosophical steamer" he was expelled from his native country among a large group of scientific and creative intelligentsia.
Twenty years of forced emigration. The writer works. The novel "Sivtsev vrazhek" (1928) is devoted to the events of the revolutionary years. Then comes The Tale of a Sister (1931), the dilogy "Witness to History" (1932), "The Book of Ends" (1935), the story "The Free Mason" (1937), the books "The Tale of a certain girl", "(1938). Essays, memoir sketches and the novel "Times" were created in the same years, and many pages of these works are devoted to Perm. edge.
All these works, written in the beautiful Russian language, in the master's style, were published abroad. They returned to their homeland only at the end of the 20th century. And the writer himself never returned - he was buried in the town of Chabri on the Cher River in France.
OSORGIN, MIKHAIL ANDREEVICH(real name Ilyin) (1878-1942), Russian prose writer, journalist. Born on October 7 (19), 1878 in Perm in a family of hereditary columnar nobles, direct descendants of Rurik. Began to publish in the gymnasium years, from 1895 (including the story Father, 1896). In 1897 he entered the law faculty of Moscow University, from where in 1899 he was exiled to Perm for participation in student riots under the secret police supervision. In 1900 he recovered at the university (graduated from the course in 1902), and during his studies led the column "Moscow Letters" ("Diary of a Muscovite") in the newspaper "Permskiye Gubernskiye Vedomosti". Confidential intonation, soft and wise irony, combined with a marked observation, were also marked by Osorgin's subsequent stories in the genre of "physiological sketch" ( On an inclined plane. From student life, 1898; Prisoner car, 1899), romantic "fantasy" ( Two moments. New year fantasy, 1898) and humorous sketches ( Letter from son to mom, 1901). He was engaged in advocacy, together with K.A. Kovalsky, A.S. Butkevich and others, he founded the publishing house "Life and Truth" in Moscow, which produced popular literature. Here in 1904 Osorgin's brochures were published Japan, Russian military leaders in the Far East (biographies of E.I. Alekseev, A.N. Kuropatkin, S.O. Makarov and others), Remuneration of workers for accidents. Act June 2, 1903.
In 1903, the writer married the daughter of the famous People's Will A.K. Malikov (memoir Osorgin Meetings. A.K. Malikov and V.G. Korolenko, 1933). In 1904 he joined the Socialist-Revolutionary Party (he was close to its "left" wing), in whose underground newspaper in 1905 he published an article Behind what?, justifying terrorism "a struggle for the good of the people." In 1905, during the Moscow armed uprising, he was arrested, because of the coincidence of the names with one of the leaders of the military squads, he was almost executed. Sentenced to exile, in May 1906 he was temporarily released on bail. The stay in Taganskaya prison was reflected in Pictures of prison life. From the diary of 1906, 1907; participation in the Socialist-Revolutionary movement - in essays Nikolay Ivanovich, 1923, where, in particular, it was mentioned about VI Lenin's participation in a dispute at Osorgin's apartment; Small memory wreath, 1924; Nine hundred and fifth year. For the anniversary, 1930; and also in the story Terrorist, 1929, and a documented dilogy History witness, 1932, and A book about ends, 1935.
Already in 1906 Osorgin wrote that “it is difficult to distinguish a revolutionary from a hooligan,” and in 1907 he illegally left for Italy, from where he sent correspondence to the Russian press (part of which was included in the book. Essays on modern Italy, 1913), stories, poems and children's tales, some of which were included in the book. Fairy tales and non-fairy tales (1918). Since 1908 he has been constantly collaborating in the newspaper Russkiye Vedomosti and the journal Vestnik Evropy, where he published stories Emigrant (1910), My daughter (1911), Ghosts (1913) and others. About 1914 joined the Masonic brotherhood of the Grand Lodge of Italy. In the same years, having studied the Italian language, he closely followed the news of Italian culture (articles about the work of G.D. "Annunzio, A. Fogazzaro, G. Pascali, etc., about the" destroyers of culture "- Italian futurists in literature and painting), became a leading expert on Italy and one of the most prominent Russian journalists, developed a specific genre of fictionalized essays, from the end of the 1910s often permeated with the lyrical irony characteristic of the writer's manner. In July 1916 he semi-legally returned to Russia. In August, it was published in Russkiye Vedomosti. published his art. Smoke of the fatherland, which aroused the wrath of the "patriots" with such maxims: "... I really want to take a Russian man by the shoulders ... to shake it and add:" And you’re good to sleep even under a gun! " Continuing to work as a traveling correspondent, gave a series of essays Homeland (1916) and On a quiet front (1917).
At first he accepted the February revolution with enthusiasm, then with caution; in the spring of 1917 at st. Old proclamation warned about the danger of Bolshevism and the "new autocrat" - Vladimir, published a series of fictionalized essays about "a man of the people" - "Annushka", published brochures Freedom fighters (1917, about the People's Will), About the current war and about eternal peace"(2nd ed., 1917), in which he fought for the war to a victorious end, Security department and its secrets (1917). After the October Revolution, he spoke out against the Bolsheviks in opposition newspapers, called for a general political strike, in 1918 in Art. Day sorrow predicted the dispersal of the Constituent Assembly by the Bolsheviks. The strengthening of the Bolshevik power prompted Osorgin to urge the intelligentsia to engage in creative work, he himself became one of the organizers and the first chairman of the Union of Journalists, vice-chairman of the Moscow branch of the All-Russian Union of Writers (together with M.O. Gershenzon, he prepared the charter of the union), as well as the creator of the famous Bookstore writers, which has become one of the important centers of communication between writers and readers and a kind of autographic ("handwritten") publishing house. He took an active part in the work of the Moscow circle "Studio Italian".
In 1919 he was arrested and released at the request of the Writers' Union and J.K. Baltrushaitis. In 1921 he worked in the Commission for Aid to Famine at the All-Russian Central Executive Committee (Pomgol), was the editor of the bulletin "Help" published by it; in August 1921 he was arrested along with some members of the commission; F. Nansen's intervention saved them from the death penalty. He spent the winter of 1921-1922 in Kazan, editing the Literaturnaya Gazeta, and returned to Moscow. He continued to publish fairy tales for children and short stories, translated (at the request of E.B. Vakhtangov) the play by K. Gozzi Princess Turandot (ed. 1923), plays by K. Goldoni. In 1918 he made sketches for a large novel about the revolution (chapter Monkeys town). In the fall of 1922, he was expelled from the USSR with a group of opposition-minded representatives of the domestic intelligentsia (essay How we left. Jubilee, 1932). Longing for his homeland, he kept his Soviet passport until 1937. He lived in Berlin, gave lectures in Italy, from 1923 - in France, where, after marrying a distant relative of M.A. Bakunin, he entered the quietest and most fruitful phase of his life.
The novel, which began in Russia, brought world fame to Osorgin Sivtsev Vrazhek (separate ed. 1928), where in a loosely arranged series of chapters-short stories the calm, measured and spiritually rich life of a professor-ornithologist and his granddaughter in the old center of Moscow is presented - a typical life of a beautiful-hearted Russian intelligentsia, which is first shaken by the First World War, and then the revolution breaks open. Osorgin seeks to look at what happened in Russia from the point of view of "abstract", timeless and even extra-social humanism, drawing constant parallels between the human world and the animal. The statement of a somewhat disciplic tendency towards the Tolstoyan tradition, reproaches for the "dampness", lack of organization of the narrative, not to mention its obvious tendentiousness, did not prevent the huge readership Sivtseva Vrazhka... The clarity and purity of writing, the tension of lyric and philosophical thought, the light nostalgic tonality dictated by the enduring and acute love for his fatherland, the liveliness and accuracy of everyday life that revives the aroma of the Moscow past, the charm of the main characters - bearers of unconditional moral values, convey to Osorgin's novel the charm and depth of the literary evidence of one of the most difficult periods in the history of Russia. The writer's creative success was also The story of a sister (separate ed. 1931; first published in 1930 in the journal "Sovremennye zapiski", like many other emigre works of Osorgin), inspired by warm memories of the writer's family and creating a "Chekhovian" image of a pure and whole heroine; book of memoirs dedicated to the memory of parents Things human (1929), coll. Miracle on the lake (1931). Wise simplicity, sincerity, unobtrusive humor, characteristic of Osorgin's manner, manifested themselves in his "old stories" (part was included in collection of works). The tale of a certain girl, 1838). Possessing excellent literary taste, Osorgin successfully acted as a literary critic.
The cycle of novels based on autobiographical material is remarkable History witness (1932), Book about the ends (1935) and Free mason (1937). In the first two, an artistic interpretation of the revolutionary mentality and events in Russia at the beginning of the century is given, not devoid of the features of an adventurous narrative and leading to the idea of \u200b\u200bthe dead end of the sacrificial idealistic path of maximalists, and in the third - the life of Russian emigrants who connected themselves with Freemasonry, one of the most active leaders of which Osorgin has been since the early 1930s. Critics celebrated artistic innovation Free mason, the use of the stylistics of cinema (partly akin to the poetics of European expressionism) and newspaper genres (information blotches, factual saturation, sensational slogan "caps", etc.).
Clearly manifested in the novel Sivtsev Vrazhek Osorgin's pantheism found expression in the cycle of lyrical sketches Green world incidents (1938; originally published in The Latest News under the caption “Everyman”), where close attention to all life on earth is combined with a protest against an offensive technotronic civilization. In the mainstream of the same "protective" perception, a cycle dedicated to the world of things was created - the richest collection of Russian publications collected by the writer Notes of the old bookwife (1928–1937), where in the archaic-accurate, correct and colorful speech of the author, the prose writer expressed the unmistakable hearing of the Russian word.
Shortly before the war, Osorgin began work on his memoirs ( Childhood and Youth, both 1938; Time - publ. 1955). In 1940, the writer moved from Paris to the south of France; in 1940-1942 published in the "New Russian Word" (New York) correspondence Letters from France... Pessimism, awareness of the meaninglessness of not only physical, but also spiritual opposition to evil are reflected in the books In a quiet place in France (published in 1946) and Letters about insignificant (published in 1952).
Biography (Shelokhaev, Encyclopedia of Russian Emigration, 1997.)
OSORGIN Mikhail Andreevich (real family Ilyin) (10/07/1878, Perm - 11/27/1942, Chabri, file Indre, France) - prose writer, essayist, publicist.
From a noble family, the son of A.F. Ilyin - a lawyer, a participant in the judicial reform of Alexander II. Graduated from the Law Faculty of Moscow University in 1902. From 1895 he worked for newspapers. For participation in student unrest, he was expelled from the university for a year and exiled to Perm. From 1904 in the Socialist-Revolutionary Party, he joined the maximalists. In December 1905 he was arrested, after a 6-month imprisonment in the Taganskaya prison, he was sentenced to 5 years of hard labor, replaced by expulsion from Russia; in 1907 he went abroad through Finland. He lived from 1908 to 1913 in Italy, published in Russian liberal publications (Vestnik Evropy, Russkie vedomosti): O.'s articles about the Camorra, the Corsican mafia, were read in capitals and provinces. In 1913 he published the book Essays on Modern Italy.
Returning to Russia in 1916, he welcomed the February Revolution, was a member of the Moscow Commission for the provision of a new system. He did not recognize the Soviet power. In 1918-21 he worked in the Writers' Bookstore in Moscow, was a member of the publishing association "Zadruga", was one of the organizers of the All-Russian Union of Writers (comrade chairman of the Moscow branch) and the All-Russian Union of Journalists (chairman). As a member of Pomgol and editor of the bulletin "Help" published by him in August 1921, he was arrested, then exiled to Kazan, and after returning, a few months later, to Moscow, he was among the dissenting cultural figures expelled in 1922 from Soviet Russia; retained Soviet citizenship until 1937, when the Soviet consulate in Paris demanded that he return to the USSR. Prior to his expulsion, he published several brochures, 3 books of fiction (Signs, 1917; Fairy Tales and Non-Fairy Tales, 1921; From a Small House, Riga, 1921).
O.'s translation of "Princess Turandot" by K. Gozzi (published in 1923) was used by E. Vakhtangov for his famous production.
After a short stay in Berlin and two trips to Italy, he settled in Paris in 1923. He published mainly in the newspapers Dni (having interrupted his work there from 1925 to 1928 due to a conflict with A. Kerensky) and Latest News, but, as M. Aldanov noted, if a “hater of parties”, “ anarchist "O." wanted to collaborate in newspapers that shared his views, he would have nowhere to cooperate. " Gravitated towards the cyclization of articles that were sometimes published for many months or even years; over time, a memoir tone began to prevail in them (the series "Meetings" published in 1928-34), regretted the disunity of the emigre environment, the absence of a permanent writers' union and tried to support young writers - A. Ladinsky, Y. Annenkov, G. Gazdonov , V. Yanovsky. He considered L. Tolstoy and Charles Dickens to be his literary teachers. The first published abroad novel by O. "Sivtsev Vrazhek" (started in Kazan, the first chapters published in 1926-28 in "Sovremennye zapiski", separate ed. Paris, 1928; Moscow, 1990) had an enormous reader's success - it was reprinted twice, translated into many European languages, and in 1930 received the American Club's Book of the Month Award (spent largely on helping needy emigrants). The action of the novel takes place in "places of Moscow noble-literary and artistic". In order to comprehend the Russian catastrophe from the point of view of humanism, O. sought to recreate the way of life, thoughts and feelings of representatives of the intelligentsia and officers who did not join any of the warring parties, the first part of the novel showed the life of Muscovites on the eve and during the war, the second - during the years of the revolution, they differ in tonality, the Bolshevik coup is assessed through metaphorical comparisons, the material for which O. drew from the world of fauna. She scathingly assessed the novel by Z. Gippius, condescendingly by B. Zaitsev, to whom the novel seemed "raw", with an obvious gravitation towards the Tolstoy tradition.
The greatest criticism was caused by the author's pantheistic views, the idea of \u200b\u200bthe inseparability of the natural and the social.
"The Story of a Sister" (SZ, 1930, no. 42, 43; separate ed. Paris, 1931) immersed in the world of the "irrevocable", it was inspired by the memory of the family of O. The image of the pure and whole heroine O.
muffles the hopeless note of "general emigrant melancholy", gives the story warmth and sincerity. Here, as in the stories, O. preferred soft, heartfelt tones, dull watercolors. The collection "Where I was happy" (Paris, 1928) is also autobiographical. The first part of the book - memories of life in Italy - G. Adamovich called "prose poems"; about the stories from the second part, he spoke of as written with "less poignancy", seeing in them what "it is customary to call" birches "in the conventional emigre language. Other contemporaries saw O.'s “gentle lyricism” as his strength. In his review of the collection “Miracle on the Lake” (1931) K. Mochulsky noted the wise simplicity and artless style of stories, the author's ability to speak with the reader about the most cherished “from the bottom of his heart .. . and, most importantly, without false shame ", O. was one of the most widely read authors of the Turgenev Library in Paris.
A small part of O.'s humorous stories, published in newspapers, was included in the collection "The Tale of the Fatal Maiden" (Tallinn, 1938). As a comic storyteller O. was distinguished by grace, ease and an amazing sense of proportion in the dosage of the serious and funny; contemporaries wrote about the "brilliance of his humor" achieved primarily by a variety of stylistics - from caustic jokes to good-natured ridicule. O. also acted as a critic with excellent literary taste and unmistakably distinguishing fashionable ephemeral from significant phenomena of literature, soberly assessed the state of affairs in emigre literature, was aware of the inevitable decline in its artistic and moral level, closely followed the literature in the USSR, believing that it flourishing "will come yet" and seeing its advantage in the fact that "there is someone to write for."
O. himself in the 30s published three novels: "The Witness of History" (1932), "The Book of Ends" (1935) and "The Free Mason" (1937). The first two are artistic comprehension of the revolutionary mentality of young people at the beginning of the century based on autobiographical material. The fates of the dying heroes confirm the doom and immorality of the terrorist struggle. In The Book of Ends, O. summed up the sacrificial idealistic stage of the revolution, described in The Witness to History, which is marked by the features of an adventure novel, individual psychologism; Father Yakov Kampinsky appears in the role of "witness", whose outlook on life is conditioned by popular common sense.
In 1914 in Italy, Oh, was initiated into Freemasonry; in May 1925 he entered the Russian lodge "North Star", subordinate to the "Great East of France", in 1938 became its master. Opposed the politicization of Masonic lodges, in November 1932 he organized an independent lodge of the Northern Brothers. Associated with these pages of O.'s biography is the story "The Free Mason", in which the image of a Russian emigrant in the street, carried away by the noble ideals of universal brotherhood, opposes the bourgeois-calculating environment of Parisians. The story is interesting by introducing the techniques of cinematography and newspaper genre into the epic narration. All of O.'s work was permeated by two soulful thoughts: passionate love for nature, close attention to everything living on earth, and attachment to the world of ordinary, imperceptible things. The first thought formed the basis of the essays published in The Latest News under the caption "The Everyman" and compiled the book "Occurrences of the Green World" (Sofia, 1938). The sketches are characterized by deep drama: in a foreign land the author turned from a "lover of nature" into eccentric ”, protest against technotronic civilization was combined with a powerless protest against exile. The embodiment of the second thought was bibliophilia and collecting. collected the richest collection of Russian publications, which he introduced to the reader in the cycle "Notes of an old bookworm" (October 1928 - January 1934), in a series of "old" (historical) stories, which often caused attacks from the monarchist camp for disrespecting the imperial surname and especially to the church.
A direct heir to the democratic tradition of Russian literature, O. in his historical and literary delights did not make corrections for the changed Russian realities. Readers and critics have admired the slightly archaic language of these stories; “He had an unmistakable ear in Russian,” noted M. Vishnyak, M. Aldanov, calling the style of O.'s book of memoirs “Times” excellent, regretted that he could not “quote whole pages from it”. From the memoirs on which O. worked, before the war were published "Childhood" and "Youth" (Russian notes, 1938, No. 6, 7, 10), during the war - "Times" (NZh, 1942, No. 1- 5; in the ed. Ed. Paris, 1955; M., 1989 - this part is published under the title "Youth"). It is rather a novel of the soul, a guide to the milestones of the mental development of a writer who, according to O., belonged to the class of "miscalculated dreamers", "Russian intelligent eccentrics." The image of Russia in Molodist, written after Germany's attack on the USSR, acquired a tragic tone on the book's final pages. He expressed his public position in letters to his old friend A. Butkevich (1936) in the USSR, in which he drew attention to the similarity of the regimes in the fascist states and in the USSR, although he argued that he did not mix them up. “My place is invariable - on the other side of the barricade, where the individual and the free public are fighting against violence against them, no matter how this violence is covered, no matter what good words it justifies itself ... My humanism does not know and does not love the mythical“ humanity ”, but ready to fight for a man. I am ready to sacrifice myself, but I don’t want to sacrifice a person and I cannot ”.
Having escaped from Paris in June 1940 with his wife, O. settled in the town of Chabri in the south of France. O.'s correspondences were published in Novoye Russkiy Slovo (1940-42) under the general title Letters from France and Letters about the Insignificant. Pessimism grew in his soul. The book "In a quiet place in France" (Paris, 1946) is interwoven with the motives of his previous books; the main values \u200b\u200bfor the writer turned out to be, as the war showed, too fragile. The pain and anger of the humanist O. were caused by the dead end in which the world entered in the middle of the 20th century. Died in the midst of the war, the writer was buried in Chabri, the site of his last exile.
Biography (V.G. Krizhevsky.)
Osorgin Mikhail Andreevich (real name Ilyin) (1878, Perm - 1942, Chabri, France), writer. The son of a lawyer, in 1902 he graduated from the law faculty of Moscow University. During his student years he lived in a hostel on Malaya Bronnaya Street. In 1905 he was arrested as a member of the Socialist-Revolutionary Party, in 1906-16 he lived in exile in Italy; published in the Moscow "Russian vedomosti" and other publications. Returning to Moscow in 1916, he took an active part in literary and social life. In 1918-21 he founded, together with N.A. Berdyaev, B.K. Zaitsev, P.P. Muratov, A.M. Remizov, V.F. Khodasevich, A.K. Dzhivelegov and others. Writers' bookstore at 16 Leontyevsky lane, then transferred to 22 Bolshaya Nikitskaya; was one of the organizers of the Moscow branch of the All-Russian Union of Writers (chairman) and the All-Russian Union of Journalists. Participant of Pomgol (organization of relief for hungry from abroad) and editor of the bulletin "Help" published by him; in 1921 he was arrested, exiled to Kazan, shortly after returning to Moscow, exiled in 1922 from Russia on a "philosophical steamer." Living in Germany, Italy, since 1923 in Paris, he was engaged in journalism, edited a series of books "New Writers". Osorgin's novel Sivtsev Vrazhek (Paris, 1928, Moscow, 1990), dedicated to the fate of the Moscow intelligentsia in the era of revolution, gained wide popularity. Author of memoirs "The Story of a Sister" (1931), novels "Witness to History" (1932), "Book of the Ends" (1935), "Times" (1955) and others, which recreate the atmosphere of pre-revolutionary Moscow. He belonged to the circles of Moscow, then foreign Masons, which was reflected in the novel "Free Bricklayer" (1938). In 1966, the widow of the writer T.A. Bakunina-Osorgina transferred his archive to TsGALI.
Literature: Marchenko T.V., Osorgin, in the book: Literature of the Russian Diaspora: 1920-1940, M., 1993.
Biography
OSORGIN, MIKHAIL ANDREEVICH (real name Ilyin) (1878-1942), Russian prose writer, journalist. Born on October 7 (19), 1878 in Perm in a family of hereditary columnar nobles, direct descendants of Rurik. Began to publish in the school years, from 1895 (including the story "Father", 1896). In 1897 he entered the law faculty of Moscow University, from where in 1899 he was exiled to Perm for participation in student riots under the secret police supervision. In 1900 he recovered at the university (graduated from the course in 1902), and during his studies led the column "Moscow Letters" ("Diary of a Muscovite") in the newspaper "Permskiye Gubernskiye Vedomosti". Confidential intonation, soft and wise irony, combined with a marked observation, marked the subsequent stories of Osorgin in the genre of "physiological sketch" ("On an inclined plane. From student life", 1898; "Prisoner carriage", 1899), romantic "fantasy" (" Two Moments. New Year's Fantasy ", 1898) and humorous sketches (" A Letter from a Son to Mother ", 1901). He was engaged in advocacy, together with K.A. Kovalsky, A.S. Butkevich and others, he founded the publishing house "Life and Truth" in Moscow, which produced popular literature. Here in 1904 Osorgin's brochures "Japan", "Russian military leaders in the Far East" (biographies of EI Alekseev, AN Kuropatkin, SO Makarov, etc.), "Remuneration of workers for accidents. Law 2 June 1903 ".
In 1903 the writer married the daughter of the well-known People's Will A.K. Malikov (Osorgin's memoir "Meetings. A.K. Malikov and V.G.Korolenko", 1933). In 1904 he joined the Socialist-Revolutionary Party (he was close to its "left" wing), in whose underground newspaper in 1905 he published an article "For what?", Justifying terrorism "a struggle for the good of the people." In 1905, during the Moscow armed uprising, he was arrested, because of the coincidence of the names with one of the leaders of the military squads, he was almost executed. Sentenced to exile, in May 1906 he was temporarily released on bail. Stay in Taganskaya prison was reflected in "Pictures of prison life. From the diary of 1906", 1907; participation in the Socialist-Revolutionary movement - in the essays "Nikolai Ivanovich", 1923, where, in particular, Lenin's participation in the dispute at Osorgin's apartment was mentioned; "Small memory wreath", 1924; "Nine hundred and fifth year. For the anniversary", 1930; as well as in the short story The Terrorist, 1929, and the documentary dilogy Witness of History, 1932, and The Book of Ends, 1935.
Already in 1906 Osorgin wrote that "it is difficult to distinguish a revolutionary from a hooligan," and in 1907 he illegally left for Italy, from where he sent correspondence to the Russian press (part of which was included in the book "Essays on Modern Italy", 1913), stories, poems and children's fairy tales, some of which were included in the book. Fairy Tales and Non-Tales (1918). Since 1908 he has been constantly collaborating in the newspaper Russkiye Vedomosti and the journal Vestnik Evropy, where he published the stories The Emigrant (1910), My Daughter (1911), The Ghosts (1913), and others. About 1914 he joined the Masonic brotherhood The Grand Lodge of Italy. In the same years, having studied the Italian language, he closely followed the news of Italian culture (articles about the work of G.D. "Annunzio, A. Fogazzaro, G. Pascali, etc., about the" destroyers of culture "- Italian futurists in literature and painting), became a leading expert on Italy and one of the most prominent Russian journalists, developed a specific genre of fictionalized essays, from the end of the 1910s often permeated with the lyrical irony characteristic of the writer's manner. In July 1916 he semi-legally returned to Russia. his article "Smoke of the Fatherland" was published, which aroused the wrath of the "patriots" with such maxims: "... I really want to take a Russian man by the shoulders ... to shake it off and add:" And how much you sleep even under a gun! " work as a traveling correspondent, made a series of essays "In the Motherland" (1916) and "On a quiet front" (1917).
At first he accepted the February revolution with enthusiasm, then with caution; in the spring of 1917 at st. "The old proclamation" warned of the danger of Bolshevism and the "new autocrat" - Vladimir, published a cycle of fictionalized essays about "a man of the people" - "Annushka", published brochures "Fighters for Freedom" (1917, about the People's Will), "About the current war and about eternal peace "(2nd ed., 1917), in which he fought for a war to the bitter end," Security department and its secrets "(1917). After the October coup, he spoke out against the Bolsheviks in opposition newspapers, called for a general political strike, in 1918 in Art. The Day of Sorrow predicted the Bolsheviks' dispersal of the Constituent Assembly. The consolidation of the Bolshevik power prompted Osorgin to urge the intelligentsia to engage in creative work, he himself became one of the organizers and the first chairman of the Union of Journalists, vice-chairman of the Moscow branch of the All-Russian Union of Writers (together with M.O. Gershenzon prepared the charter of the union), as well as the creator of the famous "Book shops of writers ", which has become one of the important centers of communication between writers and readers and a kind of autograph (" handwritten ") publishing house. He took an active part in the work of the Moscow circle "Italian Studio".
In 1919 he was arrested and released at the request of the Writers' Union and J.K. Baltrushaitis. In 1921 he worked in the Commission for Aid to Famine at the Central Executive Committee (Pomgol), was the editor of the bulletin "Help" published by it; in August 1921 he was arrested along with some members of the commission; F. Nansen's intervention saved them from the death penalty. He spent the winter of 1921-1922 in Kazan, editing the Literaturnaya Gazeta, and returned to Moscow. He continued to publish fairy tales for children and short stories, translated (at the request of EB Vakhtangov) the play by K. Gozzi "Princess Turandot" (published in 1923), plays by K. Goldoni. In 1918 he made sketches for a large novel about the revolution (the chapter "Monkey Town" was published). In the fall of 1922 he was expelled from the USSR with a group of opposition-minded representatives of the domestic intelligentsia (essay "How We Left. Jubilee", 1932). Yearning for his homeland, he kept his Soviet passport until 1937. He lived in Berlin, gave lectures in Italy, from 1923 - in France, where, after marrying a distant relative of M.A. Bakunin, he entered the quietest and most fruitful phase of his life.
World fame was brought to Osorgin by the novel Sivtsev Vrazhek, begun in Russia (separate ed. 1928), where a loosely arranged series of chapters-short stories presents a calm, measured and spiritually rich life in the ancient center of Moscow of a professor-ornithologist and his granddaughter. the existence of the beautiful-hearted Russian intelligentsia, which is first shaken by the First World War, and then hacked by the revolution. Osorgin seeks to look at what happened in Russia from the point of view of "abstract", timeless and even extra-social humanism, drawing constant parallels between the human world and the animal. The statement of a somewhat student-centered gravitation towards the Tolstoyan tradition, reproaches for the "dampness", insufficient organization of the narrative, not to mention its obvious tendentiousness, did not prevent the huge readership of Sivtseva Vrazhka. The clarity and purity of writing, the tension of lyrical and philosophical thought, the light nostalgic tonality dictated by the enduring and acute love for his fatherland, the liveliness and accuracy of everyday life that revives the flavor of the Moscow past, the charm of the main characters - bearers of unconditional moral values, convey to Osorgin's novel the charm and depth of the literary evidence of one of the most difficult periods in the history of Russia. The writer's creative success was also "The Tale of a Sister" (separate ed. 1931; first published in 1930 in the magazine "Sovremennye zapiski", like many other emigre works of Osorgin), inspired by warm memories of the writer's family and creating a "Chekhovian" image of a pure and a solid heroine; book of memoirs "Things of a Man" (1929) dedicated to the memory of parents, collection of articles. "Miracle on the Lake" (1931). Wise simplicity, sincerity, unobtrusive humor, characteristic of Osorgin's manner, manifested itself in his "old stories" (part was included in the collection "The Story of a certain girl", 1938). Possessing excellent literary taste, Osorgin successfully acted as a literary critic.
The cycle of novels based on autobiographical material "The Witness of History" (1932), "The Book of Ends" (1935) and "The Free Bricklayer" (1937) is noteworthy. In the first two, an artistic interpretation of the revolutionary mentality and events in Russia at the beginning of the century is given, not devoid of the features of an adventurous narrative and leading to the idea of \u200b\u200bthe dead end of the sacrificial idealistic path of maximalists, and in the third - the life of Russian emigrants who connected themselves with Freemasonry, one of the most active leaders of which Osorgin has been since the early 1930s. Critics noted the artistic innovation of "Free Mason", the use of cinematic stylistics (somewhat akin to the poetics of European expressionism) and newspaper genres (informational blotches, factual richness, sensational slogan "caps", etc.).
Osorgin's pantheism, clearly manifested in the novel "Sivtsev Vrazhek", found expression in the cycle of lyrical essays "Incidents of the Green World" (1938; originally published in "Latest News" under the caption "Everyman"), where close attention to all living things on earth is combined with protest against an offensive technotronic civilization. In the mainstream of the same "protective" perception, a cycle dedicated to the world of things was created - the author's richest collection of Russian editions "Notes of an old book-eater" (1928-1937), where in the archaic-accurate, correct and colorful author's speech, the prose writer's unerring hearing was expressed in Russian word.
Shortly before the war, Osorgin began work on his memoirs (Childhood and Youth, both 1938; Times - publ. 1955). In 1940, the writer moved from Paris to the south of France; in 1940-1942 published in the "New Russian Word" (New York) correspondence "Letters from France". Pessimism, awareness of the meaninglessness of not only physical, but also spiritual opposition to evil are reflected in the books In a quiet place in France (published in 1946) and Letters on the Insignificant (published in 1952).
(From the encyclopedia "Krugosvet")
Works:
Materials for the biography of M. Osorgin - February 16, 2003
About the work of M. Osorgin - February 16, 2003
* The novel "Sivtsev Vrazhek" (1928) (357 kb) - February 4, 2002
* The novel "Witness to History" (1932) (245 kb) - February 7, 2002
* The novel "The Book of Ends" (1935) (192 kb) - May 6, 2004
* Memories of "Times" (1955) (205 kb) - February 16, 2003
* Story "The Gambler" - February 19, 2003
Short stories: (139 kb) - July 31, 2003
* About the white box (Like a preface)
* Blindborn
* Circles
* Lucien
* Professor's novel
* Pawn
* Human heart
* Doctor Shchepkin's office
* Destiny
* Game of chance
* Dreamer
* Anniversary
* Murder out of hatred
* Anonymous
* Vision
* Newspaper Francois
* Empty but hard case
* What is love?
Biography ("Kazan stories", No. 13-14, 2003)
We bring to your attention the research work of Albina ALYAUTDINOVA, winner of the IV Volga Conference of Schoolchildren named after N.I. Lobachevsky. A pupil of school number 36 performed with him at the local history section. The work dedicated to the life and creative destiny of the Russian writer Mikhail Osorgin, who was in exile in Kazan, was carried out under the guidance of the teacher-methodologist I.A. Kamaletdinova. The study is published in an abridged form.
In the autumn of 1878, Mikhail Andreevich Ilyin, a future writer, was born in Perm. In 1907, he took the pseudonym Osorgin - by the name of his grandmother.
After graduating from the law faculty of Moscow University, Mikhail Ilyin became close to the Socialist Revolutionary Party. After the 1905 uprising, he was arrested and spent six months in the Taganskaya prison. This was followed by emigration to Italy, which lasted 10 years.
Mikhail Osorgin semi-legally returned to seething Russia in May 1916. The February Revolution, greeted by the writer with enthusiasm, became the culmination point in his life. But he perceived Oktyabrskaya Street as simply inevitable ...
Osorgin devoted himself completely to work. Became the chairman of the All-Russian Union of Journalists, vice-chairman of the Moscow branch of the Union of Writers. In September 1918, a group of Moscow writers, including M.A. Osorgin, established a bookstore on a cooperative basis.
Particularly noteworthy is the period associated with his activities to help victims of the famine that broke out in 1921. The All-Russian Committee for Aid the Hunger was created, whose members were Gorky, Stanislavsky, academicians Karpinsky, Fersman, Oldenburg, and church leaders. The committee also included former ministers of the Provisional Government. M. Osorgin became the editor of the committee bulletin "Help". During six weeks of work, this "unofficial" committee launched a fruitful activity. Trains with food went to the starving provinces. Osorgin played a significant role in this.
At the end of August 1921, a reprisal against the public committee followed. Osorgin recalled on this occasion: "... They have already started talking about him as a new government that will save Russia"; "The October government was supposed to kill the committee ...".
All members of this organization were arrested. Osorgin was threatened with the death penalty. Saved by the intercession of the Norwegian Nansen, who knew about the activities of the committee and had already offered him assistance on behalf of the International Red Cross. The government has appointed committee members for deportation to remote places. Due to illness, Osorgin remained in Kazan, where he stayed for six months until the spring of 1922.
These six months have left their mark on the life and work of the writer. His soul was sensitive and attentive to what was happening around him, and it is not surprising that many of the impressions of the Kazan exile were reflected in his works.
Almost all information about Osorgin as an exiled writer remains inaccessible to this day. It is not easy to find it even in our libraries. I was helped by the employees of the National Archives of the Republic of Tatarstan, the Central State Archive of Historical and Political Documentation of the Republic of Tatarstan, the bibliographer of the Department of Rare Books and Manuscripts of the Scientific Library of KSU I.A. Nedorezova.
Let's return to Kazan in the early twenties. What was she like at that time?
Hunger was approaching. “At the Kazan station, hungry people positively besieged the cars, trying to open them or drill a hole in order to steal…” one of the official documents said. “We saw old people, women, who could barely keep their feet. Hunger, with an overwhelming weight, was heaviest on children. They ate grass, oak bark, straw, quinoa, sawdust, earth. " As a result of the death of children, the population of the republic decreased by 326 thousand people.
The hungry country did not need intellectuals, and the authorities continued to persecute its prominent representatives. And at that time it turned out to be here for the exiled Osorgin. However, some changes for the better had taken place in the cultural life of Kazan by this time. On the basis of the Tatar theater troupes "Sayyar" and "Nur" in 1921, the First Show Tatar Theater was formed. The Kazan Great Drama Theater also had a permanent audience. Professional Tatar music and painting developed.
Kazan was the place of Osorgin's exile, but even here he gathered around him the cultural forces of the provincial city. In “Vremya” the author wrote: “I was somewhat amazed by the unexpected visits to me from Kazan citizens, including a young man who presented me with his“ scholarly work ”- a thin brochure on the economic issue; he turned out to be a communist, a professor at Kazan University. Local poets and artists also visited me - no one in Moscow would have dared to do that. " Osorgin did not disclose the names for fear of harming them. In the story “By the Same Sea” Osorgin writes: “It is difficult to write about the remnants of cultural life in Kazan, it is impossible to say more correctly. We have a watchful eye on all this ”. Osorgin's deep knowledge of the history of the long-suffering city is evidenced by the following lines: "Once he was ruined by civil strife, he fought for a long time with Moscow, was conquered, two centuries later plundered by Pugachev, many times burned to the ground."
Osorgin did a lot for Kazan: he set up a bookstore - all the old ones were ruined and destroyed, published a literary newspaper - the only private newspaper in Russia after October 1917. “I managed to publish a literary newspaper in Kazan together with the local young forces - only with the appearance of censorship ... The entire economy of the newspaper was set up by a twenty-year-old young man, a handsome and ridiculous local poet with a funny past. In the first days of the communist coup, he turned out to be an ardent figure - an investigator of the Cheka ... But he understood the revolution in his own way, and when they sent him a list of those arrested to be shot, he ordered the release of these nineteen people. It was Sergei Arbatov.
One of the numbers - the sixth, dated February 20, 1922 - fell into the hands of the Moscow authorities, and the newspaper was closed. Unfortunately, not a single issue of the publication has survived in Kazan libraries and archives.
The history of Literaturnaya Gazeta, bright and original, is a part of the history of the cultural life of Kazan.
In the spring of 1922 Osorgin was allowed to return to Moscow. He wrote: “I have been in exile in Kazan for only six months and do not consider this time wasted; everywhere there are good people, everywhere - communication, of which a grateful memory remains. " This period became the time of revaluation of values.
A few months after returning to Moscow, the decision of the Soviet government was announced to expel active "internal emigrants" from among the creative intelligentsia abroad. Among them was Mikhail Osorgin.
Speaking about Kazan motives in Osorgin's work, we, first of all, remember his autobiographical narration "Times" - one of the highest achievements of Russian memoiristics.
The beginning of the twenties was a very difficult time for the country's intelligentsia. And Osorgin was acutely worried about the tragedy of his Kazan associates. The autonomy of higher education institutions was abolished. The legal, historical and philological faculties of the university are gone. The practice of expelling dissidents abroad has begun. “Great exodus, migration of peoples; giant nonsense. The rest are timid, intimidated, colorless and are already giving way to people of great will and low literacy, “red professors”, confusing science with politics ”. “The shelves of the cooperative museum are bursting with new fragments of amateur collections. Where are the former owners of these broken treasures? Didn't they go to Siberia? " And already in exile, in the story “By the Same Sea”, he wrote: “... In the capital of the Tatar Republic, the hound hunting for the intelligentsia continues until the last days. Here, in Berlin, I saw ... the exiled abroad professor of Kazan University ... "
The writer created his most significant works during the years of his last emigration. Some of them have memories of their experiences in Kazan. Undoubtedly, the highest achievement of Osorgin the prose writer is the novel "Sivtsev Vrazhek", which went through two editions in Paris in a row (1928, 1929). During the life of the author, it appeared in many foreign languages. In the United States, the Book Club crowned the English translation of the book with a special prize for "best novel of the month" (1930). This is a novel about the fate and quest of the Russian intelligentsia in the revolutionary era.
Sivtsev Vrazhek is the name of one of the old Moscow lanes, where the elite of the capital's intelligentsia settled. But Kazan motives are clearly present in the novel. After all, the epic canvas was started by Osorgin in Kazan. In his book The Times, he recalls his idea: “I was carrying home a full cup that I did not want to spill — the idea of \u200b\u200ba novel. But only three years later, in Kazan exile, his first lines were written.
In the center of the novel is the family of an ornithologist professor, through whose house the waves of history roll over - world war, revolution, famine, devastation. Sivtsev Vrazhek is a novel about the tragic fate of a generation that finds itself at the most formidable historical turning point.
Astafiev, a privat-docent of Moscow University, a philosopher and former Socialist-Revolutionary who had long been disillusioned with theories of saving the world, was shot. He dies at the hands of a worker-neighbor who becomes an executioner in the basements of the Lubyanka. The most important in the novel is the writer's idea of \u200b\u200bthe inseparability of everything that exists on earth. In one of the chapters, the war between plants develops into a war between animals, and, finally, between people - disasters for all living things in the world. Hunger becomes a terrible consequence of the war between people (chapter "Wolf circles").
To better understand the meaning of the chapter "Wolf circles", you need to trace how the theme of hunger was reflected in the books "Times" and "By the Same Sea". Osorgin writes: “The real famine was in the Volga provinces, and it cannot be described. There villages were completely dying out. The best bread was considered green, made entirely of quinoa; worse - dung. They also ate clay. I ... by the winter of a terrible year was exiled to the Kazan province. " And also (“By the same sea”): “And the children were the worst of all. They were ... sorted into hard and soft. Something like a pile of firewood was made from the hard corpses ... and they also tried to revive the soft ones ... They were taken to the bathhouse, blue skeletons were floating around ”. "Children are thrown into wells from hunger" How much hopeless grief, how many childish tears and suffering in these lines!
Another, probably the most terrible consequence of the famine in Kazan - cannibalism - is also reflected in his works.
The highest point of emotional tension in the narrative is the phrase with which the wolf curses the village: "... And may human hunger be greater than the wolf!" Before us is a sleeping village, the silence of which is broken only by the barking of dogs who saw a hungry wolf. "And the village is asleep ... He ran around it, from hut to hut, howled at the village ... The wolf cursed the village, cursed her for hunger."
But in the finale, the night described in the chapter "Wolf's Circles" gives way to day, and the whole novel ends with a kind and bright event - the arrival of swallows. The author believes in a resurgent Russia, in her future, in her inexhaustible strength. Comprehension of the events shown in the novel comes from a humanistic position.
I hope that I managed to open another page of the cultural life of Kazan. And the fact that this page is associated with the name of the great writer of the Russian Diaspora Mikhail Osorgin is especially important. A cruel age has treated him abruptly and unfairly. Mikhail Andreevich wanted to think freely, express his opinion, create. By this he did not please the Soviet government, which for a long time did not allow the reader to plunge into the creative world of Osorgin.
But the rich literary heritage of Mikhail Andreevich is back in Russia. In 1989-1990 his novels "The Times", "Sivtsev Vrazhek", "Witness to History", many stories and short stories were published. In my opinion, every citizen of Russia should get acquainted with his work.
Our city has become not only a place of exile for the writer, but a source of rich material for his works. Osorgin accepted the terrible misfortune of Kazan as his own, because “if the world cracks, then this crack will pass through the poet's heart ...” (G. Heine). Osorgin warned future generations against repeating already committed mistakes. Blood is still being shed on the ground, wars are still breaking out between people. But war will inevitably lead to a catastrophe, the victims of which are not only people, but also plants, animals, the entire planet.
Among the Russian writers, whose books come back to us from the archives, the name of Mikhail Andreevich is one of the loudest.
Biography
The real name is Ilyin. Born into a family of impoverished hereditary nobles. He studied at the Perm classical gymnasium, at the law faculty of Moscow University. He was a member of the Socialist-Revolutionary Party, took part in the Moscow armed uprising of 1905. In 1906-1916 in exile. He returned to Russia semi-legally. After the October Revolution, he opposed the policies of the Bolsheviks. In 1922 he was expelled from Russia. Once abroad, he participated in the Masonic movement. From 1926 he settled in France and lived there until his death, remaining unknown to the Russian reader. The novels, including "Witness to History" (1932), - about the activities of the Socialist-Revolutionaries-terrorists after the Revolution of 1905-07, "Sivtsev Vrazhek" (1928) - about the life of pre-revolutionary and post-revolutionary Moscow. Stories. Memories; autobiographical story "Times" (published in 1955).
Bibliography
* Ghosts. M., 1917
* Fairy tales and non-fairy tales, 1918
* From a small house, Riga, 1921
* Sivtsev Vrazhek. Paris, 1928
* Office of Dr. Schepkin 19 ??
* Things of a Man, Paris, 1929
* The Story of a Sister, Paris, 1931
* Miracle on the lake, Paris, 1931
* Witness to history 1932
* Book of the ends 1935
* Free mason 1937
* The tale of a certain girl, Tallinn, 1938
* In a quiet place in France (June-December 1940)
* Memoirs, Paris, 1946
* Times. Paris, 1955
* Memoirs of the exiled // "Time and We", No. 84, 1985
Interesting Facts
* One of the organizers of the All-Russian Union of Journalists and its chairman (since 1917). Employee of Russkiye Vedomosti.
* Trotsky on the expulsion of Osorgin and his comrades in the opposition: "We sent these people out because there was no reason to shoot them, and it was impossible to endure."
Biography
Mikhail Osorgin was born in Perm in a family of hereditary columnar nobles, by this time impoverished. He studied at the Perm classical gymnasium. In 1897 he entered the law faculty of Moscow University. After student unrest, he was exiled to Perm for a year. He graduated from the university in 1902, receiving the title of assistant attorney at law. He worked as a jury solicitor at a commercial court, a guardian at an orphan's court, and a legal adviser to a society of merchant clerks.
In 1904 he joined the Socialist-Revolutionary Party. At his apartment, meetings of the Moscow Party Committee were held, terrorists were hiding. Participated in the Moscow armed uprising of 1905. On December 19, 1905, he was arrested and held in the Taganskaya prison. He was sentenced to exile in the Narym region. However, already in May 1906, Osorgin was released on bail, and at a speed he illegally leaves Russia and for the next 10 years has been living mainly in Italy.
Lived in Villa Maria in Sori near Genoa. At the beginning of 1908 he participated in the conference of the "left group" of the AKP in Paris. As a correspondent, he worked for Russkiye Vedomosti and Vestnik Evropy. As a war correspondent, he covered the Balkan wars. Presumably in 1914 he becomes a Freemason, joining the Grand Lodge of Italy.
He returns to Russia semi-legally in July 1916, having traveled through France, England, Norway and Sweden. From August 1916 he lived in Moscow. One of the organizers of the All-Russian Union of Journalists and its chairman (since 1917) and deputy chairman of the Moscow branch of the Writers' Union. Employee of Russkiye Vedomosti.
After the February Revolution, he was a member of the commission for the development of archives and political affairs in Moscow, which worked with the archives of the Moscow security department.
In 1921 he worked in the Commission for Aid to Famine at the Central Executive Committee (All-Russian Committee for Aid to Famine "Pomgol"), was the editor of the bulletin "Help" published by it; in August 1921 he was arrested along with some members of the commission; from the death penalty they were saved by the intervention of Fridtjof Nansen. He spent the winter of 1921-1922 in Kazan, editing the Literaturnaya Gazeta, then returned to Moscow. He continued to publish children's stories and stories. He translated from Italian (at the request of EB Vakhtangov) the play by K. Gozzi "Princess Turandot" (published in 1923), plays by K. Goldoni.
In the fall of 1922, he was expelled from the USSR with a group of opposition-minded representatives of the Russian intelligentsia (such as N. Berdyaev, N. Lossky and others). Trotsky, in an interview with a foreign correspondent, put it this way: "We sent these people out because there was no reason to shoot them, and it was impossible to endure."
From the "Resolution of the Politburo of the Central Committee of the RCP (b) on the approval of the list of intellectuals expelled from Russia":
57. Osorgin Mikhail Andreevich. The Right Cadet is undoubtedly anti-Soviet. Employee of "Russkiye Vedomosti". Editor of the newspaper "Prokukisha". His books are published in Latvia and Estonia. There is reason to believe that he is in contact with abroad. Commission with the participation of Comrade Bogdanov and others for the expulsion.
From 1923 he lived in Paris. Initiator of the return to the USSR (1925), organized by Moscow. One of the organizers of the club of Russian writers in Paris. From 1931-1937 he was a member of the board of the Turgenev library. He was a member of the Free Russia and Northern Star Masonic lodges.
During the Second World War, he took a Soviet-patriotic position, was persecuted by the Nazis.
Artworks
* Security department and its secrets. M., 1917
* Ghosts. M., 1917
* Sivtsev Vrazhek. Paris, 1928
* Witness to history 1932
* Book of the ends 1935
* Free mason 1937
* Letters about insignificant. New York, 1952
* Times. Paris, 1955
1. Mikhail Andreevich Osorgin (Ilyin) (From the encyclopedia "Krugosvet")
2. How we left. Jubilee sketch 1932 (fragment from memoirs) Osorgin M. A. Times. Paris, 1955, pp. 180-185.
3. Decree of the Politburo of the Central Committee of the RCP (b) on the approval of the list of intellectuals expelled from Russia, August 10, 1922.
Biography
1878, 7 (October 19). - Born in Perm. Father - Ilyin Andrei Fedorovich (presumably 1833-1891), a small hereditary nobleman. Mother - Savina Elena Aleksandrovna (died in 1905). The elder brother is Sergey (b. 1868). The elder sister is Olga (married Razevig).
1888-1897. - Studying at the Perm classical gymnasium.
1897-1902. - Studying at the Faculty of Law of Moscow University. The beginning of journalistic work. Participation in student unrest, for which he was exiled to Perm for one year.
From 1902. - Beginning of advocacy in Moscow.
1905. - Eser. One of the organizers of the All-Russian Union of Journalists and assistant chairman of the Moscow branch of the Union of Writers. Participant in the preparation of the Moscow armed uprising. Arrest (mistakenly confused with the namesake). Taganskaya prison, half a year in solitary confinement awaiting death sentence. Death of the mother from experiences.
1906, May. - Sentence of the gendarmerie to five-year exile. Release on bail by an investigator who did not know about it. Escape to Finland, then to Italy.
1906-1916. - Life in Italy. An emigrant environment, which he treated with hostility and was in opposition.
From 1907. - Taking the pseudonym "Osorgin". Permanent correspondent of the newspaper "Russian Vedomosti".
1916. - Return to Russia. Life in Petrograd is semi-legal.
1916, autumn. - A trip to Perm as a correspondent for the opening of the Perm branch of the Petrograd University, reports about this in "Russkiye vedomosti".
Since 1917 - Chairman of the All-Russian Union of Journalists. Vice-chairman of the All-Russian Union of Writers, which arose from the environment of the Moscow Writers' Club.
1919, December. - Arrest. Lubyanka. The release by the chairman of the Moscow City Council L.B. Kamenev, who viewed the arrest as a small misunderstanding.
1921. - Active member of the All-Russian Committee for Aid to the Hungry (Pomgol). Editor of the newspaper of the Committee "Help"; only three issues were released. At the request of the director E. B. Vakhtangov's translation from the Italian play by K. Gozzi "Princess Turandot" for staging on the stage of the theater; translation of Goldoni's plays.
1921, end of August. - Sudden arrest for participation in Kompomgol. Submission of political accusations in the Lubyanka in the Special Department of the Cheka. Being in a dark, damp cell of the Inner Prison, no walks, a stew of rotten worm-like roach. A sharp deterioration in health.
1921, November - 1922, spring. - Setting up a bookstore in Kazan, editing Literaturnaya Gazeta (anonymous). Obtaining permission to return to Moscow.
1922, summer. - Surveillance detection. Turnout to Lubyanka, where he found himself simultaneously with Berdyaev, Kizevetter, Novikov. Interrogation by illiterate investigators. Sentence: expulsion abroad for three years (oral explanation - forever), with the obligation to leave the RSFSR within a week; in case of failure to meet the deadline - the capital punishment. The accusation of "unwillingness to come to terms and work with the Soviet regime." Substantiation of L.D. Trotsky: "there is no reason to shoot, but it is impossible to endure."
1922, autumn. - Departure from Russia on the "philosophical steamer".
1922-1923, winter. - Life in Berlin. Creating stories, giving lectures.
1923, autumn. - Departure to Paris.
1924-1930. - Work on the novel "Sivtsev Vrazhek".
Marriage. Wife - Tatiana Alekseevna Bakunina.
1930. - The Tale of a Sister is finished.
1930s - Publication of the dilogy "The Witness of History" and "The Book of Ends", the story "The Free Mason", three collections of stories. An unrealizable desire to be published in Russia. Member of the Board of the Turgenev Library in Paris.
Until 1937, January. - Preservation of Soviet citizenship and Soviet passport. Then - a tough conversation and a break in the Soviet consulate for the fact that Osorgin is "not in the line of Soviet politics."
1937-1942. - Life without a passport.
Work in the Russian Aid Society (Nice). Creation of non-fiction books "In a quiet place in France" and "Letters on the insignificant", published after his death. Completion of the memoir book "Times".
1942, November 27. - Mikhail Andreevich Osorgin died. Buried in Chabri (France). The surname is engraved in Russian and French.
additional information
* The writer's wife, Tatyana Alekseevna Bakunina-Osorgin, after the war, recreated the collection of books of the Turgenev library in Paris taken out by the Nazis and headed it until the last days. Osorginskie readings were held in Perm (1993, 2003), a memorial plaque was opened.
About the work of M. Osorgin (G. Adamovich)
"Sivtsev Vrazhek" by M. Osorgin is a book that cannot be overlooked, that one cannot get rid of with a few approving or indifferent words. This novel "hurts the consciousness", and I want to answer it. This is the first immediate reading impression.
M. Aldanov in his article about "Sivtsev Vrazhka" very evasively said that it seemed to him unnecessary "to go into a tiresome dispute" with Osorgin. But, apparently, Aldanov would like to argue - and if he refrained from this, it was only because he understood where the dispute could lead him, into what areas, into what jungle. Of course, this dispute would not be about the veracity of this or that image, this or that characteristic: it would touch upon Osorgin's "ideology". Osorgin is an unusually frank writer in this respect: he does not hide behind his heroes, he comments on history right from his own face, and sometimes he does it in a form that is aphoristically clear and polished. And his heroes, however, do not pretend to overshadow the author even for one minute.
The essence of Osorgin's ideology is anarchism, if not the "mystical" that flourished in our country after 905, then, in any case, lyrical. I'm talking about shade. Anarchism from pointless affection, from good nature and kindness, anarchism because "there are no guilty people in the world" and "everyone is responsible for everything," because "there is no need for blood" and "the sky above us is so infinitely blue" - anarchism from the Slavic feelings of "truth", from the impossibility of coming to terms with any order. Perhaps this anarchism has not yet passed all the trials it has set for it, has not yet tempered in despair, there is sometimes something loose, damp in it. Sometimes - quite often - one can feel "Roman-Rollanism" in him, much less often - Leo Tolstoy. But it is based on the vision of "initial purity": man, nature, freedom, happiness - and the author of "Sivtseva Vrazhka" does not sacrifice this vision to anything to please ... All this is abstract and confused. But I must say that I am rather seduced than repulsed by Osorgin's "ideology" - and if I had decided to answer Osorgin, then my answer would not have been an objection. However, I will leave this matter "until another time" (alas! Almost never coming) - and say a few words about the novel itself.
Place and time of action - Moscow, years before the war, war, revolution. Short, sketchy chapters. Very easy and fun to read, sometimes too easy. Osorgin glides too much over human existence, around him, over him. He sees, it seems, and depth, but transfers the surface. There is no passion. I think the novel loses a lot from this. First of all, with fragmentary and lightness, it is impossible to get along with the heroes: you just run past them, as the author himself runs with a smile. But we love only those images with which we "get along" ...
Some episodes in "Sivtsevoy Vrazhka" are charming, fresh and original.
Tanyusha, her grandfather, professor, musician Eduard Lvovich, impetuous Vasya, officers, soldiers, men, security officers, even cats and rats - these are the heroes of Osorginsky's story. But not all of his attention is drawn to them. Further stretches Russia, then history, nature - Osorgin never forgets the whole behind the particulars. Maybe that's why every page of it is animated by the breath of real life. We sometimes wonder whether this is a novel or a diary, sometimes we are surprised, sometimes criticize, but from the very first chapter we feel that the book, without stopping, will read to the end and that the book is worth it (Literary conversations. "Sivtsev Vrazhek" M. A Osorgin).
Biography (Lev Lvov. http://www.lexicon555.com/voina2/osorgin.html)
On November 27, 1942, Mikhail Andreevich Osorgin, one of the founders of the Union of Journalists of Russia and its first chairman, died in Chabri (France). Death saved Osorgin from arrest and concentration camp for anti-fascist articles that were published in illegal French publications.
Mikhail Andreevich Osorgin (real name - Ilyin) was born in 1878 in Perm. After graduating from the law faculty of Moscow University in 1902, he practiced law for some time, and also collaborated in liberal populist publications, such as the journal Russkoe Bogatstvo.
In 1905, for participation in the Moscow December armed uprising, he was arrested and imprisoned, but less than a year later he managed to free himself and emigrate to Italy. He spent ten years there, constantly publishing his essays and correspondence from Italy in Russian newspapers and magazines.
Peru Osorgin translated from the Italian play by Carl Gozzi "Princess Turandot", which since the beginning of the 20s staged by Evgeny Vakhtangov to the present day has been with great success on the stage of the theater. Vakhtangov in Moscow without any translation correction.
In 1921, Osorgin took an active part in the All-Russian Committee for Aid the Hungry, which included Gorky, Stanislavsky, academicians Karpinsky (president of the Academy of Sciences), Fersman, famous agrarian Chayanov, Kondratyev, revolutionary Vera Figner and others. The work of the committee turned out to be more effective than that of the state authorities, for which its members were punished. The activities of the committee were regarded by the country's leadership as anti-state, counter-revolutionary, and six months later it was banned. Six people were sentenced to "capital punishment". Osorgin ended up in prison, and the intervention of the famous Norwegian polar explorer F. Nansen saved him from being shot. The death penalty was replaced by expulsion from the country. In August 1922, by decision of the XII Party Conference, 161 people from among the Petrograd, Moscow and Kiev professors, writers and journalists were expelled from the country for dissent. Osorgin was also in this group. They were sent by steamer to Germany. Officially for three years, but with an oral explanation: "that is, forever."
From Germany Osorgin moved to France, where his main literary activity developed. He lived apart, not adhering to the Russian White emigration, its various trends.
For 47 years of literary activity, he wrote more than twenty books: five novels, including Sivtsev Vrazhek (1928), where an unadorned image of revolutionary trials is given. After appearing on the pages of the Parisian "Contemporary Notes", the novel immediately brought the author to the forefront of the writers of the Russian emigration.
Biography (Materials for the biography of M. Osorgin)
3. Shakhovskaya
From the book "REFLECTIONS"
I first met him at Remizov's and, as I have already mentioned, did not feel embarrassment in front of him. He was some kind of "nice" person, behaving simply, without any writer's antics. Then I met with him in the editorial office of Rodnaya Zemlya, read his “garden articles” in “Latest News,” where he somehow lyrically described his sitting on the ground, for which Russians are always nostalgic. And the novel "Sivtsev Vrazhek" - I was born on this street - and "Witness to history", all this in the style of lyrical impressionism, and his Italian essays, published in the book under the title "Where I was happy", are akin to memories of this country B.K. Zaitsev.
The books and articles of Osorgin were read with pleasure by the Russian emigration - they did not bother her with the tragic modernity, but consoled her with a reminder of a brighter past. And Osorgin spoke not loudly, not authoritatively, with a kind of pleasant warmth. I think I heard Remizov's story about some revolutionary student commune of his youth, I don't remember where, in the wilderness of the village. These students of both sexes were preparing for terrorist activities and talked and argued a lot on political and social issues. The commune was helped by her life experience and economic skills by the visiting peasant servant, which is already quite remarkable.
One day, future terrorists faced the need to slaughter a rooster for dinner. Somehow there were no amateurs for this, I had to throw lots. The one who pulled it out took a kitchen knife without enthusiasm and went to catch his victim. Closing his eyes, he stabbed the cock - but the bloody bird broke free and began to run around the garden. With disgust and horror, the rapists rushed to catch the rooster, pale, the girls were already in tears. The executioner dropped his knife! And it is not known how all this would have ended if the servant had not come at this time. Looking contemptuously at the confused terrorists, the woman caught a rooster in one minute and, twisting his neck, finished off his suffering.
V. Yanovsky
From the book "FIELDS OF ELISEAN"
Completely indifferently, I passed by some of the recognized writers of the land of emigre (and now, perhaps, Soviet).
Kuprin, Shmelev, Zaitsev. They didn’t give me anything, and I don’t owe them anything.
Nevertheless, I met Boris Zaitsev occasionally. I was repulsed by his indifference - although he wrote as if on Christian themes. His "transparent" style was striking in its lukewarm sterility. Knowing a little of his family life and energetic wife, I think that Boris Konstantinovich in some way lived for someone else's account, Vera Alexandrovna.
In 1929 I was twenty-three years old; for several years now I had in my portfolio the manuscript of the finished story - nowhere to print! .. Suddenly, in "Latest News" there was a note about a new publishing house - to encourage young talents: send the manuscripts to MA Osorgin, at 11 bis, Port Royal Square ...
And a few days later I was already sitting in Osorgin's office (opposite Sante's prison) and discussing the fate of my book: he liked the wheel, he only asked to “clean it”. (It meant "The Wheel of Revolution".)
Mikhail Andreevich then looked very young, and he was probably already over fifty. Blond, with fair, smooth hair of a Swede or Pomor, he was one of the few Russian gentlemen in Paris ... How can you explain that there were so few decent people among us? There are more than enough smart and talented people! Old Russia, new Union, emigration are overflowing with outstanding personalities. But there are few decent, educated souls.
Osorgin and I played chess. Out of old habit, he hummed an aria from Eugene Onegin: “Where, where, where did you go?” ... He played with enthusiasm.
To get the chess set from the upper bookshelf, Osorgin had to stretch out with an effort, although by European standards he was above average height; his young wife, Bakunina, then invariably exclaimed:
No, Mikhail Andreevich, I don’t want you to do this! Tell me and I'll get it.
And to my surprise, I noticed that the breathing of this youthful, light-eyed "Viking" after any sharp movement immediately becomes difficult, and his face turns pale.
He worked hard and hard. Like Aldanov, Osorgin liked to emphasize that he had never received subsidies and handouts from public organizations. He had to write two basements a week for Breaking News. Even his feuilletons and sketches testified to the true culture of the language.
M. Vishnyak
From the book "MODERN NOTES. MEMORIES OF THE EDITOR"
Almost all members of the editorial board of Sovremennye Zapiski knew Mikhail Andreevich Ilyin-Osorgin from Moscow before the revolution. Attractive blond, slender, graceful, cheerful and witty, he loved to laugh with a non-bitter laugh - at others and at himself. He was the "soul of society", an excellent comrade, a center of attraction for youth and women. A lawyer by training, he denied the state and was not too fond of law, belonged to the type of "eternal student" and "bohemia", although he was always neat, on his desk he loved order, cleanliness, even comfort, flowers, plants, - he also loved his garden ...
Osorgin was disinterested - not only to the extent that many Russian intellectuals were disinterested. He was averse to acquisitiveness and was completely indifferent to money. When his "Sivtsev Vrazhek" was accepted for distribution by the American "Book of the Month" club, Osorgin became rich on an emigrant scale. But not for long. He gave any applicant an "irrevocable loan" under one condition - that he promised in turn to help his neighbor when the opportunity presented itself.
Osorgin's writing career was made in the "Russian Vedomosti" and "Vestnik Evropy". In content and form, his correspondence from pre-war Italy served the political education of the Russian reader, just like the correspondence of Iollos from Germany, Dioneo from England, Kudrin from France. From time to time Osorgin's semi-fictional works appeared in Vestnik Evropy. Emigration made him a fiction writer, or rather, he became one in emigration. Not everyone recognized the artistic merit of his works. But few denied his gift of lively presentation and excellent language.
Osorgin's weak point was politics. All his adult life in Russia, he was engaged in politics, and in emigration he began to build on and condemn it "in principle." In our young years, Fondaminsky, Rudnev and I knew Osorgin as a Socialist-Revolutionary and sympathizer with the Socialist-Revolutionaries. He provided his apartment for so-called “appearances” or meetings of illegal revolutionaries, for a meeting of the Socialist-Revolutionary Committee in Moscow, for the shelter of the terrorist Kulikovsky. Osorgin was always a freethinker, "Voltairean", "leftist", "nonconformist". In emigration, he defined himself as an ideological anarchist, "anarchistically" not adhering to anarchist organizations.
Osorgin always preferred to be on his own, with his own special approach to things and ideas. He loved to play chess, but he despised - at least he said so publicly - logic, the multiplication table, civilization. And most of all he was afraid, despite all his courage, at least in some way to coincide with the "emigre choir." He spent 7 years in the first, tsarist time, emigration and, having got into the second, post-Bolshevik, began to push off from it in every possible way. He never missed an opportunity to emphasize that he was not an emigrant who voluntarily left his homeland, but was forcibly expelled from Russia. Osorgin treasured the Soviet passport and kept it carefully, defended the need for international recognition of the Soviet regime and challenged the opposition between Soviet Russia and Russia.<...> Justifying the end of the struggle against Soviet despotism as "completely aimless and even pointless," Osorgin spoke of post-revolutionary Russia in the same language that his political "antipode" Shmelev used to speak of pre-revolutionary and tsarist Russia. ... As a result of what he went through during the first half of the World War, the cheerful MA Osorgin came, as you know, to the most desperate conclusions about the meaning of human activity. A little over a year before his death, he died on November 27, 1942, M. A. wrote (August 15, 1941): "I am dying - uncompromising, because I do not accept the truth that came out of untruth, truth - from lies, light - from darkness! There is no happiness, which would be generated by blood, murder, villainy! There is no nobility, the mother of which would be meanness! " And even more hopeless a year later, on August 14, 1942: "... what will happen to Europe, Russia, France, humanity, there is no lively interest in me. The bipedal mass, which so flooded and polluted the land, is disgusting to me: it was not worth building my own life based on the ideas of the happiness of mankind ... the people, the country, the forms of social life - all these are inventions. I love nature, Russia, but I do not see the "homeland", etc., I do not know, I do not recognize ... And Europe is nonsense - with her “culture.” Dying, I do not regret neither its peoples, nor mine, nor culture, nor broken ideas. I managed ... to comprehend not only the poverty of philosophy, but also the shame of its poverty "...
Mikhail Osorgin: godson of Kama (Elizaveta Shandera)
“Our generation in extremely favorable memoir conditions:
without having time to grow old, we have lived for centuries ”.
M.A. Osorgin
Who is he, in whom "the blue blood of the fathers was oxidized by the independent Kama open spaces", who drank the air with buckets, a provincial Russian man, recognized in Italy and France and a little forgotten in his homeland? Rome for him was a study, Paris - a drawing-room, and he was torn to the "not understood" Russia. Romantic and rebel - each of us has our own Osorgin.
Dry encyclopedic data was not enough for me to get acquainted with Osorgin. He, like his "Times" - is beyond numbers and dates. I wanted to go through the pages of his memoirs, saturated with love for Perm and Russia.
The attraction of the Permian land turned out to be great enough to concentrate on itself most of the creative forces and memories of Mikhail Osorgin, for which contemporaries called him “the godson of Kama”. The ineradicable “memory of the heart” suggested plots, whispered the necessary words: “All from head to toe, with brain and heart, with paper and ink, with logic and primitive all-divine, with a passionate eternal thirst for water and resin - I was and remained the son of a mother - rivers and the father-forest and I will never be able to renounce them and I do not want to ”.
We drank the air with buckets
Mikhail Osorgin was born and raised in Perm in a family of hereditary columnar nobles Ilyins, and took a sonorous surname from his grandmother. His childhood memories were bright, he called on them in the most difficult moments, they helped to endure arrests, expulsion from the country and meet the fascist forties in Europe.
“We, the local people, were born in the open air, drank the air with buckets and never considered ourselves either kings or slaves of nature, with which we lived in friendship for centuries,” Osorgin recalled in his dying book “Times”. Mikhail Andreevich was proud that he was born in a deep province. “I draw a squat house with six windows with an attic and draw fences from both sides into a line, behind which there must be trees ...” This house, according to Osorgin's recollections, was no longer there when he came to Perm to open the university in 1916. We can only assume that it was located at the intersection of Kungurskaya Street (Komsomolsky Prospekt) and Pokrovskaya Street (Lenin).
Osorgin also thanked Perm for “... that the blue blood of my fathers was oxidized in me by independent expanses, cleared by river and spring water, colored anew in the breath of coniferous forests and allowed in all my wanderings to remain a simple, provincial Russian man, not perverted either by class or racial consciousness, the son of the earth and the brother of any biped. "
Osorgin recalled the days of the "gymnasium jacket and student cap" with irony, especially about the classical gymnasium, which gave only "one advantage: full consciousness that everyone who does not want to remain ignorant must learn for himself." At the exit from the poplar garden at the intersection of Petropavlovskaya and Obvinskaya streets (October 25), there was a building of the local women's gymnasium that was not indifferent to all the boys of the city. “Usually schoolchildren, passing by this house, stuck out their breasts and pinched hair seedlings on their lips,” Osorgin recalled. Misha was a seventh grade high school student when the “Journal for Everyone” published his first story under the pseudonym M. Permyak.
Let's live, we'll argue
In 1897. Mikhail Andreevich entered the law faculty of Moscow University. First impressions of the capital, constant journalistic work: Osorgin wrote a lot for the Ural newspapers, became not only a permanent correspondent for Permskiye Gubernskiye Vedomosti, but also edited them when he returned home. He did not stand aside during the days of student unrest, for which he was exiled to Perm for a year.
Then the lawyer's work, not profitable, but fun: "a bunch of tiny cases, ten-ruble income, a thick portfolio with a monogram." This was the outward side of his life until his first arrest in December 1905. It probably could not have been otherwise. Osorgin belonged to that generation of people whose youth coincided with the days of the revolution. Osorgin talked about his revolutionary activities modestly: he was an insignificant pawn, an ordinary excited intellectual, more a spectator than a participant. More than the journalist himself, his apartment took an active part in the revolution of the fifth year. Osorgin ended the diary, written in the tsar's prison, with the words: “We'll wait a little longer, we'll argue again. We'll go to jail many, many times. " Mikhail Andreevich would have known how prophetic this thought would be. Six months later, he miraculously found himself free, fled to Finland, where it was also unsafe, so he had to go on a long journey - to Italy. I hoped to return to Russia in six months, but it turned out - in ten years.
For Osorgin, Italy was not a museum, as for many emigrants, but alive and close: "Even if the sky of Italy, its seas and beaches are forgotten, there will be a grateful memory of the simple, kind, disinterested and grateful people whom I met everywhere." Permanent correspondent of the newspaper "Russian Vedomosti", Osorgin kept chronicles of this sunny country from issue to issue, collaborated with the “Vestnik Evropy”, wrote “Essays on Modern Italy”. Later, in cold and hungry Moscow, remembering sunny Italy, he nevertheless called it a "blue prison."
In 1916 Osorgin returned to Petrograd via France, England, Norway, Sweden and Finland. He was not arrested, the confusion of the police in the pre-revolutionary months played a role, which allowed him to visit Perm (for the last time) at the opening of the university. The years became rich in his books: "Ghosts", "Fairy tales and not fairy tales", "Security department and its secrets", "From a small house". The revolution found him in an attempt to understand what was happening at this amazing time, when life was “either a terrible tale, or an insulting chronicle, or a great prologue to a new divine comedy. “To exchange slavery for a new slavery was not worth giving your life to,” he later sums up.
How we "left" again
About the Moscow menu of the early twenties, which allowed Osorgin to have a shareholder's share in the Writers' Bookstore, he recalled more than once: "a soup of potato peelings, herring smoked in a samovar pipe, our bread of 1921, in which quinoa was a valuable admixture." But for the residents of many regions of Russia, these dishes have become an unattainable dream. Millions were starving. Having donated his strength to the Committee for Relief of the Famine, the journalist fell under political scrapping. Unfortunately, Osorgin's early joke about prison was prophetic. This is the third arrest. Behind him was not only the Taganskaya prison, but also the Lubyanka and the "Death Ship" in 1919. And here again the Lubyanka, "with love" described in the essay "How We Left." They were saved from the death penalty by the intervention of the famous Norwegian traveler Fridtjof Nansen, who helped the Soviet starving people, and who was then afraid to refuse.
“There was a rumor in Moscow that there was no full agreement in the commanding ranks about our expulsion; named those who were for and who were against. It is bad that Trotsky was in favor. Probably later, when he himself was expelled, he was against it! " Trotsky, in an interview with a foreign correspondent, put it this way: "We sent these people out because there was no reason to shoot them, and it was impossible to endure."
When the panic subsided, they were congratulated: "happy, you will go abroad!"
- How do you want to leave? Voluntarily and at your own expense?
I don’t want to at all. ”The interrogator was amazed.“ Well, how can you not want to go abroad! And I advise you voluntarily, otherwise you will have to sit for a long time.
There was no need to argue, later it became clear that the fate of the deportees could have been worse.
Maybe today it sounds amazing, not only for Osorgin, for many exiled, all thoughts, plans, whose works were indestructiblely connected with Russia, the departure was a tragedy, and they left the country "with broken masts and a crazy steering wheel."
At parting, the investigator suggested filling out another questionnaire. To the first question: "How do you feel about Soviet power?" Osorgin replied: "With surprise." About the last moments, when the sailing coast of Russia was still visible, Osorgin wrote: “When she is here, before our eyes, it’s not so scary for her, but if you let her go around the world, everything can happen, you won’t see it”
The writer spent the winter in Berlin. “I am very grateful to Germany for its hospitality, but I don’t like its language and Berlin profiles,” he wrote. The new Italy, where Mussolini had already come to power, was not to the taste either: “For the first time I felt like a stranger in Rome”. In the fall of 1923 Osorgin went to Paris. Arguing with many emigrants, Mikhail Andreevich was convinced of one thing: that vast land and that multi-tribal people to whom he gave the name of his homeland could not be taken away from him in any way, neither by purchase, nor by sale, nor by conquest, nor by the expulsion of the writer himself. “And when they say:“ Russia is lost, Russia is not there, ”I feel sorry for the speakers. This means that for them Russia was either the tsarist reception room, or the amphitheater of the State Duma, or their estate, house, profession, faith, family, regiment, tavern, I don’t know what else. Anything, but not the whole country of his culture - from edge to edge. "
Before we got old, we lived for centuries
In the last decade, Osorgin's life was divided between the old quarter of the left-bank Paris and "the kingdom of books, manuscripts, letters, prints, portraits and little things that loaded the writing desk" in an effort to get away from any participation in political life as far as possible. He retained Soviet citizenship until 1937, after which he lived without a passport, did not receive French citizenship. “The famous“ Sivtsev vrazhek ”was also born here. But even this meaningful life, created with such difficulty, with such spiritual efforts, was lost. With the outbreak of World War II, Osorgin's position "in a foreign country, which a foreign country wants to crush" became more and more dangerous every day. In June 1940, Osorgin and his wife were forced to flee from Paris to Chabri. The Paris apartment of the Osorgins was sealed, the library and archives of Mikhail Andreevich (“thousands of letters from near and far, living and dead people, mainly from writers at the turn of the century, collected over 35 years of my wanderings”) were taken out.
Condemning the war, the writer reflected on the death of culture, warned of the danger of humanity returning to the Middle Ages, grieved over the irreparable damage that could be done to spiritual values. In Letters on the Minor, the writer foresaw a new catastrophe: "When the war is over," wrote Osorgin, "the whole world will prepare for a new war."
Striving to be useful, Osorgin unsuccessfully sought permission to visit the prisoner of war camps, spent a lot of effort on work in the Society for Aid Russians created in Nice, sending food parcels to those in need. In Chabri, journalistic books were written: "In a quiet place in France" and "Letters about the insignificant", "Times" (the best book of Osorgin, one of the heights of Russian memoir literature), published after his death. They were composed of correspondence which Osorgin, putting himself in great danger and with almost no hope of receiving his letters from friends, sent to America as a farewell greeting. Mikhail Andreevich Osorgin died on November 27, 1942 in Shabri. Buried there.
The writer was forced to spend thirty years of his life away from his homeland.
Rereading Osorgin, you involuntarily draw parallels. I think everyone will find their moments. After all, our generation, like Osorgin's generation, is also "in extremely favorable memoir conditions: without having time to grow old, we have lived for centuries."
Excerpts from the journalism of MA Osorgin "Times", "Modern notes. Paris", "Pictures of prison life", "In a quiet place in France", "Letters about the insignificant" are used.
Biography
OSORGIN Mikhail Andreevich (real fam, Ilyin) (10/07/1878, Perm - 11/27/1942, Chabri, dep, Indre, France) - prose writer, essayist, publicist. From a noble family, the son of A.F. Ilyin - a lawyer, a participant in the judicial reform of Alexander II.
All-Russian Union of Journalists (chairman). As a member of Pomgol and editor of the bulletin "Help" published by him in August 1921, he was arrested, then exiled to Kazan, and after returning, a few months later, to Moscow, he was among dissenting figures. Cultures expelled from Soviet Russia in 1922: retained Soviet citizenship until 1937, when the Soviet consulate in Paris demanded that he return to the USSR. Prior to his expulsion, he published several brochures, 3 books of fiction (Signs, 1917; Fairy Tales and Not Tales, 1921; “From a small house”, Riga, 1921). O.'s translation of "Princess Turandot" by K. Gozzi (ed. 1923) was used by E. Vakhtangov for his famous production.
After a short stay in Berlin and two trips to Italy, he settled at 1923 in Paris, was published mainly in the newspapers "Days" (interrupted because of a conflict with A. Kerensky work in it from 1925 to 1928) and "Latest News" , but, as M. Aldanov noted, if the “hater of parties”, “anarchist” Osorgin, “wanted to cooperate in newspapers that shared his views, then he would have nowhere to cooperate”. He gravitated towards the cyclization of articles that were sometimes published for many months and even years: over time, a memoir tone began to predominate in them (the “Meetings” series published in 1928-34). He regretted the disunity of the émigré community, the absence of a permanent literary union and tried to support young writers - A. Ladinsky, Y. Annenkov, G. Gazdanov. Yanovsky. He considered L. Tolstoy and Charles Dickens to be his literary teachers. Osorgin's first novel, Sivtsev Vrazhek, published abroad (started in Kazan, first chapters published in 1926-28 in Sovremennye zapiski, separate ed. Paris, 1928; Moscow, 1990) had an enormous reader's success - he was twice reprinted, translated into many European languages, in 1930 received the American Club "Book of the Month" award (spent largely on helping needy emigrants). The action of the novel takes place in “places of Moscow noble-literary-artistic”. To comprehend the Russian catastrophe from the point of view of humanism, Osorgin sought to recreate the way of life, thoughts and feelings of representatives of the intelligentsia and officers who did not join any of the warring parties, the first part of the novel showed the life of Muscovites on the eve and during the war, the second - during the years of the revolution, they differ in tonality, the Bolshevik coup is assessed through metaphorical comparisons, the material for which Osorgin drew from the world of fauna. Caustically appreciated Z. Gippius novel, indulgent - B.Zaytsev, which seemed novel "raw", with a clear tendency towards the Tolstoyan tradition, the greatest concern is how the pantheistic views of the author, the idea of \u200b\u200bthe inseparability of natural and social.
The Story of a Sister (SZ, 1930, no. 42, 43; separate ed. Paris, 1931) immersed me in the world of the “irrevocable”, it was inspired by the memory of Osorgin's own family. Akin to Chekhov's “sisters”, the image of the pure and whole heroine O. muffles the hopeless note of “general emigrant melancholy”, gives the story warmth and sincerity. Here, as in the stories, Osorgin preferred soft, soulful tones, dull watercolors. The collection “Where I was happy” (Paris, 1928) is also autobiographical, the first part of the book - memories of life in Italy - G. Adamovich called “poems in prose”; he spoke of the stories from the second part as having been written with “less poignancy”, seeing in them what “it is customary to call in the conventionally emigrant language. "Birches". Other contemporaries saw Osorgin's “gentle lyricism” as his strength. In a review of the collection “Miracle on the Lake” (1931) K. Mochulsky noted the wise simplicity and artless style of stories, the author's ability to speak with the reader about the most cherished “from the heart, and, most importantly, without false shame”. Osorgin was one of the most widely read authors of the Turgenev Library in Paris,
A small part of Osorgin's humorous stories, published in newspapers, was included in the collection The Tale of the Fatal Maiden (Tallinn, 1938). As a comic narrator Osorgin was distinguished by grace, ease and an amazing sense of proportion in the dosage of the serious and funny; contemporaries wrote about the "brilliance of his humor", achieved primarily by a variety of stylistics - from caustic jokes to good-natured ridicule, Osorgin also acted as a critic who had excellent literary taste and unmistakably distinguished fashionable ephemera from significant literary phenomena. He soberly assessed the state of affairs in émigré literature and was aware of the inevitable decline in its artistic and moral level. He closely followed the literature in the USSR, believing that its flourishing "will come yet" and seeing its advantage in the fact that "there is someone to write for."
Osorgin himself in 1930 published three novels: "Witness History" (1932), "The Book of the end" (1935) and "Freemason" (1937), two first - artistic interpretation on autobiographical material revolutionary mentality of young people of the century. The fates of the dying heroes confirm the doom and immorality of the terrorist struggle. In The Book of Ends, O. summed up the sacrificial-idealistic stage of the revolution described in The Witness to History, which is marked by the features of an adventure-adventure novel, individual psychologism: Father Yakov Kampinsky appears as a “witness,” whose outlook on life is conditioned by popular common sense
In 1914 in Italy Osorgin was initiated into Freemasonry: in May 1925 he entered the Russian lodge "North Star", subordinate to the "Great East of France", in 1938 became its master. He opposed the politicization of Masonic lodges, in November 1932 he organized an independent lodge of the Northern Brothers. These pages of Osorgin's biography are associated with the story The Free Mason, in which the image of the Russian philistine-emigre, carried away by the noble ideals of universal brotherhood, opposes the bourgeois-calculating environment of Parisians ... The story is interesting by introducing the techniques of cinema and newspaper genre into the epic narrative,
All of Osorgin's work was permeated by two soulful thoughts: passionate love for nature, close attention to everything living on earth and attachment to the world of ordinary, imperceptible things. The first thought formed the basis of the essays published in "Latest News" under the signature "Everyman" and compiled the book "The Incidents of the Green World" (Sofia, 1938). The essays are characterized by deep drama: in a foreign land, the author turned from a “lover of nature” into a “garden eccentric”, protest against technotronic civilization was combined with a powerless protest against exile. The second idea was embodied in bibliophilia and collecting. O. collected the richest collection of Russian publications, which he introduced to the reader in the cycle "Notes of an old bookworm" (October 1928 - January 1934), in a series of "old" (historical) stories that often caused attacks from the monarchist camp for disrespecting the imperial family and especially to the church.
A direct heir to the democratic tradition of Russian literature, Osorgin, in his historical and literary delights, did not make corrections for the changed Russian realities. Readers and critics have admired the slightly archaic language of these stories; "He had an infallible ear for Russian language", - said M.Vishnyak "M.Aldanov, calling the style of memoirs Osorgin" Times "excellent, regretted that he could not" quote from her whole pages "From the memoirs, on which. Osorgin worked, before the war were published "Childhood" and "Youth" (Rus. Notes, 1938, No. 6,7, 10), during the war - "Times" (NZh, 1942, No. 1-5; in ed. ed. . Paris, 1955; M., 1989 - this part is published under the title. "Youth"). It is rather a novel of the soul, a guide to the milestones of the mental formation of the writer, who, by definition Osorgin, belonged to the class of "miscalculated dreamers", "Russian intellectual eccentrics. ”The image of Russia in“ Molodist ”, written after the German attack on the USSR, acquired a tragic connotation on the final pages of the book. Osorgin expressed his public position in letters to his old friend A.Butkevich in the USSR (1936), in which he drew attention to the similarity of the regimes in the fascist states and in the USSR, although he claimed that he did not mix them up. always place - on the other side of the barricades, where personality and free to the public fight against violence against them, what would it do not cover violence, no matter how good the words did not justify itself ... My humanity does not know and does not like the mythical "human", but ready fight for a person. I am ready to sacrifice myself, but I don’t want to sacrifice a person and I cannot ”.
Escaping from Paris in June 1940 with his wife, Osorgin settled in the town of Chabri in the south of France. Osorgin's correspondences were published in Novoye Russkiy Slovo (1940-42) under the general title Letters from France and Letters on the Insignificant. Pessimism was growing in his soul. The motives of his previous books were intertwined with the book “In a quiet place in France” (Paris, 1946): the main values \u200b\u200bfor the writer turned out to be too fragile, as the war showed. The pain and anger of the humanist Osorgin were caused by the impasse that the world entered in the middle of the 20th century. Died in the midst of the war, the writer was buried in Chabri, the site of his last exile.
Source: Russian Diaspora. The Golden Book of Emigration. First third of the twentieth century. Encyclopedic Biographical Dictionary. M .: Russian political encyclopedia, 1997. - p. 472-475.
Mikhail Osorgin on anarchism (I'M IN. Leontiev, Candidate of Historical Sciences, Associate Professor of the Department of Political History of Lomonosov Moscow State University)
The writer and journalist Mikhail Andreevich Osorgin (1878-1942) became related with the Bakunins in the fall of 1926, when he married T.A. Bakunina. There are articles about Mikhail Osorgin in encyclopedias1, monographs and dissertations are devoted to him. Such famous literary historians as O.G. Lasunsky, L.V. Polikovskaya, Italian Russianist Anastasia Pasquinelli. The first books of M.A. Osorgin at home in the era of perestroika and glasnost were published with the close participation of the late N.M. Pirumova.
The life and work of Tatyana Alekseevna Bakunina-Osorgina (1904-1995) is devoted to a recently published essay by V.I. Sysoeva.2 As for the political credo of her husband, much less was written about this than about the merits of Osorgin the writer. In his youth, Mikhail Ilyin (real name Osorgin) began as a socialist-revolutionary, closely associated with the Socialist-Revolutionary maximalists. He was an active participant in the armed uprising in Moscow in December 1905, scenes from which were captured in the novel "Witness to History". Osorgin's photograph is exhibited along with other leaders of the uprising in the Museum of the Revolution of 1905-1907. on Krasnaya Presnya. For participation in the uprising, he was arrested, sat for several months in the Taganskaya prison and was accused by the Trial Chamber under Art. 100 of the Criminal Code. He was threatened with expulsion to the Narym Territory for 5 years, however, after being released on bail from prison, Osorgin emigrated to Italy. Initially, he settled in the town of Cavi di Lavagna near Genoa, where a whole small colony of Russian revolutionary emigrants lived, mainly Social Revolutionaries, anarchists and maximalists (including the writer Andrei Sobol, publicist Yevgeny Kolosov, and others). By the way, it was here, after leaving abroad in 1926, that the family of A.I. Bakunin - Osorgin's old acquaintance from Moscow University.
In the early 1910s. Osorgin settled in Rome. In 1916 he left the "eternal city" and voluntarily returned to Russia. After the revolution, the writer pretty much "straightened", taking positions close to P.A. Kropotkin, V.N. Figner and other cautious veterans of the liberation movement. He headed the Moscow Union of Journalists and became a regular contributor to "Vlast Naroda," a large weekly democratic and socialist newspaper, edited by the well-known public figure E.D. Lump. After the closure of this newspaper, it changed its name to Rodina, and Osorgin became its new editor. In May 1918, he was prosecuted by the Moscow Revolutionary Tribunal, at the suggestion of the Cheka, "for deliberate and deliberate communication of a whole series of false sensational information." During interrogation, Osorgin described himself as a socialist-revolutionary, "not belonging to the organization."
Subsequently, the writer was arrested in 1919 and 1921. (the last time for editing the bulletin "Help" - the organ of the All-Russian Public Committee for Aid to Hunger, which the Bolsheviks called "Prokukish"). He was in exile in Kazan, and in September 1922 he was expelled from Soviet Russia forever as part of the passengers of the famous "philosophical steamer".
Below are excerpts from M.A. Osorgin to Maria Korn on August 17, 1927, from which it follows that in the second emigration the writer began to identify himself with anarchism. We can cautiously assume that this could have been facilitated by his marriage to a girl from the Bakunin family.
It is necessary to say about the addressee of Osorgin. Maria Isidorovna Goldsmith (1858-1932), nee Androsova, was widely known in anarchist circles under the pseudonym Korn. Since the end of the XIX century. she was an active follower of the anarcho-communist doctrine of P.A. Kropotkin and the translator of his works. Later M. Korn became an energetic propagandist of anarcho-syndicalism. In 1903-1905. she provided organizational and financial assistance to the newspaper Bread and Will, the Geneva group of anarchist communists. Then she became the founder of the "Group of Russian Anarchist Communists" in Paris (1905). She was a member of editorial boards and a regular author of a number of anarchist bodies ("To arms!", "Workers' World", etc.), a speaker at foreign congresses and conferences of Russian anarchists. In 1913-1914. was a member of the Secretariat of the Federation of Russian groups of anarchist communists abroad, was involved in the preparation and coordination of the Russian general anarchist congress in London (August 1914). After Kropotkin returned to Russia, Korn became the keeper of his archives and personal property. After his death, some of the things were transferred by her to the Kropotkin Museum in Moscow. In the 20s and early 30s. she collaborated in anarchist émigré publications (the Berlin Workers' Way, the Parisian De la Truda, etc.).
Now the archive of the Goldsmith-Korn itself, numbering 271 items, is part of the "Prague" collection (materials of the former Russian Foreign Historical Archive) at the State Archive of the Russian Federation. The first published letter from Osorgin4 was written in connection with the tragedy of the anarchists Sacco and Vanzetti, who were sentenced to death by a Massachusetts court (on August 23, 1927, they died in the electric chair).
"Dear Maria Isidorovna, I cannot write about Sacco and Vanzetti in" Posled. New. "5, since I cannot write a trivial article to suit someone else's mood, and the newspaper will not place my free and sincere article on this topic. Therefore, I limit myself to mentioning this matter in passing in my feuilletons.<...>
The anarchists from Delo Truda 6 are pure Marxists. They are so enchanted by Marxism, its cretinic and animal psychology, that they lose all ability to think freely and independently of the "class struggle", the "moloch of capital" and the "international proletariat." They, apparently, do not even know that anarchism is not an economic theory, but a moral teaching, spiritual aristocracy. That it should be and, indeed, is echoed in the classes of the poor and the oppressed just because there is more clean is the conscience that there is more nobility of spirit, than among people well-fed and the ruling - and not because the class of workers aims to capture the state power, as the Marxists prescribe to him, these inveterate statesmen and police overseers from birth.<...>
As an anarchist, I should be completely indifferent whether the court was wrong or judged by the law, whether Sacco and Vanzetti are guilty or not. To protest against the "execution of the innocent", to use this expression, is to justify the court<...>
I do not deny terror (of course, red, anti-government), but a terrorist who kills out of hatred and for practical purposes differs little from a vulgar killer. I knew many terrorists very closely7, and those that are worth remembering were woven out of love and tenderness; the rest were hysterics and adventurers, fosterlings of Marxism, only with a Socialist-Revolutionary temperament. The terror at the hands of the latter did not leave a bright trace in the history of the revolution. Anarchism preaches love and humanity, not hatred, even if it was called "sacred"<...>".
Notes
1 See, for example: Mikhail Andreevich Osorgin // Russian Abroad. The Golden Book of Emigration. First third of the twentieth century. Encyclopedic Biographical Dictionary. M .: ROSSPEN, 1997.S. 472-475; Osorgin Mikhail Andreevich // Russian writers. M., 1999.T.4. S.456-460. Mikhail Andreevich Osorgin // Russian Literature. XX century: Encyclopedia for children. M .: "Avanta +", 2000. S. 195-206.
2 Sysoev V. Tatiana Alekseevna Bakunina-Osorgina: Illustrated biographical sketch. Tver, 2004.
3 "To close the newspaper" Rodina "forever ..." / Publ. Ya. Leontyev // Homeland. 1994. No. 5. S. 99.
4 GARF. F. 5969. Op. 2. D. 19. - The letter is printed on 6 typewritten sheets, signature - autograph.
5 Paris newspaper published by P.N. Milyukov.
6 Parisian magazine, published under the editorship of P.A. Arshinova.
7 First of all, Osorgin probably had in mind the maximalist Socialist-Revolutionaries, with whom he had to come into close contact and who were derived in his novel "Witness to History" (Paris, 1932). In translations into foreign languages, the novel was published under the title "Terrorists". Among its main characters were Natasha Kalymova (NS Klimova was the prototype), Alyosha named Olen (MI Sokolov - "The Bear").
Biography (RP: 1800, vol. 4; Osorgin 1990)
Mikhail Andreevich Ilyin (pseudonym Osorgin)
Writer, journalist
7 / 19.X 1878, Perm - 27.XI 1942, Chabri, France
Graduated from the Faculty of Law of Moscow University
The writer's father, Andrei Fedorovich Ilyin (1833-1891), from the columnar nobles, was the owner of a small estate in the vicinity of Ufa, which he abandoned in favor of his mother and sisters, in 1858 he graduated from the law faculty of Kazan University, in the 1860s in Ufa he was engaged in the preparation and conduct of peasant and judicial reforms, for which he was awarded a number of orders, then moved to Perm and served in the district court. Osorgin's first teacher was his mother, Elena Aleksandrovna, nee Savina, who at one time graduated from the Warsaw women's courses. She herself prepared her son for admission to the Perm classical gymnasium (1888), where he was the third student. In high school, he tried to help his widowed mother by giving private lessons. His first story, Father, signed with the pseudonym M. Permyak, appeared in the Petersburg Journal for Everyone (1896, no. 5). The writer will return to the memories of his father more than once, here are the lines from the late story "Father's Diary" [Osorgin 1990, p. 69, 84]:
Father! Forgive me this blasphemy! I leaf through a notebook of pages that have turned yellow from time to time, a diary of your love, your suffering and your happiness. I make extracts and look with embarrassed surprise at how similar our handwriting is. I clearly see another thing; how similar our thoughts about ourselves are, these ruthless characteristics in which truth alternates with idle self-flagellation.
The beautiful and unique remains a shrine. The sheets of paper turn yellow, as the petals of a white rose, dried and hidden in memory, turn yellow. But the flavor of the words remains.
Like a fragile, withered flower, I cherish this diary of my father. On him will rest the holiness of the past, which gave me the joy of life, the melancholy of doubt and the happiness of shared love.
In 1897, after graduating from high school, he entered the law faculty of Moscow University, but he tried to spend all his free time in Perm, actively cooperating with the provincial press: under various pseudonyms (M. I-n, Stud.M.I., Permyak, M .I.) Wrote editorials, chronicles, feuilletons for the publications Permskiye Gubernskiye Vedomosti, Kamsky Krai, etc. The last time he visited his hometown as a correspondent for Russkiye Vedomosti was in 1916, during the opening days of the Perm branch of Petrograd University (his reports about this event were published in the newspaper issues of October 14 and 16). Until the end of his life Osorgin retained the conviction that unites all Permians that it is not the Kama that flows into the Volga, but the Volga flows into the Kama; so, his story "Pie with Adam's Head" ends with such lines [Osorgin 1990, p. 266]:
Whoever has been to Perm knows both the gymnasium and the poplar theater garden opposite it, through which it is convenient to walk obliquely to the post office and to the Kama embankment, a beautiful and full-flowing Russian river, which the Volga is not the younger, but the older sister.
In 1902, after graduating from the university, he became, in his own words, a "little Moscow lawyer", served as a jury solicitor at a commercial court, guardian at an orphan's court, and a legal adviser to a society of merchant clerks. Like many young people, he shared revolutionary sentiments, joined the Socialist-Revolutionary Party, but was against terrorist actions. At his dacha, fonts for illegal printing were kept, and revolutionary proclamations were written. In December 1905 he was arrested and spent six months in the Taganskaya prison. Released on bail, he, fearing police persecution, traveled through Finland to Western Europe and settled in Italy. In 1911 he announced in the press about his "internal departure" from all political activity.
With the outbreak of World War II, Osorgin decided to return to Russia. In a roundabout way through Paris, London, Stockholm, he reached Moscow in 1916. He enthusiastically accepted the February Revolution, and later openly branded the October Revolution: "He who has taken power is already an enemy of the revolution, its murderer."
Using a well-deserved reputation as a brilliant fiction writer, Osorgin turned out to be vice-chairman of the All-Russian Union of Writers, chairman of the All-Russian Union of Journalists and one of the founders of a cooperative bookstore where writers themselves sold their works.
The check did not leave Osorgin alone. In December 1919 he was arrested and spent several days on death row. In 1921 he became a member of the Public Committee for Aid to the Hungry of the Volga Region; soon the members of this committee were arrested and sent to the Lubyanka prison. They were saved from being shot by the intercession of the famous Norwegian Arctic explorer F. Nansen. After two and a half months in prison, Osorgin was sentenced to exile in Krasnokokshaisk (now Yoshkar-Ola), later replaced by Kazan. In 1922 he returned to Moscow, but in September of the same year he was expelled from Russia on the "first philosophical steamer."
From the autumn of 1923 Osorgin lived in Paris, which he had to leave in 1940 in connection with the fascist invasion. He drove to a small town in the free zone of Chabri, two hundred and thirty kilometers south of Paris. In the meantime, his Paris apartment was ransacked and ransacked, the library and huge archive disappeared. The writer himself did not wait for the liberation of France - on November 27, 1942 he was gone.
Osorgin became a famous writer, author of several books and hundreds of articles, while still living in Russia. However, he himself attributed the beginning of his writing career to the years of emigration, and considered the novel "Sivtsev Vrazhek" to be the most important for himself. In recent years, numerous prosaic works by Osorgin have made their way home. Few of Osorgin's poems have survived, but the translation of Carlo Gozzi's play Princess Turandot (blank verse), performed in 1921 at the request of EB Vakhtangov, still sounds on the stage of the Vakhtangov Theater.
Biography (Vlasova Elena Georgievna)
OSORGIN MIKHAIL ANDREEVICH (real name Ilyin) (1878, Perm - 11/27/1942, Chabri, France) - Russian writer, journalist, public figure.
Literary fame came to him with the release of his first novel "Sivtsev vrazhek" in 1928. Prior to that, there was work in newspapers and magazines, the result of which was the fame of one of the largest Russian journalists. Therefore, it is no coincidence that the close interaction of journalism and fiction is considered the main feature of the writer's literary handwriting. Osorgin was convinced of the social responsibility of literary creativity; throughout his life he was faithful to the humanistic principles that had developed in the classical Russian culture of the 19th century. Not only journalistic, but actually literary works of Osorgin have always been distinguished by a close connection with the "sore issues" of the time and an open author's position. At the same time, having recovered from a passion for politics in his youth, the mature Osorgin emphasized his independence from any political or cultural doctrines.
A contemporary of the Silver Age, Osorgin escaped its modernist extremes. As if in spite of the complexity of the symbolist language, he remained a supporter of the classical clarity of the literary word. Osorgin directly named L. Tolstoy and S. Aksakov as his teachers, with pleasure he “quoted” N. Gogol and A. Chekhov. Following the traditions of Russian classics sometimes seems too straightforward. O. deliberately inhabits the modernity of his novels with recognizable characters, as if testing them for strength in the context of the globally changed Russian reality. O. belongs to the generation of writers who completed the era of Russian classical literature and realized this fact.
O. was born in Perm, in the family of the provincial judge A. F. Ilyin, a liberal and participant in the judicial reform of Alexander II. The family loved music and literature, the elder brother O. Sergei Ilyin was a well-known journalist and poet in the city. The early death of his father had a dramatic effect on the life of the Ilyins. To help his mother, fourteen-year-old O. was engaged in tutoring with the younger students of his gymnasium and began earning money in newspapers. At this time, O.'s first literary debut took place - the story "Father" was published in the capital's "Journal for Everyone" (No. 5, 1896). In 1897 he entered the law faculty of Moscow University, from which he graduated in 1902. All these years Osorgin collaborated with PGV: he sent Moscow correspondence, and in the summer, during the traditional Perm holidays, he prepared materials on local topics. I tried myself in different genres: correspondence, reviews, essays, stories. The most noticeable among them is the series of publications "Moscow Letters", in which the essay style characteristic of the future writer began to take shape, with expressive lyric-ironic intonation, the manner of writing.
"Moscow Letters" captured the young journalist's lively involvement in the literary life of Moscow in those years. Osorgin reviews book novelties, writes reports on the most interesting meetings of the famous Moscow literary and artistic circle, in particular, on the heated debates around the Symbolists. From the reporter's passion for literary news and scandals, Osorgin comes to the realization of his own literary position, which is based on the principles of democracy and realism. It is symptomatic that O. ends his letters about the literary and artistic life of the capital with the essay "Korolenko."
After graduating from university, he worked as a lawyer, however, by his own admission, "was more busy with the revolution." In 1904 he joined the Socialist-Revolutionary Party. He did not take part in military operations, but meetings were held at his apartment, weapons and illegal literature were kept. The first marriage was also revolutionary: in 1903 he married the daughter of the famous People's Will A.K. Malikov. In 1905 he was arrested and ended up in Tagansky prison due to the coincidence of the names with one of the organizers of the Moscow uprising. The mistake was discovered, Osorgin was released on bail, but fearing new persecution, he flees abroad. The events of these post-revolutionary years will be reflected in the autobiographical dilogy "Witness to History" (1932) and "Book of the Ends" (1935).
From 1906 to 1917 lived in France and Italy. During this time, Osorgin's socio-political views underwent serious changes, from the "left" Socialist Revolutionary, he became an opponent of any political violence. In 1914 in Italy Osorgin was initiated into Freemasonry. During the Italian emigration, the choice of life is finally determined. Since 1908, he has become a regular correspondent for Russkiye Vedomosti and one of the most famous journalists in Russia. In 1907, the literary pseudonym Osorgin appears (after the maiden name of the Ufa grandmother). Publications from this period were included in the books Essays on Modern Italy (1913) and Fairy Tales and Non-Tales (1918). He was keenly interested in modern Italian culture, which became the birthplace of European futurism (articles about the work of G. D "Annunzio, A. Fogazzaro, G. Pascali, etc.). He developed a specific genre of fictionalized essays.
In 1916, Osorgin semi-legally arrives in Moscow, and then, as a special correspondent for Russkiye Vedomosti, goes on a large business trip to the Russian provinces (cycles "In the Motherland", 1916 and "On a Quiet Front", 1917). He also visited Perm, where the university was opened in September 1916.
He accepted the February revolution with enthusiasm, which by October had grown into an awareness of the disastrous impending changes. Nevertheless, he was actively involved in social and literary work. He was one of the initiators and the first chairman of the Union of Russian Journalists. As vice-president, he took part in the creation of the Writers 'Union, and was also the creator of the famous Writers' Bookstore. In 1921 he was exiled to Kazan for his participation in the work of the Society for Aid to Famine in the Volga Region, where he edited the Literaturnaya Gazeta. In 1922, together with others, Osorgin was expelled from Russia on the famous "philosophical steamer" (essay "How We Left. Jubilee", 1932). He did not consider himself an emigrant, until 1937 he kept a Soviet passport. From 1923 he lived permanently in France. Here he married a distant relative of M. A. Bakunin, Tatyana Alekseevna Bakunina, with whom he lived until the end of his days and who was both a wife and a muse, and the first critic. Having survived O. for more than half a century, T. A. Bakunina-Osorgina devoted herself to preserving and studying her husband's work, preparing for publication the fundamental "Bibliography of M. A. Osorgin."
In exile, O. lived in literary work. He was a regular contributor to the largest émigré publications - the newspapers "Latest News" and "Modern Notes". Here, in particular, were published memoir sketches about the Permian childhood of M. Osorgin, which became, according to critics, one of the best works of the writer. These publications were used to compose the books The Story of a Sister (separate ed. 1931; first published in 1930 in the journal Sovremennye Zapiski), Things of a Man (1929), Miracle on the Lake (1931). They create a surprisingly cozy, light image of childhood and, illuminated by these childhood, fabulous memories, the image of a small homeland, which in Osorgin's emigre distant became a stronghold of the main values \u200b\u200bof life.
O. paid a lot of attention to the problem of preserving and developing his native literary language. In search of its renewal, he turns to the sources - the folk dialect and Russian history. A cycle of magnificent "old stories" appears (part of which was included in the collection The Story of a certain girl, 1938) with a surprisingly lively stylization of the old folk dialect of the 17-18 centuries. The history of Russia of those years appears in Osorgin's stories as a history of violence and suppression of the common man, as a history of spontaneous resistance and tempering of the Russian spirit. The rather harsh and ugly events of serf life are presented by Osorgin in a deliberately non-judgmental, descriptive style of a folk story, nevertheless producing a strong emotional effect.
Osorgin's debut as a novelist was unexpected and noisy. The novel "Sivtsev vrazhek" was started by Osorgin in 1918, and only in 1928 he saw the light of day in its entirety. The novel went through two editions in a row, was translated into several languages \u200b\u200bat once, which was a great rarity in the conditions of Russian emigration. His success was largely due to the lively relevance of the topics raised by the writer. It is dedicated to the events of the last Russian revolution and reflections on the fate of the Russian intelligentsia and Russian culture at the turn of the eras. In the center of the narrative, built on the principle of a journalistic association of chapters-short stories, the life of a Moscow professor-ornithologist and his granddaughter, representing “the typical existence of a beautiful-hearted Russian intelligentsia” (O. Yu. Avdeeva). Osorgin opposes the bloody logic of the Bolshevik revolution to the values \u200b\u200bof extrasocial humanism, to the natural harmony lost by mankind - therefore, the novel constantly draws parallels of the human world with the natural world. The novel was accused of being biased and clearly following the “Tolstoyan tradition”. However, this did not prevent his reading success. The novel was read like a book about old Moscow and real heroes, it was distinguished by an acute nostalgic tonality, texture of details and intense journalistic pathos.
Osorgin's subsequent novels were also drawn to the events of Russian history in its last fatal years. Dilogy A Witness to History (1932) and A Book of Ends (1935) are dedicated to the outcome of Russian revolutionary terrorism. The novels are held together by a character from Osorgin's Permian past. He was a strange man, a pop defrocked, a man from the people who are curious about everything, Yakov Kampinsky (Yakov Shestakov). Not devoid of the features of an adventurous narrative, the novels still did not have much reader resonance, remaining too early evidence of the turbulent events of Russian history, which did not receive a convincing psychological study and a bright artistic solution. In this respect, the novel The Free Mason (1937) turned out to be more prosperous, which is addressed to the theme of Freemasonry, which captivated many Russian emigrants. The novel uses the stylistics of cinematography and newspaper genres (documentary inserts, event richness, headlines).
In 1940, the writer moved from Paris to the south of France; Between 1940 and 1942, he published in Novoye Russkiy Slovo (New York) the correspondence Letters from France and Letters on the Insignificant, which were published in 1952 as a separate book and became the final manifesto of the writer. In the face of the threat of a new and most terrible violence, which was embodied by the fascist dictatorship, O. defended humanism in it, protecting a particular person and his personal freedom.
The final and, according to many literary scholars, the best work of M. Osorgin was the memoirs (Childhood and Youth), begun in 1938. They were published as a separate book under the general title "Times" in 1955 with a foreword by M. Aldanov. Researchers call the book a "novel of the soul", a guide to the milestones of the mental development of a writer who, according to Osorgin's own definition, belonged to the class of "miscalculated dreamers", "Russian intelligent eccentrics." For Perm "Times" are of particular importance. The city is reflected in them in a holistic, complete artistic image, in which the motives of childhood and life-giving natural power, personified in the images of the forest and Kama, converged. O. G. Lasunsky called M. Osorgin the godson of Kama, bearing in mind the deep lyrical and philosophical significance of the theme of the small homeland in the creative life of the writer. Perm and Kama became one of the central characters in the artistic space of M. Osorgin. They embodied the author's favorite theme of the Russian provinces and the accentuated lyricism characteristic of his manner, colored with the deepest nostalgia: for Russia and his ancestral nest, for his native nature and great language, not wasted by the moth of Soviet newspeak.
Lit .:
* Osorgin M.A.Memoir prose. Perm: Book. publishing house, 1992.286 p.
* Osorgin, Mikhail. Time. Yekaterinburg, Middle Ural Book Publishing House. 1992.
* Osorgin, M. Collected works in 4 vols. Moscow, Intelvac Publishing House, 1999 - 2001.
* Osorgin, M. Moscow Letters. Perm, 2003.
* Osorgin, M.A. Memoir Prose: 2nd Edition. Perm: Teacher's House, 2006.
* Mikhail Osorgin: pages of life and work. Materials of the scientific conference “First Osorginskiy readings. November 23-24, 1993 Perm: Perm Publishing House. University. 1994.
* Mikhail Osorgin: artist and journalist. Materials of the second Osorginsky readings. Perm / Perm State University, 2006.
* Avdeeva O. Yu. M. A. Osorgin. Bibliographic article http://belousenkolib.narod.ru
Biography (ru.wikipedia.org)
Mikhail Andreevich Osorgin; present fam. Ilyin was born in Perm - in a family of hereditary columnar nobles. I took the surname "Osorgin" from my grandmother. Father A. F. Ilyin is a lawyer, a participant in the judicial reform of Alexander II, brother Sergei (died in 1912) was a local journalist and poet.
While studying at the gymnasium, he posted an obituary to his class warden in the Permskiye Provincial Gazette, and in the Journal for Everyone published the story Father under the pseudonym Permyak (1896). Since then, he considered himself a writer. After successfully graduating from the gymnasium, he entered the law faculty of Moscow University. In his student years he continued to publish in the Ural newspapers and served as a permanent employee of Permskiye Gubernskiye Vedomosti. He took part in student unrest and was exiled from Moscow to Perm for a year. After completing his education (1902), he became an assistant attorney at the Moscow Court of Justice and at the same time a jury solicitor at a commercial court, a guardian in an orphan's court, a legal adviser to the Society of Merchant Clerks and a member of the Society for the Trusteeship of the Poor. Then he wrote the book "Compensation of workers for accidents."
Critical of the autocracy, a high-profile nobleman by birth, an intellectual by occupation, a fronder and an anarchist by temperament, Osorgin joined the Socialist-Revolutionary Party in 1904. He was attracted by their interest in the peasantry and the land, the populist traditions - to respond to violence with violence, to suppress freedom - with terror, not excluding the individual. In addition, the socialist revolutionaries valued personal disinterestedness, high moral principles and condemned careerism. At his apartment, meetings of the Moscow Party Committee were held, terrorists were hiding. Osorgin did not take an active part in the revolution, but he was involved in its preparation. He himself later wrote that in the Socialist-Revolutionary party he was "an insignificant pawn, an ordinary excited intellectual, more a spectator than a participant." During the revolution of 1905-1907 in his Moscow apartment and at his dacha there were meetings, meetings of the committee of the Socialist Revolutionary Party were held, appeals were edited and published, and party documents were discussed. Participated in the Moscow armed uprising of 1905.
In December 1905, Osorgin, mistaken for a dangerous "barricadist", was arrested and spent six months in the Taganskaya prison, then released on bail. He immediately left for Finland, and from there - through Denmark, Germany, Switzerland - to Italy and settled near Genoa, at the Villa Maria, where an emigrant commune was formed. The first exile lasted 10 years. The literary result was the book "Essays on Modern Italy" (1913).
Futurism attracted special attention of the writer. He was sympathetic to the early, determined futurists. Osorgin's work in Italian futurism had a significant resonance in Russia. They trusted him as a brilliant connoisseur of Italy, they listened to his judgments. [Literature of the Russian Diaspora (1920-1990): textbook / ed. A.I.Smirnova. M., 2006 - S.246-247]
In 1913, to marry seventeen-year-old Rachel (Rose) Ginsberg, daughter of Ahad-ha-Am, converted to Judaism (later the marriage broke up).
From Italy, he twice went to the Balkans and traveled to Bulgaria, Montenegro and Serbia. In 1911 Osorgin announced in print that he was leaving the Socialist-Revolutionary Party, and in 1914 he became a Freemason. He asserted the supremacy of the highest ethical principles over party interests, recognizing only the blood connection of all living things, even exaggerating the importance of the biological factor in human life. In relations with people, he put above all not coincidence of ideological convictions, but human closeness, based on nobility, independence and unselfishness. Contemporaries who knew Osorgin well (for example, B. Zaitsev, M. Aldanov) emphasized these qualities of him, not forgetting to mention the soft, delicate soul, the artistry and grace of his appearance.
With the outbreak of World War I, Osorgin greatly yearned for Russia. Although he did not stop his ties with the Motherland (he was a foreign correspondent for Russkiye Vedomosti, published in magazines, for example, in Vestnik Evropy), it was more difficult to carry them out. He returns to Russia semi-legally in July 1916, having traveled through France, England, Norway and Sweden. From August 1916 he lived in Moscow. One of the organizers of the All-Russian Union of Journalists and its chairman (since 1917) and deputy chairman of the Moscow branch of the Writers' Union. Employee of Russkiye Vedomosti.
After the February Revolution, he was a member of the commission for the development of archives and political affairs in Moscow, which worked with the archives of the Moscow security department. Osorgin accepted the February Revolution of 1917. He began to publish widely in the magazine "Voice of the Past", in the newspapers "Narodny Socialist", "Luch Pravdy", "Rodina", "Vlast Narodu" wrote the current chronicle and edited the Monday supplement.
At the same time he prepared for publication the collections of stories and essays "Ghosts" (1917) and "Fairy tales and non-fairy tales" (1918). Taking part in the analysis of the documents of the Moscow secret police, he published a brochure "Security Department and its Secrets" (1917).
After the October Revolution, he opposed the policies of the Bolsheviks. In 1919 he was arrested and released at the request of the Writers' Union and Yu. K. Baltrushaitis.
In 1921 he worked in the Commission for Aid to Famine at the All-Russian Central Executive Committee (All-Russian Committee for Aid to Famine "Pomgol"), was the editor of the bulletin "Help" published by it; in August 1921 he was arrested along with some members of the commission; from the death penalty they were saved by the intervention of Fridtjof Nansen. He spent the winter of 1921-1922 in Kazan, editing the Literaturnaya Gazeta, then returned to Moscow. He continued to publish children's stories and stories. He translated from Italian (at the request of EB Vakhtangov) the play by K. Gozzi "Princess Turandot" (published in 1923), plays by K. Goldoni.
Together with his old friend N. Berdyaev, he opened a famous bookstore in Moscow, which for a long time became a haven for the intelligentsia in the years of post-war devastation.
In 1921 Osorgin was arrested and deported to Kazan.
In the fall of 1922, he was expelled from the USSR with a group of opposition-minded representatives of the Russian intelligentsia (such as N. Berdyaev, N. Lossky and others). Trotsky, in an interview with a foreign correspondent, put it this way: "We sent these people out because there was no reason to shoot them, and it was impossible to endure."
From the "Resolution of the Politburo of the Central Committee of the RCP (b) on the approval of the list of intellectuals expelled from Russia":
57. Osorgin Mikhail Andreevich. The Right Cadet is undoubtedly anti-Soviet. Employee of Russkiye Vedomosti. Editor of the newspaper "Prokukisha". His books are published in Latvia and Estonia. There is reason to believe that he is in contact with abroad. Commission with the participation of Comrade Bogdanov and others for the expulsion.
Osorgin's emigre life began in Berlin, where he spent a year. In 1923 he finally settled in Paris. He published his works in the newspapers "Days", "Latest News".
Osorgin's life in emigration was difficult: he became an enemy of all and all political doctrines, valued freedom above all else, and emigration was very politicized.
The writer Osorgin became famous in Russia, but fame came to him in exile, where his best books were published. "Sivtsev Vrazhek" (1928), "Tale of a Sister" (1931), "Witness to History" (1932), "Book of Ends" (1935), "Free Mason" (1937), "Tale of a certain girl" (1938) ), collections of stories "Where I was happy" (1928), "Miracle on the lake" (1931), "Occurrence of the Green World" (1938), memoirs "Times" (1955).
He retained Soviet citizenship until 1937, after which he lived without a passport, did not receive French citizenship.
Since the beginning of World War II, Osorgin's life has changed dramatically. In June 1940, after the German offensive and the occupation of a part of French territory, Osorgin and his wife fled from Paris. They settled in Shabri, on the other side of the Cher River, which was not occupied by the Germans. There Osorgin wrote the book "In a quiet place in France (1940) and" Letters about the insignificant "(published in 1952). They showed his talent as a perspicacious observer and publicist. Condemning the war, the writer reflected on the death of culture, warned about the danger of humanity's return to the Middle Ages, grieved over the irreparable damage that could be done to spiritual values. At the same time, he firmly stood for the human right to personal freedom. In Letters on the Insignificant, the writer envisioned a new catastrophe: “When the war is over,” wrote Osorgin, “the whole world will prepare for a new war. "
The writer died and was buried in the same city.
Creation
In 1928, Osorgin created his most famous novel-chronicle "Sivtsev Vrazhek". The story of the old retired professor of ornithology Ivan Alexandrovich and his granddaughter Tatyana, who turns from a little girl into a girl-bride, is in the center of the work. The chronicle nature of the narrative is manifested in the fact that the events are not lined up in one storyline, but simply follow each other. The center of the novel's artistic structure is a house on an old Moscow street. The house of the professor-ornithologist is a microcosm, similar in structure to the macrocosm - the Universe and the Solar system. It also has its own little sun - a table lamp in the old man's study. In the novel, the writer strove to show the relativity of the great and the insignificant in being. The existence of the world is ultimately determined for Osorgin by the mysterious, impersonal and extramoral play of cosmological and biological forces. For the earth, the driving, life-giving force is the Sun.
All of Osorgin's work was permeated by two soulful thoughts: passionate love for nature, close attention to everything living on earth and attachment to the world of ordinary, imperceptible things. The first thought formed the basis of the essays published in the "Latest News" signed "Everyman" and compiled the book "The Incidents of the Green World" (Sofia, 1938). The essays are characterized by deep drama: in a foreign land, the author turned from a “lover of nature” into a “garden eccentric”, a protest against technotronic civilization was combined with a powerless protest against exile. The second idea was embodied in bibliophilia and collecting. Osorgin collected a richest collection of Russian publications, which he introduced to the reader in the cycle "Notes of an old bookworm" (October 1928 - January 1934), in a series of "old" (historical) stories, which often caused attacks from the monarchist camp for disrespecting the imperial surname and especially to the church.
In his twenty books (five of them are novels) Osorgin combines moral and philosophical aspirations with the ability to narrate, following the tradition of I. Goncharov, I. Turgenev and L. Tolstoy. This is combined with a love for some experimentation in the field of narrative technique: for example, in the novel "Sivtsev Vrazhek" he builds a series of separate chapters about very different people, as well as animals. Osorgin is the author of several autobiographical books that have the modesty of the author and his life position as a decent person.
Participation in Freemasonry
Osorgin Mikhail Andreevich - regularized and incorporated on March 4 (May 6), 1925 on the recommendation of B. Mirkin-Getsevich. Raised to the 2nd and 3rd degrees on April 8 (1), 1925. 2nd Expert since November 3, 1926. Great expert (performer) from November 30, 1927 to 1929. Orator from November 6, 1930 to 1932 and in 1935-1937. 1st Guard from 1931 to 1934 and from October 7, 1937 to 1938. Also librarian of the lodge in 1934-1936, and from September 27, 1938. Venerable Master from November 6, 1938 to 1940.
From 1925 to 1940 he actively participated in the activities of several lodges working under the auspices of the Grand Orient of France. He was one of the founders and was a member of several Masonic lodges: "North Star" and "Free Russia".
Osorgin Mikhail Andreevich - founder of the Northern Brothers lodge, its leader from the day of its foundation to April 11, 1938. She worked from October 1931 to April 1932 as a narrow Masonic group, from November 17, 1932 - as a study group. The act of establishment was signed on November 12, 1934. She worked independently of the existing Masonic obediences under the Ancient and Accepted Scottish Rite. From October 9, 1933 to April 24, 1939, she held 150 meetings, then ceased its activities. Initially, the meetings were held in M. A. Osorgin's apartment on Mondays, after the 101st meeting - in other apartments.
He held a number of officer positions in the box, was the Honored Master (the highest officer position in the box). He was a highly respected and worthy brother who made a great contribution to the development of Russian Freemasonry in France.
Mikhail Andreevich was a member of the Sovereign Chapter "North Star" of the Grand College of Rituals
Osorgin Mikhail Andreevich - raised to the 18th degree on December 15, 1931. Expert around 1932. Member of the Chapter until 1938.
A very characteristic example of a deep knowledge of Freemasonry is Osorgin's work "Free Mason", in which Mikhail Andreyevich outlined the main directions in the work of Freemasonry and Freemasons. The humor inherent in the author pervades this work from the first to the last page.
Artworks
* Essays on modern Italy, 1913
* Security department and its secrets. M., 1917
* Ghosts. M., "Zadruga", 1917
* Fairy tales and non-tales M., "Zadruga", 1918
* From a small house, Riga, 1921
* Sivtsev Vrazhek. Paris, 1928
* Doctor Shchepkin's office (Russian) "This happened in Krivokolenny Lane, which shortened the road to his own house from Maroseyka to Chistye Prudy." (nineteen??)
* Things of a person. Paris, 1929;
* A Tale of a Sister, Paris, 1931
* Miracle on the lake, Paris, 1931
* Witness to history 1932
* Book of the ends 1935
* Free mason, 1937
* Tale of a certain girl, Tallinn, 1938
* In a quiet place in France (June-December 1940). Memories, Paris, 1946
* Letters about insignificant. New York, 1952
* Times. Paris, 1955
* Diary of Galina Benislavskaya. Contradictions // "Verb", No. 3, 1981
* Memoirs of the exiled // "Time and We", No. 84, 1985
* Pince-nez
Editions
* Notes of an old bookworm, Moscow, 1989
* Osorgin M. A. Times: Autobiographical Narration. Novels. - M .: Sovremennik, 1989 .-- 624 p. - (From the legacy). - 100,000 copies - ISBN 5-270-00813-0
* Osorgin M. A. Sivtsev Vrazhek: Novel. The story. Stories. - M .: Moscow worker, 1990 .-- 704 p. - (Literary Chronicle of Moscow). - 150,000 copies - ISBN 5-239-00627-X
* Collected works. T.1-2, M .: Moscow worker, 1999.
1. Russian literature - article from the Electronic Jewish Encyclopedia
2. How Mikhail Osorgin converted to Judaism // Newspapers. Perm. Perm news / 2009-10-23
3. Lyudmila Polikovskaya. Russian nobleman and the "Jewish question" // Lechaim, August 2005 - 8 (160)
4. Mikhail Andreevich Osorgin (Ilyin) (From the encyclopedia "Krugosvet")
5. How we left. Jubilee sketch 1932 (fragment from memoirs) Osorgin M. A. Times. Paris, 1955, pp. 180-185.
6. Resolution of the Politburo of the Central Committee of the RCP (b) on the approval of the list of intellectuals expelled from Russia, August 10, 1922.
7. Literature of the Russian Diaspora (1920-1990): study guide / under general ed. A.I.Smirnova. M., 2006 - p. 247
8. Russian Diaspora. The Golden Book of Emigration. First third of the 20th century. Encyclopedic biographical words | download | House of books
9. Prose by Mikhail Osorgin
10. Cossack V. Lexicon of Russian literature of the XX century \u003d Lexikon der russischen Literatur ab 1917. - M .: RIK "Culture", 1996. - 492 p. - 5000 copies. - ISBN 5-8334-0019-8. - S. 298.
11. Virtual server of Dmitry Galkovsky
12. PARIS. LODGE NORTH STAR
13. PARIS. LODE NORTHERN BROTHERS
14. Paris. Lodge North Star
15. Paris. HOLDING CAPITAL NORTH STAR
Mikhail Andreevich Osorgin, a short biography of the writer is presented in this article.
Mikhail Osorgin short biography
Osorgin Mikhail Andreevich was born on October 7, 1878 in Perm in the family of a judge. His father, by virtue of his profession, was rarely at home. The children were educated by their mother, an educated and well-read woman, fluent in several languages.
In 1897, Mikhail left for Moscow, where he entered the Moscow University, Faculty of Law. Finishes his studies in 1902 and immediately begins to practice law. But he soon realized that jurisprudence was by no means his vocation, Osorgin's heart belongs to literature.
It is worth noting that he began to publish in his school years in a local newspaper. In his student years he regularly sent his correspondence to Permskiye Gubernskiye Vedomosti, writing his own column in the newspaper entitled "Moscow Letters".
In 1903 Osorgin married
In 1905, the revolution began, and Osorgin hid revolutionaries in his apartment, kept illegal literature and weapons, for which he was arrested. The lawyer-writer was sentenced to 3 years of exile in the Tomsk region. But already in the month of May 1906 he was at large. First, Mikhail hides from power near Moscow, then he moves to Finland, and then to Italy. Here he lives in the Maria orphanage, created especially for political emigrants from Russia. Osorgin in Italy became the author and correspondent of Russkiye Vedomosti in 1908. Having worked in this newspaper for 10 years, he has published over 400 articles on its pages.
In parallel with this, he publishes stories in another magazine "Russian Bulletin". These were "Ghosts", "Emigrant", "Old Villa", "My Daughter".
Mikhail Osorgin returned to Russia in 1916, without official permission to enter the country. And then there was another mutiny - the February Revolution. In the summer of 1918, Mikhail Andreevich, along with other writers and poets, began creating a Writers' Bookstore in Moscow. It became a place where book readers and writers gathered to communicate.
The fall of 1922 cut short the writer's plans to stay in his native country. In 1922, he was expelled from the country along with the "harmful" scientists and writers. Formally, as if for 3 years, but actually forever.
At first he lived in Berlin, sometimes he was in Italy. Abroad, his real writing talent was revealed. And he writes exclusively about Russia. Lives in Paris for a long time. During the Second World War, together with his family, he left France and settled in the town of Chabri. Here the writer died on November 27, 1942.
