I see very bright picture Russian artist Alexander Yakovlevich Golovin. It's called Flowers in a Vase. This is a still life, which the author turned out to be very lively and joyful. It has a lot of white, household utensils and flowers.
The author depicted many details in the work: a vase for sweets, a golden ceramic glass, a clay figurine, a jar of roses and a glass container with a huge bouquet. All items are on a white tablecloth. A colorful scarf is thrown over the corner of the table. The center of the composition was precisely a large bouquet. It contains roses, gladioli and flowers that look like bells.
I like that Alexander Yakovlevich used a lot of scarlet shades. They are both in the background and in the pattern of the Russian shawl. There are a lot of details with native motives in the work. The artist painted a still life from nature. This is understandable, because all objects are interconnected, cast shadows, have highlights and look voluminous.
This work was written during the day. I see the light from the window in the background and glare on objects. Little things make a still life joyful. I like the figurine in the shape of a fabulous bird. And the glass has a complex pattern. The artist deftly depicted the openwork ornament of the vase. There are weaves and small roses. They are combined with flower bouquets. There are a lot of plants in the picture. Some are alive in the water, while others are printed on handkerchiefs.
The palette of the painting "Flowers in a Vase" is warm. For plant elements Golovin used green, white and pink colors. In some places other shades are visible. These are shadows, they are cold, and the glass of the jar has grey colour. All colors speak of autumn. Roses and gladioli are already in bloom. I am warmed by a floral still life with juicy shades and a lot of homemade antiques. The author conveyed an autumn day in a cozy everyday atmosphere.
Second option
Pictures of many artists help to take a closer look at the details. As if time can stop, and there is an opportunity to pay attention to what is past in real life It's very easy to walk by and not notice. So many things become interesting when a subject is studied in depth.
Here is such a painter as Golovin A.Ya., who worked a lot on theatrical scenery, understood that even in a simple object there is a huge meaning and symbolism. His painting "Flowers in a Vase" is not overloaded with details and details. There is no play of light and bright colors in it. The work is simple but interesting. It is with her modesty and ease that she makes you think and remember yourself.
What did A.Ya. Golovin on his canvas? In the center of the composition is a simple porcelain vase. It is white and has no patterns. Only the grace of forms was given to it by the potter. The master knew what was needed in order for porcelain to become a real decoration in any home. The vase is silvered by the glare of the windows opposite which it stands. But this is not the main detail of the picture. And the author does not focus on it. On the contrary, it is completely absorbed, dissolving into the white color of the background scenery. Identical in color and shade, they serve to emphasize the main subject of the picture, namely the bouquet.
The flowers on the canvas are saturated with tenderness. There is no defiant beauty in them, they are simple and almost all are made in pastel colors. Their color is like a sound, muffled. There are no screaming and defiant notes. Tranquility and balance emanates from this picture. Golovin A.Ya. depicted simple phloxes, white, pink and lilac color. And only in the middle of the bouquet is a bright scarlet flower resembling a lily. Through him, who stands out among others, the painter, as if awakens imagination, calls for reflection. A few petals have fallen off the phlox, and now they lie sadly on the table.
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There are many artists, but truly talented, masterful in their craft and putting their soul into their works can be counted on the fingers. The more valuable their works.
Ivan Fomich Khrutsky: a short biography
The future artist was born in 1810 on January 27. The place of his birth is today known as Belarus. However, in those years it was part of the Russian Empire, so his small homeland - Vitebsk province - was part of Russia. Parents belonged to the Catholic Church, were very devout.
The artist himself from childhood showed interest in painting, so he began to develop abilities in this direction early. He was educated at the IAH (Imperial Academy of Arts) and worked there for a long time. At one time he had access to the paintings of the Hermitage with the right to copy them.
The main styles of painting in which he worked are as follows:
- academic direction;
- classicism;
- baroque.
Both in Russia and in Poland, Khrutsky is known as an excellent painter, specializing mainly in beautiful and richly colored still lifes. In addition to them, he painted landscapes, portraits, and other paintings. However, it was his beautiful still life works that brought him wide fame in artistic circles. fruit") - the most Khrutsky. Still life causes a lot of discussion around the world so far.
Painting "Flowers and fruits"
It was written by Ivan Fomich in 1836. Description of Khrutsky's painting "Flowers and Fruits" today finds expression not only in oral statements, but also in school essays children, descriptions in feature articles, and so on.
For this picture, the artist received a very good and well-deserved award - a big one from the Academic Council. This confirmed almost the general impression of silent admiration that the canvas caused in the public.
Description of the painting by Khrutsky "Flowers and fruits"
The painting depicts a vase of flowers in the center of the canvas. beautiful and very cute small lilac and white flowers are combined with large pink and blue buds and open flowers. The splendor of the bouquet is given by feather grass sprigs and some beautiful wide long leaves of field herbs.
The general impression of a vase with flowers is joyful, good. The picture evokes a feeling of freshness and uplifts the mood.
Description of Khrutsky's painting "Flowers and Fruits" can be done even by a child. It is so simple, accessible, but at the same time deep and capacious for the objects depicted. In addition to a vase with flowers, a glass of water is clearly drawn in the picture. Perfectly clear pure water, in which a lemon slice floats.
A basket with colored grapes and a wicker box with juicy peaches, a pumpkin and pears are also highlighted in the work. In the background, you can see a decanter of water.
Bright accents in paintings
Khrutsky's painting "Flowers and Fruits", painted in 1838, almost completely repeats the plot of the still life "Flowers and Fruits". Both paintings have bright accents - a vase with flowers, juicy, as if real, fruits and handmade wicker boxes under them.
If the description of "Flowers and Fruits" is reduced to such bright spots as a glass of water with a slice of lemon and bright blue and pink flower buds in a vase, then "Flowers and Fruits" differs in only one. The fruits are somewhat different, and the flower vase is completely transparent, and is not in the center, but on the side of the picture.
But, despite such a similarity of plot and content, both films deserve separate reviews, separate discussions and descriptions. After all, the differences are obvious, and the overall impression of the paintings is different.
The naturalness of writing fruits
The artist Khrutsky tried to paint the paintings as naturally as possible. And he certainly succeeded. Looking at juicy peaches, large grapes and a lemon shining with juice, it's hard not to feel their taste and not want to try this very minute.
The work of the painter deserves special praise for the nativeness, naturalness of the depicted objects. Here lies the pear. Ruddy on one side, as if freshly plucked from a tree, where on one side it was covered with the shadow of foliage, and on the other turned to the sun. Nearby you can see the second pear, but already cut in half. It is juicy, shiny with sweet moisture. Even the seeds are drawn so clearly and precisely that there is no doubt about naturalness.
It was thanks to such a feature of the great artist as the naturalness of writing still lifes that he managed to become famous and become very famous. There are few such people, because in the XVIII-XIX centuries, few painted still lifes, especially such high-quality and beautiful in execution and content.
The description of Khrutsky's painting "Flowers and Fruits" can be reduced to the moment of constructing the composition for working on the picture. It is obvious that the artist thought through all the smallest details of the location of each item, the rotation of each fruit and fruit, the position of all items on the surface of the table.
The popularity of the artwork
It is not so difficult to judge how popular the still lifes of Ivan Fomich Khrutsky are. Indeed, today his works "Flowers and Fruits", "Flowers and Fruits" are themes for schoolchildren's essays. The canvases are in the Tretyakov Gallery and enjoy the constant attention and love of the public.
In 1838, Khrutsky was awarded a gold medal in painting for his excellent work "Flowers and Fruits". Until now, his still lifes are copied and used to decorate rooms, restaurants and creative halls. Anyone (and there are many) can purchase a reduced copy of the artist's beautiful works. But, of course, natural canvases are pleasing to the eye only on the walls of the famous gallery.
Still life as an independent genre of painting finally took shape in the 17th century. in the work of Dutch and Flemish artists.
Until that time, it was not an independent genre, but was only included in other genres as a frame for other paintings (for example, flower garlands), decoration of furniture, interior, etc.
Term
The word "still life" in French means "dead nature" (nature morte). Flowers in a vase is a still life; the same flowers in a flower bed or in the front garden - a landscape. In a broad sense, a still life is an artistic depiction of inanimate objects: plants, game, dishes, etc. The artist does not depict objects “from nature”, as they are located in the interior, but consciously arranges them in such a way as to solve some of his own semantic and artistic task.
Often still lifes contain a hidden allegory through the use of ordinary objects, which the artist endows with a symbol, additional meaning and meaning. An example of an allegorical still life is vanitas (from the Latin vanitas "vanity, vanity").
Varieties of still life
Vanitas
Michael Conrad Hirt. Vanitas
Vanitas is an allegorical still life. Usually on it, among other things, a skull is depicted. Such a still life is intended to remind of the transience of life, the futility of pleasures and the inevitability of death - reflections on the meaning of human existence. The term is taken from a verse from the Bible: "Vanity of vanities, said the Ecclesiastes, vanity of vanities, all is vanity!" In Latin it sounded like this: Vanitas vanitatum dixit Ecclesiastes vanitas vanitatum omnia vanitas". You can read more about vanitas.
Dutch still life
Dutch still life, which took shape in the 17th century. as an independent genre, influenced the further development of all European painting. It turns out that ordinary objects also live, but their life is quiet and invisible to humans. There is some mystery in this. Apparently, this is why the genre of still life became popular and has survived to this day. Sometimes a still life attracts the eye, excites feelings, it is impossible to tear oneself away from it - some associations, fleeting memories arise ...
flower still life
This type of still life is perhaps the most common and the very first to separate into a separate genre.
Jan Davids de Heem (1606-1684). Still life with flower vase (circa 1645). National Gallery of Art (Washington)
Traditionally, many flowers were grown in the Netherlands, gardens were bred, so flower still lifes were a natural extension of society. The very first artists of this genre were Ambrosius Bosschaert the Elder (1573-1621) and Balthasar van der Ast (1593-1657).
Ambrosius Bosschaert the Elder "Tulips, roses, white and pink carnations, forget-me-nots and other flowers in a vase" (circa 1619). Oil on copper
Scientist still life
The most intellectual kind of still life. In such still lifes, reflection on the depicted was supposed, and for this - knowledge of the Bible and other knowledge about the world. Vanitas can also be included in this category, but the scientific still life is broader in subject matter: it contains books, musical instruments, etc.
Maria van Oosterwijk. Still life
D. Annenkov "Reflections with Baudelaire"
Still life in Russian painting
In Russia, still life as an independent genre appeared at the beginning of the 18th century. But for some time (almost until the end of the 19th century), still life was considered a lower genre and depicted only flowers and fruits.
A famous artist of this genre in the XIX century. was I. Khrutsky.
I. Khrutsky. Still Life with Vase (1832)
I. Khrutsky "Flowers and Fruits" (1838)
In the twentieth century Russian still life painting has become equal among other genres. Artists worked on the perfection of color, form, composition, the genre began to develop rapidly.
Famous Russian and Soviet artists who worked and still work in the genre of still life: Konstantin Korovin (1861-1939), Igor Grabar (1871-1960), Pyotr Konchalovsky (1876-1956), Kuzma Petrov-Vodkin (1878-1939), Martiros Saryan ( 1880-1972), Ilya Mashkov (1881-1944), Elena Skuin (1909-1986), Peter Alberti (1913-1994), Sergei Osipov (1915-1985), Evgenia Antipova (1917-2009), Viktor Teterin (1922- 1991), Maya Kopyttseva (1924-2005), Yaroslav Krestovsky (1925-2003), Vladimir Stozharov (1926-1973), Boris Shamanov (1931-2008) and others.
E. Skuin "Peonies and Cherries" (1956)
V. Stozharov. Still life with rowan (1969)
Still life in various styles and directions of art
The turn of the XIX-XX centuries. known for experiments in the field artistic creativity. Still life also did not escape this fate. Paul Cezanne, Paul Gauguin, Henri Matisse and others were the first to experiment with still life.
P. Cezanne. Still life with drapery (1889). Hermitage (St. Petersburg)
Cubist P. Picasso boldly experimented.
P. Picasso "Jug, glass and book" (1908)
J. Braque also worked in the cubist style.
J. Marriage " Musical instruments» (1908)
Cubofuturists worked in search of a new space-time dimension.
K. Malevich "Cow and violin" (1913). State Russian Museum (St. Petersburg)
His "... intuitive feeling found in things the energy of dissonances obtained from the meeting of two opposite forms" (K. Malevich "From Cubism and Futurism to Suprematism").
In the metaphysical still lifes of Giorgio Morandi (1890-1964), objects are pressed against each other, forming dense groups, as if trying to keep warm, fearing external cold and aggression.
Giorgio Morandi. Natura Morta (1956)
The most famous representative of surrealism, Salvador Dali, in his famous work "The Persistence of Memory", which is essentially an allegorical still life, reflects on the relativity of time.
S. Dali "The Persistence of Memory" (1931)
Commercial advertising of the second half of the XX century. brought up in people a greedy attitude to things and insatiable consumption. There is a fetishization of the subject. Elements of the still life genre are beginning to transform from art into a source of consumption.
Andy Warhol Campbell's Soup Can (1968)
Dmitry Krasnopevtsev represents Russian "unofficial" art, although he has a completely official classical art education (he graduated from the Moscow Art Institute named after V. I. Surikov).
D. Krasnopevtsev. Still life
Krasnopevtsev's main genre is a "metaphysical still life" close to surrealism with simple, often beaten ceramics, dry plants and shells. These works, painted in ashy tones, develop the motif of the frailty and unreality of the world.
Here are the still life paintings contemporary artist Dmitry Annenkov are quite "animated". They are different: joyful, sad, funny, but quite alive. They want to be touched. Looking at these still lifes, it is impossible to resist a kind smile.
D. Annenkov "Still life with a coffee grinder"
D. Annenkov "Spring Sun"
D. Annenkov "Memories of Summer"
Composition based on the painting: A. Ya. Golovina Still life Flowers in a vase.
Alexander Yakovlevich Golovin is a passionate admirer of flowers. He not only painted these gentle creatures, but also grew them. Many of the artist's paintings are devoted to flowers. But I would especially like to note one painting by Golovin - "Still Life. Flowers in a Vase." In many paintings, Alexander Yakovlevich Golovin depicts flowers framed by other objects. It can be golden balls or bright silk fabric, exquisite vase or porcelain tableware.
There is nothing superfluous in the painting "Still Life. Flowers in a Vase". Nothing that could distract the viewer's attention from the contemplation of the magnificent bouquet. A simple white vase is lost against the background of the same white curtains and a white tablecloth. Bright sunlight falling from the left smoothes the outlines of objects even more, making them look like a light haze. Against its background, the flowers appear as a bright multi-colored spot that attracts the eye.
A bouquet of white, pink and lilac phlox is arranged in disorder. It seems that the flowers have just been cut, and, without making up the original composition, they simply put them in a vase. Among phloxes, lilies stand out as an orange spot. But in this ill-conceived bouquet, its disorderliness has its own special charm, which cannot be created artificially. This bouquet and the whiteness surrounding it are so pure, so touching that it is impossible not to admire the flowers, enjoying their original beauty.
Second version of the essay:
Many artists created interesting paintings and outstanding still lifes, but Golovin's paintings are especially sensual and touching. From his works emanates purity and kindness, which attract the attention of the most demanding connoisseur of beauty.
In a vase, simple flowers are modestly arranged, but their simplicity is deceptive. Behind it lies a unique sophistication, which arises from the clever combination of garden and wildflowers. In the composition, all of them are cleverly combined into an original, bright bouquet that seems to be perfection itself. To set off the beauty of the bouquet, the artist chose a light background.
When creating this picture, the author chose White color, which served as an excellent basis for the bouquet itself. To convey the beauty of flowers, the artist chose gentle tones, which gives the still life a stunning appeal.
The still life, created by Golovin, reminds of summer, of carefree days that simply fly by in the summer in the countryside unnoticed. I want to inhale the aroma of this beautiful bouquet, but at the last moment you realize that in front of you is just a picture.
A brief description of the painting "Flowers in a Vase" by A. Ya. Golovin.
Still life A. Golovin "Flowers in a vase" - a bright and colorful picture. A simple glass vase rests on a white tablecloth. It contains a bunch of colorful flowers. Apparently, they were torn off while walking in the garden. The one who put the flowers did not think about how to compose a composition according to all the rules of art. Probably, the bouquet simply pleased him with its colorfulness.
The vase combines several types of small phloxes: white, scarlet, pink. Individually, they would be simple, but together they give the impression of pomp and luxury. On the left side of the bouquet, a few bright scarlet lilies on long exquisite stems immediately catch your eye. Green stems of all colors shine through the transparent glass of the vase.
To the right of the magnificent bouquet is a patterned curtain, which combines green, discreet yellow and scarlet. The curtain adds variegation to the picture, but its colors go well with the bouquet.
Nearby, elegant homemade gizmos found a place on the tablecloth. This is a smartly woven and decorated elegant bread box, a shiny copper salt shaker, a fragile figurine, a napkin with a golden appliqué. In a simple glass jar, two delicate roses are ablaze.
The background behind the flowers is white and clean. There, light falls from the window through the air curtain-curtain.
The painting "Flowers in a vase" leaves a feeling of light, tenderness, harmony of colors. The artist managed to depict on it the charm of home comfort and at the same time the riot of natural beauty of flowers.
Still life by A. Golovin “Flowers in a vase” is a bright and colorful painting. A simple glass vase rests on a white tablecloth. It contains a bunch of colorful flowers. Apparently, they were torn off while walking in the garden. The one who put the flowers did not think about how to compose a composition according to all the rules of art. Probably, the bouquet simply pleased him with its colorfulness.
The vase combines several types of small phloxes: white, scarlet, pink. Individually, they would be simple, but together they give the impression of pomp and luxury. On the left side of the bouquet look at yourself immediately
Several bright scarlet lilies are chained on long, exquisite stems. Green stems of all colors shine through the transparent glass of the vase.
To the right of the magnificent bouquet is a patterned curtain, which combines green, discreet yellow and scarlet. The curtain adds variegation to the picture, but its colors go well with the bouquet.
Nearby, elegant homemade gizmos found a place on the tablecloth. This is a smartly woven and decorated elegant bread box, a shiny copper salt shaker, a fragile figurine, a napkin with a golden appliqué. In a simple glass jar, two delicate roses are ablaze.
The background behind the flowers is white and clean. There, light falls from the window through the air curtain-curtain.
The painting “Flowers in a Vase” leaves a feeling of light, tenderness, harmony of colors. The artist managed to depict on it the charm of home comfort and at the same time the riot of natural beauty of flowers.
Composition based on the painting “Flowers in a Vase” by A. Ya. Golovin
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- With the advent of spring, nature comes to life. The snow is melting, they are coming back migratory birds, the ground is covered with green grass. In spring, all kinds of flowers bloom - first blueberries and snowdrops, then dandelions ...
- The painting “Spring” depicts a fine spring day in the countryside. The spring sun shines brightly, and the sky is bright blue. In the foreground of the picture we see the front garden at...
- Option 1. Grade 3-4 In the picture “March” we see the very beginning of spring. The sun shines brightly. The snow is starting to melt. He became loose and worn out. Somewhere on...
- It was 1943. The village was occupied by the Germans. Many villagers went to the neighboring forest and became partisans. Today a partisan detachment attacked the Germans. Grenades flew...
- Painting by Russian Soviet artist Georgy Nissky “February. Moscow suburbs” is a modern landscape. On it we see expanses near Moscow, covered with snow. But these places are not lifeless...
- 1 option. 2-3 class. In spring, green leaves appear on the trees. Fresh grass breaks through the ground. The first spring flowers are blooming. Birds come from the warm regions. They are...
