The novel "Fathers and Sons" by I.S. Turgenev ends up with the death of the main character. Understanding the reasons why the author ends his work in this way is possible through the analysis of the episode “Bazarov's death”. Fathers and Sons is a novel in which the death of the protagonist is certainly not accidental. Perhaps this ending speaks of the inconsistency and beliefs of this character. So, let's try to figure it out.
Who is Bazarov?
An analysis of the episode of Bazarov's death is impossible without understanding what this character is. Thanks to what is told about Eugene in the novel, we imagine an intelligent, confident, cynical young man who denies generally accepted moral principles and ideals. He considers love to be "physiology", in his opinion, a person should not depend on anyone.
Subsequently, however, Turgenev reveals to us in his hero qualities such as sensitivity, kindness, the ability to deep feelings.
Bazarov is a nihilist, that is, a person who denies all generally accepted values, including he does not share the enthusiasm of amateurs.In his opinion, only that which brings practical benefit is significant. He considers everything beautiful to be meaningless. His main Eugene means "work for the benefit of society." His task is "to live for the great goal of renewing the world."
Attitude towards others
An analysis of the episode of Bazarov's death in Turgenev's novel "Fathers and Sons" cannot be carried out without understanding how the relationship of the protagonist with the people who made up his social circle was built. It should be noted that Bazarov treated others with contempt, he put others lower than himself. This was manifested, for example, in the things he said to Arkady about himself and his relatives. Affection, sympathy, tenderness - all these feelings Eugene considers unacceptable.
Lyubov Bazarova
An analysis of the episode of Bazarov's death requires mentioning that, with all his disregard for lofty feelings, he, ironically, falls in love. His love is unusually deep, as evidenced by an explanation with Anna Sergeevna Odintsova. Realizing that he is capable of such a feeling, Bazarov ceases to treat him as physiology. He begins to consider the existence of love possible. Such a change of views could not pass without leaving a trace for Eugene, who lived with the ideas of nihilism. His old life has been destroyed.
Bazarov's explanation of love is not just words, it is an admission of his own defeat. Eugene's nihilistic theories are shattered.
Turgenev considers it inappropriate to end the novel with a change in the views of the protagonist, and decides to end the work with his death.
Is Bazarov's death an accident?
So, in the finale of the novel, the main event is the death of Bazarov. The analysis of the episode requires remembering the reason why, according to the text of the work, the main character dies.
His life becomes impossible due to an unfortunate accident - a small cut, which Bazarov received when opening the body of a peasant who died of typhus. Ironically, he, a doctor engaged in useful work, cannot do anything to save his life. The realization that he was going to die gave the main character time to evaluate his achievements. Bazarov, aware of the inevitability of his death, is calm and strong, although, of course, being a young and energetic person, he regrets that there is so little left to live.
Bazarov's attitude to death and to himself
An analysis of the episode of Bazarov's death is impossible without a deeper understanding of how the hero relates to the proximity of his end and death in general.
Not a single person can calmly realize the approach of the end of his life. Evgeny, being a person who is certainly strong and self-confident, is no exception. He regrets that he did not fulfill his main task. He understands the power of death and speaks of the approaching last minutes with bitter irony: "Yes, go, try to deny death. She denies you, and that's it!"
So, the death of Bazarov is approaching. The analysis of the episode, which is one of the key in the novel, needs an understanding of how the character of the protagonist has changed. Eugene is becoming kinder and more sentimental. He wants to meet with his beloved, once again tell about his feelings. Bazarov is softer than before, treats parents, now understanding their importance.
An analysis of the episode of Bazarov's death shows how lonely the main character of the work is. He does not have a close person to whom he could convey his beliefs, therefore, there is no future for his views.
Understanding true values
In the face of death, they change. An understanding comes of what is really important in life.
An analysis of the episode "Bazarov's death" based on the novel by Ivan Turgenev requires an understanding of what values \u200b\u200bthe protagonist now considers to be true.
The most important thing for him now is his parents, their love for him, as well as his feelings for Madame Odintsova. He wants to say goodbye to her, and Anna, not afraid to get infected, comes to Eugene. Bazarov shares his innermost thoughts with her. He comes to the understanding that Russia does not need it at all, it needs those who do their usual work every day.
Bazarov finds it harder to come to terms with his death than any other person, because he is an atheist and does not believe in life after death.
Turgenev ends his novel with the death of Bazarov. The principles by which the hero lived are destroyed. Bazarov did not have any stronger, new ideals. Turgenev notes that it was the deep adherence to nihilism that killed the protagonist, which forced him to abandon universal human values \u200b\u200bthat allow him to live in this world.
The ideas of nihilism have no future;
Let it be later, but the epiphany of the hero, awakening: human nature prevails over the wrong idea;
Bazarov seeks not to show his suffering, to comfort his parents, to prevent them from seeking consolation in religion.
The mention of Sitnikov and Kukshina is a confirmation of the absurdity of the ideas of nihilism and its doom;
The life of Nikolai Petrovich and Arkady is an idyll of family happiness, far from public disputes (a variant of the noble path in future Russia);
The fate of Pavel Petrovich – the result of a life ruined by empty love affairs (without family, without love, far from the Motherland);
The fate of Odintsova is a variant of an accomplished life: the heroine marries a man who is one of the future public figures of Russia;
The description of Bazarov's grave is a declaration of the eternity of nature and life, the temporality of empty social theories claiming to be eternity, the futility of the human desire to know and change the world, the greatness of nature in comparison with the vanity of human life.
Evgeny Vasilievich Bazarov - the main character of the novel. Initially, the only thing the reader knows about him is that he is a medical student who came to the village on vacation. First, Bazarov visits the family of his friend Arkady Kirsanov, then goes with him to the provincial town, where he meets Anna Sergeevna Odintsova, lives for some time in her estate, but after an unsuccessful declaration of love he is forced to leave and, finally, ends up in the parental home. where he was headed from the start. He does not live long in the estate of his parents, longing drives him away and makes him repeat the same route again. In the end, it turns out that there is no place for him anywhere. Bazarov returns home again and soon dies.
The basis of the actions and behavior of the hero is his commitment to ideas nihilism... Bazarov calls himself a “nihilist” (from the Latin nihil, nothing), that is, a person who “does not recognize anything, does not respect anything, treats everything from a critical point of view, does not bow to any authorities, does not accept a single principle on faith, whatever respect this principle may be surrounded by. " He categorically denies the values \u200b\u200bof the old world: its aesthetics, social order, laws of life of the aristocracy; love, poetry, music, the beauty of nature, family ties, such moral categories as duty, right, duty. Bazarov acts as a merciless opponent of traditional humanism: in the eyes of a "nihilist" humanistic culture turns out to be a refuge for the weak and timid, creating beautiful illusions that can serve as their justification. The "nihilist" opposes the humanistic ideals with the truths of natural science, which affirm the cruel logic of life-struggle.
Bazarov is shown outside the environment of like-minded people, outside the sphere of practical affairs. Turgenev speaks of Bazarov's readiness to act in the spirit of his democratic convictions - that is, to destroy in order to clear a place for those who will build. But the author does not give him the opportunity to act, because, from his point of view, Russia does not need such actions yet.
Bazarov fights against the old religious, aesthetic and patriarchal ideas, mercilessly ridicules the romantic deification of nature, art and love. He affirms positive values \u200b\u200bonly in relation to the natural sciences, proceeding from the conviction that man is a "worker" in the workshop of nature. Man appears to Bazarov as a kind of bodily organism and nothing else. According to Bazarov, society is to blame for the moral shortcomings of individual people. With the correct organization of society, all moral diseases will disappear. Art for the hero is perversion, nonsense.
Bazarov's test of love for Odintsova.Bazarov considers the spiritual refinement of love feelings to be "romantic nonsense". The story of Pavel Petrovich's love for Princess R. is introduced into the novel not as a plug-in episode. He is a warning to the arrogant Bazarov
In a love conflict, Bazarov's convictions undergo a test of strength, and it turns out that they are imperfect, cannot be accepted as absolute. Now Bazarov's soul is split into two halves - on the one hand, we see the denial of the spiritual foundations of love, on the other hand, the ability to love passionately and soulfully. Cynicism is being replaced by a deeper understanding of human relationships. A rationalist who denies the power of true love, Bazarov is seized by a passion for a woman who is alien to him both in social status and in character, so seized that failure plunges him into a state of depression and melancholy. Rejected, he won a moral victory over a selfish woman from a noble circle. When he sees the complete hopelessness of his love, nothing causes him love complaints and requests. He painfully feels the loss, leaves for his parents in the hope of being healed of love, but before death he says goodbye to Madame Odintsova as the beauty of life itself, calling love a "form" of human existence.
The nihilist Bazarov is capable of truly great and selfless love, striking us with depth and seriousness, passionate tension, integrity and the strength of the heart. In a love conflict, he looks like a large, strong person, capable of real feelings for a woman.
Bazarov and Pavel Petrovich Kirsanov.Pavel Petrovich Kirsanov is an aristocrat, an Anglomaniac, a liberal. Essentially the same doctrinaire as Bazarov. The very first difficulty - unrequited love - made Pavel Petrovich incapable of anything. A brilliant career and secular successes were interrupted by tragic love, and then the hero finds a way out in giving up hopes for happiness and in fulfilling his moral and civic duty, Pavel Petrovich moves to the village, where he tries to help his brother in his economic transformations and supports liberal government reforms. Aristocracy, according to the hero, is not an estate privilege, but a high social mission of a certain circle of people, a duty to society. An aristocrat should be a natural supporter of freedom and humanity.
Pavel Petrovich appears in the novel as a convinced and honest man. but clearly limited. Turgenev shows that his ideals are hopelessly far from reality, and his position in life does not provide peace of mind even to himself. In the mind of the reader, the hero remains lonely and unhappy, a man of unfulfilled aspirations and unfulfilled destiny. To a certain extent, this brings him closer to Bazarov. Bazarov is a product of the vices of the older generation, his philosophy is the denial of the life attitudes of the “fathers”. Turgenev shows that absolutely nothing can be built on negation, because the essence of life is affirmation, not denial.
Duel of Bazarov and Pavel Petrovich.For the insult inflicted on Fenechka, Pavel Petrovich challenged Bazarov to a duel. This is also the conflict node of the work. The duel ended and exhausted his social collision, for after the duel Bazarov would forever part with both the Kirsanov brothers and Arkady. She, however, placing Pavel Petrovich and Bazarov in a situation of life and death, thereby revealed not separate and external, but essential qualities of both. The real reason for the duel is Fenechka, in the features of which Kirsanov Sr. found a resemblance to his fatal beloved Princess R. and whom he also secretly loved. It is no coincidence that both antagonists have feelings for this young woman. Unable to snatch true love from their hearts, they try to find a surrogate for this feeling. Both heroes are doomed people. Bazarov is destined to die physically. Pavel Petrovich, having settled the marriage of Nikolai Petrovich with Fenechka, also feels like a dead man. The moral death of Pavel Petrovich is the departure of the old, the doom of the obsolete.
Arkady Kirsanov... In Arkady Kirsanov, the unchanging and eternal signs of youth and youth with all the advantages and disadvantages of this age are most openly manifested. Arcadia's "nihilism" is a lively play of young forces, a youthful feeling of complete freedom and independence, an easy attitude towards traditions and authorities. The Kirsanovs are equally far from both the noble aristocracy and the commoners. Turgenev is interested in these heroes not from a political, but from a universal human point of view. The ingenuous souls of Nikolai Petrovich and Arkady retain their simplicity and everyday simplicity in the era of social storms and catastrophes.
Pseudo-nihilists Kukshin and Sitnikov.Bazarov is alone in the novel; he has no true followers. The hero of his imaginary comrades-in-arms cannot be considered the successors of the hero's work: Arkady, who, after marriage, completely forgets about his youthful passion for fashionable freethinking; or Sitnikova and Kukshina - grotesque images, completely devoid of the charm and conviction of a “teacher”.
Kukshina Avdotya Nikitishna is an emancipated landowner, pseudo-nihilist, cheeky, vulgar, openly stupid. Sitnikov is a pseudo-nihilist who is recommended to everyone as a “student” of Bazarov. He tries to demonstrate the same freedom and harshness of judgments and actions as in Bazarov's. But the resemblance to the "teacher" turns out to be a parody. Along with a truly new man of his time, Turgenev put his caricatured "double": Sitnikov's "nihilism" is understood as a form of overcoming complexes (he is ashamed, for example, of his father-tax farmer, who profits from soldering the people, at the same time he is burdened by his human insignificance ).
Bazarov's ideological crisis.Denying art and poetry, neglecting the spiritual life of man, Bazarov falls into one-sidedness, without noticing it himself. Challenging the "damned barchuk", the hero goes too far. The denial of "your" art develops for him into a denial of art in general; the denial of "your" love - into the assertion that love is a "false feeling", explained only by the physiology of the sexes; denial of sentimental noble love for the people - in contempt for the peasant. Thus, the nihilist breaks with the eternal, enduring values \u200b\u200bof culture, placing himself in a tragic situation. Failure in love led to a crisis in his worldview. Before Bazarov, two riddles arose: the mystery of his own soul and the mystery of the world around him. The world, which seemed to Bazarov simple and understandable, is becoming full of secrets.
So is this theory needed by society and is it necessary him this type of herohow is Bazarov? The dying Eugene tries to reflect on this with bitterness. “Januzhen of Russia ... no. apparently not needed, "and asks himself the question:" And who is needed? " The answer is unexpectedly simple: we need a shoemaker, a butcher, a tailor, because each of these inconspicuous people does his job, working for the good of society and not thinking about high goals. Bazarov comes to this understanding of the truth on the verge of death.
The main conflict in the novel is not the dispute between "fathers" and "children", but internal conflictexperienced by Bazarov, the demands of living human nature are incompatible with nihilism. Being a strong personality, Bazarov cannot renounce his convictions, but he is also unable to turn away from the demands of nature. The conflict is insoluble, and the hero is aware of this.
Death of Bazarov... Bazarov's convictions come into tragic conflict with his human essence. He cannot renounce his convictions, but he cannot strangle the awakened person in himself. For him there is no way out of this situation, and that is why he dies. The death of Bazarov is the death of his doctrine. The hero's suffering, his untimely death are the necessary payment for his exclusivity, for his maximalism.
Bazarov dies young, not having time to start the activity for which he was preparing, not completing his work, alone, leaving behind no children, friends, like-minded people, not understood by the people and far from them. His immense strength is dying in vain. Bazarov's gigantic task remained unfulfilled.
The author's political views were manifested in the death of Bazarov. Turgenev, a true liberal, a supporter of a gradual, reformist transformation of Russia, an opponent of any revolutionary outbursts, did not believe in the prospects of revolutionary democrats, could not pin great hopes on them, perceived them as a great force, but transient, believed that they would very soon leave historical arena and give way to new social forces - reformers-gradualists. Therefore, the revolutionary democrats, even if they were smart, attractive, honest, like Bazarov, seemed to the writer tragic loners, historically doomed.
The death scene and the scene of Bazarov's death are the most difficult test for the right to be called a human being and the most brilliant victory of the hero. “To die because Bazarov died is the same as to accomplish a great feat” (DI Pisarev). A person who knows how to die calmly and firmly will not retreat in front of an obstacle and will not shy away from danger.
The dying Bazarov is simple and human, there is no need to hide his feelings, he thinks a lot about himself, about his parents. Before his death, he calls Madame Odintsov to tell her with sudden tenderness: "Listen, I didn't kiss you then ... Blow on the dying lamp and let it go out." The very tone of the last lines, the poetic rhythmized speech, the solemnity of the words that sound like a requiem, emphasize the author's love for Bazarov, the hero's moral justification, regret for a wonderful man, the idea of \u200b\u200bthe futility of his struggle and aspirations. Turgenev reconciles his hero with eternal being. Only nature, which Bazarov wanted to turn into a workshop, and the parents who gave him life surround him.
The description of Bazarov's grave is an affirmation of the eternity and greatness of nature and life in comparison with the vanity, temporality, futility of social theories, human aspirations to learn and change the world, human mortality. Turgenev is characterized by subtle lyricism, especially in the descriptions of nature. In the landscape, Turgenev continues the traditions of the late Pushkin. For Turgenev, nature as such is important: aesthetic admiration for it.
Critics about the novel. “Did I mean to curse Bazarov or extol him? I do not know this myself, because I do not know whether I love him or hate him! " "My whole story is directed against the nobility as an advanced class." “The word“ nihilist ”I had released was used then by many who were only waiting for an opportunity, an excuse to stop the movement that had taken possession of Russian society ...”. “I dreamed of a gloomy, wild, large figure, half grown out of the soil, strong, evil, honest - and yet doomed to perish because it still stands on the threshold of the future” (Turgenev). Output.Turgenev shows Bazarov inconsistently, but he does not seek to debunk him, destroy him.
In accordance with the vectors of the struggle of social trends in the 60s, the points of view on the work of Turgenev were also built. Along with positive assessments of the novel and the protagonist in Pisarev's articles, negative criticism was also voiced from the ranks of the democrats.
The position of M.A. Antonovich (article "Asmodeus of Our Time"). A very harsh position that denies the social significance and artistic value of the novel. In the novel "... there is not a single living person and living soul, but all are only abstract ideas and different directions, personified and named by their own names." The author is not disposed towards the younger generation and "he gives full preference to fathers and always tries to raise them up at the expense of children." Bazarov, according to Antonovich, is a glutton, a chatterbox, a cynic, a drunkard, a braggart, a pitiful caricature of young people, and the whole novel is a slander against the younger generation. " By this time Dobrolyubov had already died, and Chernyshevsky was arrested, and Antonovich, who primitively understood the principles of "real criticism", took the original author's plan for the final artistic result.
The liberal and conservative part of society took the novel more deeply. Although here it was not without extreme judgments.
The position of MN Katkov, editor of the journal "Russian Bulletin".
"How not ashamed Turgenev was to lower the flag in front of the radical and salute him, as in front of an honored warrior." “If Bazarov is not elevated to the apotheosis, then we must admit that he somehow accidentally got on a very high pedestal. He really suppresses everything around him. Everything in front of him is either rags, or weak and green. Was that kind of experience one should have wished for? " Katkov denies nihilism, considering it a social disease that must be fought by strengthening the protective conservative principles, but notes that Turgenev puts Bazarov above everyone else.
The novel assessed by D.I. Pisarev (article "Bazarov"). Pisarev gives the most detailed and thorough analysis of the novel. “Turgenev does not like merciless denial, and yet the personality of a merciless denier turns out to be a strong personality and inspires every reader with involuntary respect. Turgenev is inclined to idealism, and yet none of the idealists deduced in his novel can be compared with Bazarov either in strength of mind or strength of character. "
Pisarev explains the positive meaning of the protagonist, emphasizes the vital importance of Bazarov; analyzes the relationship of Bazarov with other heroes, determines their attitude to the camps of "fathers" and "children"; proves that nihilism got its start precisely on Russian soil; defines the originality of the novel. D. Pisarev's thoughts about the novel were shared by A. Herzen.
The most artistically adequate interpretation of the novel belongs to F. Dostoevsky and N. Strakhov (Vremya magazine). The views of F.M. Dostoevsky. Bazarov is a "theoretician" who is at odds with "life", a victim of his dry and abstract theory. This is a hero close to Raskolnikov. Without considering Bazarov's theory, Dostoevsky believes that any abstract, rational theory brings suffering to a person. Theory breaks on life. Dostoevsky does not speak about the reasons giving rise to these theories. N. Strakhov noted that I. S. Turgenev "wrote the novel is not progressive and not retrograde, but, so to speak, everlasting." The critic saw that the author "stands for the eternal principles of human life," and Bazarov, who "shuns life," meanwhile, "lives deeply and strongly."
The point of view of Dostoevsky and Strakhov is fully consistent with the judgments of Turgenev himself in his article "Concerning Fathers and Sons", where Bazarov is called a tragic person.
Evgeny Bazarov preferred to defend the ideas of nihilism. The main character of the novel by I.S. Turgenev's "Fathers and Sons" is a young nihilist Yevgeny Bazarov. In the course of reading, we get to know the ideas of this movement.
Our hero followed in the footsteps of his father - the county doctor. But living in the middle of the nineteenth century, he was a supporter, like all young people, of the ideas of nihilism. He adheres to the conviction that a person needs to know only science that brings sense. For example, exact sciences: mathematics, chemistry. He defends his point of view that a decent mathematician or chemist is more useful than some poet! And poetry is the entertainment and fantasy of rich idlers. It clearly shows the denial of love for living objects of nature. And he is increasingly moving away from family and good friends.
He believes that there are physiological processes driven by the behavior of all people. Ideas flourish in his mind that
In work, he is persistent, constantly works, he gives himself all to the sick. In carrying out his work duties, he experiences a sense of joy. Among the people who encountered him in the hospital, he enjoyed authority and respect. He was liked by those around him, sick children.
And then comes the tragic moment - the death of Bazarov. There is a huge sense of the event here. The cause of death is blood infection. And now, being completely alone, he begins to experience anxiety. He is tormented by internal contradictory feelings in relation to denying ideas. And he began to understand the importance of parental support and participation. That they are getting old and they need help and love from their son.
He boldly looked death in the face. He showed strong self-confidence. He felt both fear and lack of human attention. Scientific discoveries, his knowledge of medicine did not help him. Natural viruses and their incurable progression took over his life.
A good person who helps people took on the disease. He is tormented by doubts that he did not complete everything on earth. In this work, he heroically fights for life. An excellent doctor and a kind person.
I like this character. Before his death, he reconsiders his attitude to nature, family, loved one. He realizes that he is still not married. Odintsova comes to him, and he confesses his love to her. He asks for forgiveness from his parents, begins to think about God. He does not want to die, he believes that he could still serve Russia. But, alas, his ideal is that medicine is powerless.
Composition Death of Bazarov episode analysis
The protagonist of Ivan Turgenev's novel "Fathers and Sons" is a young and educated Evgeny Bazarov. The guy considers himself a nihilist, he denies the existence of God and any human feelings. Bazarov studied natural sciences, he believed that people should devote more time to such sciences as physics, chemistry and mathematics, and in poets he saw only lazy and not interesting people.
Evgeny Vasilyevich Bazarov was born into a family where his father worked all his life as a district doctor. Bazarov believes that man has unlimited power, so he believed that he was subject to rejection of all the previous experience of mankind and to live according to his own understanding. Bazarov considered the main purpose of the nihilists to destroy all the delusions of their ancestors. Without any doubt, it is clear that Bazarov is smart enough and has enormous potential, according to the author himself, the hero's beliefs are incorrect and even dangerous, they contradict the laws of life.
Over time, Bazarov begins to become convinced that for a long time he was mistaken in his beliefs. The first blow for him was suddenly flared up feelings for the young and beautiful Anna Sergeevna, at first the guy just admired the beauty of the girl, and then he caught himself thinking that he had some kind of feelings for her. The hero was afraid of the inexplicable, he did not understand what was happening to him, because the convinced nihilist rejected the existence of love. Love made him rethink his faith, he became disillusioned with himself, realized that he is a simple person who can be controlled by feelings. This discovery knocked Bazarov down, he did not know how to continue to live, the guy leaves home to try to forget the girl.
In the parental home, a fateful event takes place with him. Bazarov performed an autopsy on a patient who died of a terrible disease called typhus, later he becomes infected himself. Lying in bed, Bazarov realized that he had several days left. Before dying, the guy completely convinces himself that, after all, he was mistaken in everything, that it is love that brings great meaning to a person's life. He understands that in his entire life he has not done anything useful for Russia, and an ordinary hard worker, butcher, shoemaker or baker has brought more benefit to the country. Eugene asks Anna to come to say goodbye. Despite the dangerous illness, the girl immediately goes to her beloved.
Bazarov is an intelligent, strong and gifted person who strove to live and work for the good of the country. However, with his wrong convictions, belief in nihilism, he renounced all the main values \u200b\u200bof humanity, thereby destroying himself.
Option 3
Fathers and Sons is a novel that was published in 1861. It was not an easy time for Russia. Changes were taking place in the country, and the people were divided into two halves. There were Democrats on one side and liberals on the other. But, regardless of the idea of \u200b\u200beach side, they understood that Russia required changes in any case.
This work of Turgenev has a sad ending, the main character dies. In this work, the author felt new features in people, but he could not understand one thing, how these characters would act. The main character, Bazarov, meets death at a very young age. Bazarov is a straightforward person and always able to put a certain amount of sarcasm into speech. But when the hero felt that he was dying, he changed. He found kindness, became polite, he completely contradicted his beliefs.
It becomes noticeable that Bazarov is very sympathetic to the author of the work. This becomes especially evident when the time comes for Bazarov to die. During the death of the hero, his essence, his true character, becomes visible. Bazarov is in love with Odintsov, but this does not affect him in any way before his death. He is still brave, selfless, the hero is not afraid of death. Bazarov knows that he will soon leave for another world and has no concern at all about the people who will remain. He doesn't worry about unfinished business or questions. Why does the author show the reader the hero's death? The main thing for Turgenev was to show that Bazarov is a non-standard person.
The main idea of \u200b\u200bthe author is in love and fearlessness before the moment of death. Also, Turgenev did not miss the theme of the sons' respect for their parents. The main thing is that Bazarov is on the verge of scrapping, but he is not defeated. It is interesting that even after his death, the main character has not changed some of his principles. He is dead and still cannot perceive religion in any way, it is not acceptable to him.
The moment of Bazarov's farewell to Madame Odintsova is constructed very clearly and in contrast. The author emphasizes a living woman and a man who dies. Turgenev emphasizes the sharpness of the scene. Anna is young, beautiful, bright, and Bazarov is like a half-crushed worm.
The ending of the work is really tragic. After all, there is no other name, a very young man is dying, and besides, he is in love. It is sad, of course, that death cannot be deceived or avoided; nothing depends on the person himself. It's pretty hard on your soul when you read the final scene of Turgenev's work.
Composition of Bazarov in the face of death Grade 10
Ivan Sergeevich Turgenev is a classic of Russian literature and a true master of the pen. Only Nabokov and Tolstoy can compare with him in beauty and picturesque descriptions. The work of Turgenev's entire life is the novel "Fathers and Sons", the protagonist of which Bazarov Eugene is a reflection of a new, just emerging type of people in the Russian Empire. The main character of the novel dies at the end of the work. Why? I will answer this question in my essay.
So, Bazarov is a nihilist (a person who does not recognize authorities and denies everything old, traditional). He studies at the university at the Faculty of Natural Sciences, to study the world around him. Bazarov denies everything: art, love, God, the aristocracy of the Kirsanov family and the foundations of society.
The storyline of the work confronts Bazarov with Pavel Petrovich Kirsanovs - a man of truly liberal views, this was not done by accident: this is how Turgenev shows the political struggle between revolutionary democracy (in the person of Bazarov) and the liberal camp (in the person of the Kirsanov family).
Then Bazarov meets Anna Sergeevna Odintsova, a very well-read girl who is well versed in matters not only of fashion, but also of science, and also with a strong character. This amazes Bazarov, he falls in love. And after she refuses him, he leaves for his parents in the estate and dies there from blood poisoning. It would seem an ordinary story, but it is still classical Russian literature, and Bazarov's death is understandable. Bazarov, a man who denied everything, including love, finds himself in such a position that he himself loves another person: he is tormented by contradictions, he begins to see reality as it really is.
It was the destruction of Bazarov's main principle - the denial of love - that killed Bazarov. A person who literally breathed nihilism can no longer live in his illusion, having met such a strong feeling. Turgenev needs the destruction of Bazarov's principles and his sudden death in order to show that Bazarov is useless in this society.
In conclusion, I would like to say that the destruction of Bazarov's principles on the part of Turgenev can be perceived in two ways: on the one hand, this is a reflection of reality as Turgenev saw it, on the other hand, this is Turgenev's political nature, because Turgenev himself was a liberal and having drawn such a line that the liberal Arkady lives happily, and the revolutionary-democrat Bazarov died, this suggests that Turgenev, through opposition, expressed his political position, calling himself right. For what purpose it was to kill Bazarov, only history knows the answer to this question ...
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What is Tushin's feat?
- The image and characteristics of the Father in the story Childhood of Gorky (Alyosha's father) composition
The name of Alyosha's father was Maxim Savvatievich Peshkov. Maxim had a kind face, cheerful, clean eyes, dark thick eyebrows, gentle hands, long soft hair. Father wore simple country clothes
- Characterization and image of Chichikov in the poem Dead Souls by Gogol composition
Chichikov is considered mainly around which the plot of the poem is put. This can be understood from the first pages when the author begins to describe the character of the hero and his environment. Gogol himself was not sure that readers would like Chichikov
- Composition based on the work of Tosca Chekhov
The world has become full of people indifferent to each other. This is what Chekhov will talk about in his work entitled Tosca.
- Story plan Astafiev Grooming Skrip
Squeak, along with his brothers and sisters, hatched from an egg in a warm mother's nest. They could only see a small spot of light from their nest on the river bank.
Reading the novel by I. S. Turgenev "Fathers and Sons", we watch with trepidation a man named Evgeny Vasilyevich Bazarov. What is so special about it? In appearance, this is a simple county doctor who received the profession as an inheritance from his father. He is hardworking, close to the people. But, nevertheless, there is something unusual in him.
This is his nihilism.
Bazarov always stood out from the crowd in that he denied everything. Things so close to many of us, like nature, love, religion, were alien to him. Even in himself, he constantly noticed that the further, the less feelings he felt for family and friends.
But, in no case, you can not criticize him. Another characteristic feature of Bazarov was persistence. He enjoyed his work. As a physician, he was constantly connected with people, which allowed him to enjoy universal respect. He was loved by children, workers, those around him. He seemed simple and understandable to them.
One way or another, the novel brings us to a key moment - the death of Bazarov. From history we see that Eugene is dying of blood poisoning. But, in fact, everything connected with this tragedy carries a deeper meaning.
Turgenev sees in his hero a doomed person. Two main reasons can be traced here: Bazarov's loneliness and inner feelings.
A feature of the hero's last days was that he gradually began to realize all the things that he so diligently opposed. He confesses his love to his beloved, begins to relate to his parents in a new way. Bazarov finally realized how important parents are in life and that they really deserve respect and attention from their son.
This man had extraordinary willpower. He firmly looked death in the eyes and was not afraid. Eugene was able to fully assess his life and draw all the conclusions. As a result, he is the simplest person who has his own life and his own fears.
Probably, it was difficult for him to come to terms with the fact that science, in which he firmly believed, became the cause of his incurable disease. Medicine could not save him.
I love how ardent the person was. It cannot be called weak or unnecessary. He tried his best to be helpful. But at the end of his life, he thinks about the fact that he could not serve his homeland. He reproaches himself for this. But we see in him a hero who courageously, steadfastly, stubbornly achieves his goal.
Bazarov is an example of a person who needs neither support nor compassion. He alone is able to pass any obstacles. He feels good alone. Yes, he is lonely, but he does not feel it.
When we hear about people who are on the verge of death, we often notice that they start asking for help, praying to God and people to save them. But our hero did not indulge himself with stupid hopes, but steadfastly looked ahead. There is no fear in him, only regret. Probably everyone feels this way. Throughout life we \u200b\u200bhave many plans, but in the hustle and bustle we miss a lot. And so, in the end, we understand that we have lost a lot and have not done it.
The author shows the interesting moments where the hero experiences new feelings that were previously unknown to him. He thinks about forests, nature, even religion. Bazarov realizes how much he has lost and that nothing will be returned. There is more to it. As if everything that he denied was about to take him to another world.
Another question that stands before us is why, after all, Turgenev killed the hero. The main reason, in my opinion, is the state of society at that time. The people were not ready to accept new democratic reforms. So the symbol of the Hero simply could not last longer.
For me, Evgeny Vasilyevich Bazarov is a person who tirelessly adhered to his principles, which deserves respect and memory.
Updated: 2013-01-13
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Let's turn to the last pages of the novel. How do the last pages of the novel feel?
(A feeling of pity that such a person is dying. A. P. Chekhov wrote: "My God! What a luxury, Fathers and Sons! Just shout the guard. Bazarov's illness was made so strong that I became weak, and it felt like as if I got infected from him. And the end of Bazarov? This the devil knows how it was done (Read excerpts from chapter 27).
What do you think Pisarev meant when he wrote: "To die the way Bazarov died is the same as to do a great feat"?
(At this moment, Bazarov's willpower and courage manifested itself. Feeling the inevitability of the end, he did not coward, did not try to deceive himself, and most importantly, remained true to himself and his convictions. Bazarov's death is heroic, but attracts not only Bazarov's heroism, but also the humanity of his behavior ).
Why is Bazarov getting closer to us before his death?
(The romance was vividly revealed in him, he finally uttered the words that he had feared before: "I love you! Goodbye ... after all, I didn't kiss you then ... Blow on the dying lamp and let it go out ..." Bazarov becomes more human .)
Why, after all, does Turgenev end the novel with a scene of the hero's death, despite his superiority over other heroes?
(Bazarov dies from an accidental cut of a finger, but his death, from the author's point of view, is natural. Turgenev will define the figure of Bazarov as tragic and “doomed to death.” That is why he “killed” the hero. Two reasons: loneliness and inner conflict of the hero.
The author shows how Bazarov remains alone. The first to fall away were the Kirsanovs, then the Odintsovs, then the parents, Fenechka, Arkady, and the last cutting off of Bazarov from the people. The new people look lonely compared to the vast mass of the rest of society. Bazarov is a representative of an early revolutionary, a commoner, he is one of the first in this matter, and the first is always difficult. They are alone in the small-scale and urban noble environment.
But Bazarov dies, but like-minded people remain who will continue the common cause. Turgenev did not show Bazarov's associates and thereby deprived his business of prospects. Bazarov does not have a positive program, he only denies, since Bazarov cannot answer the question: "What next?" What to do after being destroyed? This is the futility of the novel. This is the main reason for the death of Bazarov in the novel, the main reason that the author was unable to outline the future.
The second reason is the hero's inner conflict. Turgenev believes that Bazarov died because he became a romantic, since he did not believe in the possibility of a harmonious combination of romance and the strength of a civil spirit in new people. That is why Turgenev's Bazarov wins as a fighter, as long as there is no romance in him, no sublime feeling for nature, female beauty.)
(Turgenev was very fond of Bazarov and repeated many times that Bazarov was a “clever girl” and a “hero.” Turgenev wanted the reader to fall in love with Bazarov (but by no means Bazarovism) with all his rudeness, heartlessness, ruthless dryness.)
III. Teacher's word
Literary critics have repeatedly named the lack of solid ground under their feet as the main cause of Bazarov's death. In support of this, his conversation with a peasant was cited, in which Bazarov turns out to be "something like a pea jester." However, what Turgenev sees as the doom of his hero is not limited to Bazarov's inability to find a common language with a peasant. Is the tragic death phrase of Bazarov: "... Russia needs me ... No, apparently, it is not needed ..." - can be explained by the above reason? And most importantly, "the story of the hero is included in the common theme for the writer of the death of a person in the crucible of natural forces beyond his control", "elemental forces - passion and death."
Turgenev did not put up with the metaphysical insignificance of man. It was his unceasing pain, growing out of the realization of the tragedy of human fate. But he seeks support for a person and finds it in "the dignity of the consciousness of his insignificance." That is why his Bazarov is convinced that in the face of a blind force that destroys everything, it is important to remain strong, as he was in life.
It is painful for the dying Bazarov to recognize himself as a "half-crushed worm", to be an "ugly sight". However, the fact that he managed to achieve a lot on his way, managed to touch the absolute values \u200b\u200bof human life, gives him the strength to face death with dignity, to live with dignity until the moment of unconsciousness.
The poet is talking to Anna Sergeevna, who, completing his earthly journey, found for himself the most accurate image - the “dying lamp”, whose light symbolized Bazarov's life. Always despising a beautiful phrase, now he can afford it: "Blow on the dying lamp and let it go out ..."
On the brink of death, Turgenev's hero, as it were, draws a line under his disputes with Pavel Petrovich about whether such, as Kirsanov ironically noted, are needed “saviors, heroes” of Russia. "Does Russia need me?" - asks himself Bazarov, one of the "deliverers", and does not hesitate to answer: "No, apparently, it is not needed." Maybe he was aware of this while arguing with Pavel Kirsanov?
Thus, death gave Bazarov the right to be what, perhaps, he always was - doubting, not afraid to be weak, sublime, able to love ... Bazarov's uniqueness lies in the fact that through the whole novel he will go through in many ways a different person and Thus he will doom himself to the only possible, fatal, tragic - Bazarov - fate.
However, Turgenev ended his novel with an enlightened picture of a quiet rural cemetery, where Bazarov's “passionate, sinful, rebellious heart” rested and where “from a nearby village, two already decrepit old men often come - a husband and wife” - Bazarov's parents.
